Search Results: "tina"

22 April 2024

Russ Allbery: Review: The Stars, Like Dust

Review: The Stars, Like Dust, by Isaac Asimov
Series: Galactic Empire #2
Publisher: Fawcett Crest
Copyright: 1950, 1951
Printing: June 1972
Format: Mass market
Pages: 192
The Stars, Like Dust is usually listed as the first book in Asimov's lesser-known Galactic Empire Trilogy since it takes place before Pebble in the Sky. Pebble in the Sky was published first, though, so I count it as the second book. It is very early science fiction with a few mystery overtones. Buying books produces about 5% of the pleasure of reading them while taking much less than 5% of the time. There was a time in my life when I thoroughly enjoyed methodically working through a used book store, list in hand, tracking down cheap copies to fill in holes in series. This means that I own a lot of books that I thought at some point that I would want to read but never got around to, often because, at the time, I was feeling completionist about some series or piece of world-building. From time to time, I get the urge to try to read some of them. Sometimes this is a poor use of my time. The Galactic Empire series is from Asimov's first science fiction period, after the Foundation series but contemporaneous with their collection into novels. They're set long, long before Foundation, but after humans have inhabited numerous star systems and Earth has become something of a backwater. That process is just starting in The Stars, Like Dust: Earth is still somewhere where an upper-class son might be sent for an education, but it has been devastated by nuclear wars and is well on its way to becoming an inward-looking relic on the edge of galactic society. Biron Farrill is the son of the Lord Rancher of Widemos, a wealthy noble whose world is one of those conquered by the Tyranni. In many other SF novels, the Tyranni would be an alien race; here, it's a hierarchical and authoritarian human civilization. The book opens with Biron discovering a radiation bomb planted in his dorm room. Shortly after, he learns that his father had been arrested. One of his fellow students claims to be in Biron's side against the Tyranni and gives him false papers to travel to Rhodia, a wealthy world run by a Tyranni sycophant. Like most books of this era, The Stars, Like Dust is a short novel full of plot twists. Unlike some of its contemporaries, it's not devoid of characterization, but I might have liked it better if it were. Biron behaves like an obnoxious teenager when he's not being an arrogant ass. There is a female character who does a few plot-relevant things and at no point is sexually assaulted, so I'll give Asimov that much, but the gender stereotypes are ironclad and there is an entire subplot focused on what I can only describe as seduction via petty jealousy. The writing... well, let me quote a typical passage:
There was no way of telling when the threshold would be reached. Perhaps not for hours, and perhaps the next moment. Biron remained standing helplessly, flashlight held loosely in his damp hands. Half an hour before, the visiphone had awakened him, and he had been at peace then. Now he knew he was going to die. Biron didn't want to die, but he was penned in hopelessly, and there was no place to hide.
Needless to say, Biron doesn't die. Even if your tolerance for pulp melodrama is high, 192 small-print pages of this sort of thing is wearying. Like a lot of Asimov plots, The Stars, Like Dust has some of the shape of a mystery novel. Biron, with the aid of some newfound companions on Rhodia, learns of a secret rebellion against the Tyranni and attempts to track down its base to join them. There are false leads, disguised identities, clues that are difficult to interpret, and similar classic mystery trappings, all covered with a patina of early 1950s imaginary science. To me, it felt constructed and artificial in ways that made the strings Asimov was pulling obvious. I don't know if someone who likes mystery construction would feel differently about it. The worst part of the plot thankfully doesn't come up much. We learn early in the story that Biron was on Earth to search for a long-lost document believed to be vital to defeating the Tyranni. The nature of that document is revealed on the final page, so I won't spoil it, but if you try to think of the stupidest possible document someone could have built this plot around, I suspect you will only need one guess. (In Asimov's defense, he blamed Galaxy editor H.L. Gold for persuading him to include this plot, and disavowed it a few years later.) The Stars, Like Dust is one of the worst books I have ever read. The characters are overwrought, the politics are slapdash and build on broad stereotypes, the romantic subplot is dire and plays out mainly via the Biron egregiously manipulating his petulant love interest, and the writing is annoying. Sometimes pulp fiction makes up for those common flaws through larger-than-life feats of daring, sweeping visions of future societies, and ever-escalating stakes. There is little to none of that here. Asimov instead provides tedious political maneuvering among a class of elitist bankers and land owners who consider themselves natural leaders. The only places where the power structures of this future government make sense are where Asimov blatantly steals them from either the Roman Empire or the Doge of Venice. The one thing this book has going for it the thing, apart from bloody-minded completionism, that kept me reading is that the technology is hilariously weird in that way that only 1940s and 1950s science fiction can be. The characters have access to communication via some sort of interstellar telepathy (messages coded to a specific person's "brain waves") and can travel between stars through hyperspace jumps, but each jump is manually calculated by referring to the pilot's (paper!) volumes of the Standard Galactic Ephemeris. Communication between ships (via "etheric radio") requires manually aiming a radio beam at the area in space where one thinks the other ship is. It's an unintentionally entertaining combination of technology that now looks absurdly primitive and science that is so advanced and hand-waved that it's obviously made up. I also have to give Asimov some points for using spherical coordinates. It's a small thing, but the coordinate systems in most SF novels and TV shows are obviously not fit for purpose. I spent about a month and a half of this year barely reading, and while some of that is because I finally tackled a few projects I'd been putting off for years, a lot of it was because of this book. It was only 192 pages, and I'm still curious about the glue between Asimov's Foundation and Robot series, both of which I devoured as a teenager. But every time I picked it up to finally finish it and start another book, I made it about ten pages and then couldn't take any more. Learn from my error: don't try this at home, or at least give up if the same thing starts happening to you. Followed by The Currents of Space. Rating: 2 out of 10

18 April 2024

Russ Allbery: Review: Unseen Academicals

Review: Unseen Academicals, by Terry Pratchett
Series: Discworld #37
Publisher: Harper
Copyright: October 2009
Printing: November 2014
ISBN: 0-06-233500-6
Format: Mass market
Pages: 517
Unseen Academicals is the 37th Discworld novel and includes many of the long-standing Ankh-Morpork cast, but mostly as supporting characters. The main characters are a new (and delightful) bunch with their own concerns. You arguably could start reading here if you really wanted to, although you would risk spoiling several previous books (most notably Thud!) and will miss some references that depend on familiarity with the cast. The Unseen University is, like most institutions of its sort, funded by an endowment that allows the wizards to focus on the pure life of the mind (or the stomach). Much to their dismay, they have just discovered that an endowment that amounts to most of their food budget requires that they field a football team. Glenda runs the night kitchen at the Unseen University. Given the deep and abiding love that wizards have for food, there is both a main kitchen and a night kitchen. The main kitchen is more prestigious, but the night kitchen is responsible for making pies, something that Glenda is quietly but exceptionally good at. Juliet is Glenda's new employee. She is exceptionally beautiful, not very bright, and a working class girl of the Ankh-Morpork streets down to her bones. Trevor Likely is a candle dribbler, responsible for assisting the Candle Knave in refreshing the endless university candles and ensuring that their wax is properly dribbled, although he pushes most of that work off onto the infallibly polite and oddly intelligent Mr. Nutt. Glenda, Trev, and Juliet are the sort of people who populate the great city of Ankh-Morpork. While the people everyone has heard of have political crises, adventures, and book plots, they keep institutions like the Unseen University running. They read romance novels, go to the football games, and nurse long-standing rivalries. They do not expect the high mucky-mucks to enter their world, let alone mess with their game. I approached Unseen Academicals with trepidation because I normally don't get along as well with the Discworld wizard books. I need not have worried; Pratchett realized that the wizards would work better as supporting characters and instead turns the main plot (or at least most of it; more on that later) over to the servants. This was a brilliant decision. The setup of this book is some of the best of Discworld up to this point. Trev is a streetwise rogue with an uncanny knack for kicking around a can that he developed after being forbidden to play football by his dear old mum. He falls for Juliet even though their families support different football teams, so you may think that a Romeo and Juliet spoof is coming. There are a few gestures of one, but Pratchett deftly avoids the pitfalls and predictability and instead makes Juliet one of the best characters in the book by playing directly against type. She is one of the characters that Pratchett is so astonishingly good at, the ones that are so thoroughly themselves that they transcend the stories they're put into. The heart of this book, though, is Glenda.
Glenda enjoyed her job. She didn't have a career; they were for people who could not hold down jobs.
She is the kind of person who knows where she fits in the world and likes what she does and is happy to stay there until she decides something isn't right, and then she changes the world through the power of common sense morality, righteous indignation, and sheer stubborn persistence. Discworld is full of complex and subtle characters fencing with each other, but there are few things I have enjoyed more than Glenda being a determinedly good person. Vetinari of course recognizes and respects (and uses) that inner core immediately. Unfortunately, as great as the setup and characters are, Unseen Academicals falls apart a bit at the end. I was eagerly reading the story, wondering what Pratchett was going to weave out of the stories of these individuals, and then it partly turned into yet another wizard book. Pratchett pulled another of his deus ex machina tricks for the climax in a way that I found unsatisfying and contrary to the tone of the rest of the story, and while the characters do get reasonable endings, it lacked the oomph I was hoping for. Rincewind is as determinedly one-note as ever, the wizards do all the standard wizard things, and the plot just isn't that interesting. I liked Mr. Nutt a great deal in the first part of the book, and I wish he could have kept that edge of enigmatic competence and unflappableness. Pratchett wanted to tell a different story that involved more angst and self-doubt, and while I appreciate that story, I found it less engaging and a bit more melodramatic than I was hoping for. Mr. Nutt's reactions in the last half of the book were believable and fit his background, but that was part of the problem: he slotted back into an archetype that I thought Pratchett was going to twist and upend. Mr. Nutt does, at least, get a fantastic closing line, and as usual there are a lot of great asides and quotes along the way, including possibly the sharpest and most biting Vetinari speech of the entire series.
The Patrician took a sip of his beer. "I have told this to few people, gentlemen, and I suspect never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I'm sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen: mother and children dining on mother and children. And that's when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior."
My dissatisfaction with the ending prevents Unseen Academicals from rising to the level of Night Watch, and it's a bit more uneven than the best books of the series. Still, though, this is great stuff; recommended to anyone who is reading the series. Followed in publication order by I Shall Wear Midnight. Rating: 8 out of 10

9 April 2024

Gunnar Wolf: Think outside the box Welcome Eclipse!

Now that we are back from our six month period in Argentina, we decided to adopt a kitten, to bring more diversity into our lives. Perhaps this little girl will teach us to think outside the box! Yesterday we witnessed a solar eclipse Mexico City was not in the totality range (we reached ~80%), but it was a great experience to go with the kids. A couple dozen thousand people gathered for a massive picnic in las islas, the main area inside our university campus. Afterwards, we went briefly back home, then crossed the city to fetch the little kitten. Of course, the kids were unanimous: Her name is Eclipse.

29 March 2024

Ravi Dwivedi: A visit to the Taj Mahal

Note: The currency used in this post is Indian Rupees, which was around 83 INR for 1 US Dollar as that time. I and my friend Badri visited the Taj Mahal this month. Taj Mahal is one of the main tourist destinations in India and does not need an introduction, I guess. It is in Agra, in the state of Uttar Pradesh, 188 km from Delhi by train. So, I am writing a post documenting useful information for people who are planning to visit Taj Mahal. Feel free to ask me questions about visiting the Taj Mahal.
Our retiring room at the Old Delhi Railway Station.
We had booked a train from Delhi to Agra. The name of the train was Taj Express, and its scheduled departure time from Hazrat Nizamuddin station in Delhi is 07:08 hours in the morning, and its arrival time at Agra Cantt station is 09:45. So, we booked a retiring room at the Old Delhi railway station for the previous night. This retiring room was hard to find. We woke up at 05:00 in the morning and took the metro to Hazrat Nizamuddin station. We barely reached the station in time, but anyway, the train was not yet at the station; it was late. We reached Agra at 10:30 and checked into our retiring room, took rest and went out for Taj Mahal at 13:00 in the afternoon. Taj Mahal s outer gate is 5 km away from the Agra Cantt station. As we were going out of the railway station, we were chased by an autorickshaw driver who offered to go to Taj Mahal for 150 INR for both of us. I asked him to bring it down to 60 INR, and after some back and forth, he agreed to drop us off at Taj Mahal for 80 INR. But I said we won t pay anything above 60 INR. He agreed with that amount but said that he would need to fill up with more passengers. When we saw that he wasn t making any effort in bringing more passengers, we walked away. As soon as we got out of the railway station complex, an autorickshaw driver came to us and offered to drop us off at Taj Mahal for 20 INR if we are sharing with other passengers and 100 INR if we reserve the auto for us. We agreed to go with 20 INR per person, but he started the autorickshaw as soon as we hopped in. I thought that the third person in the auto was another passenger sharing a ride with us, but later we got to know he was with the driver. Upon reaching the outer gate of Taj Mahal, I gave him 40 INR (for both of us), and he asked to instead give 100 INR as he said we reserved the auto, even though I clearly stated before taking the auto that we wanted to share the auto, not reserve it. I think this was a scam. We walked away, and he didn t insist further. Taj Mahal entrance was like 500 m from the outer gate. We went there and bought offline tickets just outside the West gate. For Indians, the ticket for going inside the Taj Mahal complex is 50 INR, and a visit to the mausoleum costs 200 INR extra.
Security outside the Taj Mahal complex.
This red colored building is entrance to where you can see the Taj Mahal.
Taj Mahal.
Shoe covers for going inside the mausoleum.
Taj Mahal from side angle.
We came out of the Taj Mahal complex at 18:00 and stopped for some tea and snacks. I also bought a fridge magnet for 30 INR. Then we walked back towards Agra Cantt station, as we had a train for Jaipur at midnight. We were hoping to find a restaurant along the way, but we didn t find any that we found interesting, so we just ate at the railway station. During the return trip, we noticed there was a bus stand near the station, which we didn t know about. It turns out you can catch a bus to Taj Mahal from there. You can click here to check out the location of that bus stand on OpenStreetMap.

Expenses These were our expenses per person Retiring room at Delhi Railway Station for 12 hours 131 Train ticket from Delhi to Agra (Taj Express) 110 Retiring room at Agra Cantt station for 12 hours 450 Auto-rickshaw to Taj Mahal 20 Taj Mahal ticket (including going inside the mausoleum): 250 Food 350

Important information for visitors
  • Taj Mahal is closed on Friday.
  • There are plenty of free-of-cost drinking water taps inside the Taj Mahal complex.
  • Ticket price for Indians is 50, for foreigners and NRIs it is 1100, and for people from SAARC/BIMSTEC is 540. 200 extra for the mausoleum for everyone.
  • A visit inside the mausoleum requires covering your shoes or removing them. Shoe covers costs 10 per person inside the complex, but are probably involved free of charge in foreigner tickets. We could not find a place to keep our shoes, but some people managed to enter barefoot, indicating there must be some place to keep your shoes.
  • Mobile phones and cameras are allowed inside the Taj Mahal, but not eatables.
  • We went there on March 10th, and the weather was pleasant. So, we recommend going around that time.
  • Regarding the timings, I found this written near the ticket counter: Taj Mahal opens 30 minutes before sunrise and closes 30 minutes before sunset during normal operating days, so the timings are vague. But we came out of the complex at 18:00 hours. I would interpret that to mean the Taj Mahal is open from 07:00 to 18:00, and the ticket counter closes at around 17:00. During the winter, the timings might differ.
  • The cheapest way to reach Taj Mahal is by bus, and the bus stop is here
Bye for now. See you in the next post :)

18 March 2024

Gunnar Wolf: After miniDebConf Santa Fe

Last week we held our promised miniDebConf in Santa Fe City, Santa Fe province, Argentina just across the river from Paran , where I have spent almost six beautiful months I will never forget. Around 500 Kilometers North from Buenos Aires, Santa Fe and Paran are separated by the beautiful and majestic Paran river, which flows from Brazil, marks the Eastern border of Paraguay, and continues within Argentina as the heart of the litoral region of the country, until it merges with the Uruguay river (you guessed right the river marking the Eastern border of Argentina, first with Brazil and then with Uruguay), and they become the R o de la Plata. This was a short miniDebConf: we were lent the APUL union s building for the weekend (thank you very much!); during Saturday, we had a cycle of talks, and on sunday we had more of a hacklab logic, having some unstructured time to work each on their own projects, and to talk and have a good time together. We were five Debian people attending: santiago debacle eamanu dererk gwolf @debian.org. My main contact to kickstart organization was Mart n Bayo. Mart n was for many years the leader of the Technical Degree on Free Software at Universidad Nacional del Litoral, where I was also a teacher for several years. Together with Leo Mart nez, also a teacher at the tecnicatura, they contacted us with Guillermo and Gabriela, from the APUL non-teaching-staff union of said university. We had the following set of talks (for which there is a promise to get electronic record, as APUL was kind enough to record them! of course, I will push them to our usual conference video archiving service as soon as I get them)
Hour Title (Spanish) Title (English) Presented by
10:00-10:25 Introducci n al Software Libre Introduction to Free Software Mart n Bayo
10:30-10:55 Debian y su comunidad Debian and its community Emanuel Arias
11:00-11:25 Por qu sigo contribuyendo a Debian despu s de 20 a os? Why am I still contributing to Debian after 20 years? Santiago Ruano
11:30-11:55 Mi identidad y el proyecto Debian: Qu es el llavero OpenPGP y por qu ? My identity and the Debian project: What is the OpenPGP keyring and why? Gunnar Wolf
12:00-13:00 Explorando las masculinidades en el contexto del Software Libre Exploring masculinities in the context of Free Software Gora Ortiz Fuentes - Jos Francisco Ferro
13:00-14:30 Lunch
14:30-14:55 Debian para el d a a d a Debian for our every day Leonardo Mart nez
15:00-15:25 Debian en las Raspberry Pi Debian in the Raspberry Pi Gunnar Wolf
15:30-15:55 Device Trees Device Trees Lisandro Dami n Nicanor Perez Meyer (videoconferencia)
16:00-16:25 Python en Debian Python in Debian Emmanuel Arias
16:30-16:55 Debian y XMPP en la medici n de viento para la energ a e lica Debian and XMPP for wind measuring for eolic energy Martin Borgert
As it always happens DebConf, miniDebConf and other Debian-related activities are always fun, always productive, always a great opportunity to meet again our decades-long friends. Lets see what comes next!

10 March 2024

Thorsten Alteholz: My Debian Activities in February 2024

FTP master This month I accepted 242 and rejected 42 packages. The overall number of packages that got accepted was 251.

This was just a short month and the weather outside was not really motivating. I hope it will be better in March. Debian LTS This was my hundred-sixteenth month that I did some work for the Debian LTS initiative, started by Raphael Hertzog at Freexian. During my allocated time I uploaded: I also started to work on qtbase-opensource-src (an update is needed for ELTS, so an LTS update seems to be appropriate as well, especially as there are postponed CVE). Debian ELTS This month was the sixty-seventth ELTS month. During my allocated time I uploaded: The upload of bind9 was a bit exciting, but all occuring issues with the new upload workflow could be quickly fixed by Helmut and the packages finally reached their destination. I wonder why it is always me who stumbles upon special cases? This month I also worked on the Jessie and Stretch updates for exim4. I also started to work on an update for qtbase-opensource-src in Stretch (and LTS and other releases as well). Debian Printing This month I uploaded new upstream versions of: This work is generously funded by Freexian! Debian Matomo I started a new team debian-matomo-maintainers. Within this team all matomo related packages should be handled. PHP PEAR or PECL packages shall be still maintained in their corresponding teams. This month I uploaded: This work is generously funded by Freexian! Debian Astro This month I uploaded a new upstream version of: Debian IoT This month I uploaded new upstream versions of:

8 March 2024

Louis-Philippe V ronneau: Acts of active procrastination: example of a silly Python script for Moodle

My brain is currently suffering from an overload caused by grading student assignments. In search of a somewhat productive way to procrastinate, I thought I would share a small script I wrote sometime in 2023 to facilitate my grading work. I use Moodle for all the classes I teach and students use it to hand me out their papers. When I'm ready to grade them, I download the ZIP archive Moodle provides containing all their PDF files and comment them using xournalpp and my Wacom tablet. Once this is done, I have a directory structure that looks like this: 
Assignment FooBar/
  Student A_21100_assignsubmission_file
    graded paper.pdf
    Student A's perfectly named assignment.pdf
    Student A's perfectly named assignment.xopp
  Student B_21094_assignsubmission_file
    graded paper.pdf
    Student B's perfectly named assignment.pdf
    Student B's perfectly named assignment.xopp
  Student C_21093_assignsubmission_file
    graded paper.pdf
    Student C's perfectly named assignment.pdf
    Student C's perfectly named assignment.xopp
Before I can upload files back to Moodle, this directory needs to be copied (I have to keep the original files), cleaned of everything but the graded paper.pdf files and compressed in a ZIP. You can see how this can quickly get tedious to do by hand. Not being a complete tool, I often resorted to crafting a few spurious shell one-liners each time I had to do this1. Eventually I got tired of ctrl-R-ing my shell history and wrote something reusable. Behold this script! When I began writing this post, I was certain I had cheaped out on my 2021 New Year's resolution and written it in Shell, but glory!, it seems I used a proper scripting language instead. 
#!/usr/bin/python3
# Copyright (C) 2023, Louis-Philippe V ronneau <pollo@debian.org>
#
# This program is free software: you can redistribute it and/or modify
# it under the terms of the GNU General Public License as published by
# the Free Software Foundation, either version 3 of the License, or
# (at your option) any later version.
#
# This program is distributed in the hope that it will be useful,
# but WITHOUT ANY WARRANTY; without even the implied warranty of
# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
# GNU General Public License for more details.
#
# You should have received a copy of the GNU General Public License
# along with this program.  If not, see <http://www.gnu.org/licenses/>.
"""
This script aims to take a directory containing PDF files exported via the
Moodle mass download function, remove everything but the final files to submit
back to the students and zip it back.
usage: ./moodle-zip.py <target_dir>
"""
import os
import shutil
import sys
import tempfile
from fnmatch import fnmatch
def sanity(directory):
    """Run sanity checks before doing anything else"""
    base_directory = os.path.basename(os.path.normpath(directory))
    if not os.path.isdir(directory):
        sys.exit(f"Target directory  directory  is not a valid directory")
    if os.path.exists(f"/tmp/ base_directory .zip"):
        sys.exit(f"Final ZIP file path '/tmp/ base_directory .zip' already exists")
    for root, dirnames, _ in os.walk(directory):
        for dirname in dirnames:
            corrige_present = False
            for file in os.listdir(os.path.join(root, dirname)):
                if fnmatch(file, 'graded paper.pdf'):
                    corrige_present = True
            if corrige_present is False:
                sys.exit(f"Directory  dirname  does not contain a 'graded paper.pdf' file")
def clean(directory):
    """Remove superfluous files, to keep only the graded PDF"""
    with tempfile.TemporaryDirectory() as tmp_dir:
        shutil.copytree(directory, tmp_dir, dirs_exist_ok=True)
        for root, _, filenames in os.walk(tmp_dir):
            for file in filenames:
                if not fnmatch(file, 'graded paper.pdf'):
                    os.remove(os.path.join(root, file))
        compress(tmp_dir, directory)
def compress(directory, target_dir):
    """Compress directory into a ZIP file and save it to the target dir"""
    target_dir = os.path.basename(os.path.normpath(target_dir))
    shutil.make_archive(f"/tmp/ target_dir ", 'zip', directory)
    print(f"Final ZIP file has been saved to '/tmp/ target_dir .zip'")
def main():
    """Main function"""
    target_dir = sys.argv[1]
    sanity(target_dir)
    clean(target_dir)
if __name__ == "__main__":
    main()
If for some reason you happen to have a similar workflow as I and end up using this script, hit me up? Now, back to grading...
  1. If I recall correctly, the lazy way I used to do it involved copying the directory, renaming the extension of the graded paper.pdf files, deleting all .pdf and .xopp files using find and changing graded paper.foobar back to a PDF. Some clever regex or learning awk from the ground up could've probably done the job as well, but you know, that would have required using my brain and spending spoons...

Valhalla's Things: Denim Waistcoat

Posted on March 8, 2024
Tags: madeof:atoms, craft:sewing, FreeSoftWear
A woman wearing a single breasted waistcoat with double darts at the waist, two pocket flaps at the waist and one on the left upper breast. It has four jeans buttons. I had finished sewing my jeans, I had a scant 50 cm of elastic denim left. Unrelated to that, I had just finished drafting a vest with Valentina, after the Cutters Practical Guide to the Cutting of Ladies Garments. A new pattern requires a (wearable) mockup. 50 cm of leftover fabric require a quick project. The decision didn t take a lot of time. As a mockup, I kept things easy: single layer with no lining, some edges finished with a topstitched hem and some with bias tape, and plain tape on the fronts, to give more support to the buttons and buttonholes. I did add pockets: not real welt ones (too much effort on denim), but simple slits covered by flaps. a rectangle of pocketing fabric on the wrong side of a denim
piece; there is a slit in the middle that has been finished with topstitching.
To do them I marked the slits, then I cut two rectangles of pocketing fabric that should have been as wide as the slit + 1.5 cm (width of the pocket) + 3 cm (allowances) and twice the sum of as tall as I wanted the pocket to be plus 1 cm (space above the slit) + 1.5 cm (allowances). Then I put the rectangle on the right side of the denim, aligned so that the top edge was 2.5 cm above the slit, sewed 2 mm from the slit, cut, turned the pocketing to the wrong side, pressed and topstitched 2 mm from the fold to finish the slit. a piece of pocketing fabric folded in half and sewn on all 3
other sides; it does not lay flat on the right side of the fabric because the finished slit (hidden in the picture) is pulling it.
Then I turned the pocketing back to the right side, folded it in half, sewed the side and top seams with a small allowance, pressed and turned it again to the wrong side, where I sewed the seams again to make a french seam. And finally, a simple rectangular denim flap was topstitched to the front, covering the slits. I wasn t as precise as I should have been and the pockets aren t exactly the right size, but they will do to see if I got the positions right (I think that the breast one should be a cm or so lower, the waist ones are fine), and of course they are tiny, but that s to be expected from a waistcoat. The back of the waistcoat, The other thing that wasn t exactly as expected is the back: the pattern splits the bottom part of the back to give it sufficient spring over the hips . The book is probably published in 1892, but I had already found when drafting the foundation skirt that its idea of hips includes a bit of structure. The enough steel to carry a book or a cup of tea kind of structure. I should have expected a lot of spring, and indeed that s what I got. To fit the bottom part of the back on the limited amount of fabric I had to piece it, and I suspect that the flat felled seam in the center is helping it sticking out; I don t think it s exactly bad, but it is a peculiar look. Also, I had to cut the back on the fold, rather than having a seam in the middle and the grain on a different angle. Anyway, my next waistcoat project is going to have a linen-cotton lining and silk fashion fabric, and I d say that the pattern is good enough that I can do a few small fixes and cut it directly in the lining, using it as a second mockup. As for the wrinkles, there is quite a bit, but it looks something that will be solved by a bit of lightweight boning in the side seams and in the front; it will be seen in the second mockup and the finished waistcoat. As for this one, it s definitely going to get some wear as is, in casual contexts. Except. Well, it s a denim waistcoat, right? With a very different cut from the get a denim jacket and rip out the sleeves , but still a denim waistcoat, right? The kind that you cover in patches, right? Outline of a sewing machine with teeth and crossed bones below it, and the text home sewing is killing fashion / and it's illegal And I may have screenprinted a home sewing is killing fashion patch some time ago, using the SVG from wikimedia commons / the Home Taping is Killing Music page. And. Maybe I ll wait until I have finished the real waistcoat. But I suspect that one, and other sewing / costuming patches may happen in the future. No regrets, as the words on my seam ripper pin say, right? :D

2 March 2024

Ravi Dwivedi: Malaysia Trip

Last month, I had a trip to Malaysia and Thailand. I stayed for six days in each of the countries. The selection of these countries was due to both of them granting visa-free entry to Indian tourists for some time window. This post covers the Malaysia part and Thailand part will be covered in the next post. If you want to travel to any of these countries in the visa-free time period, I have written all the questions asked during immigration and at airports during this trip here which might be of help. I mostly stayed in Kuala Lumpur and went to places around it. Although before the trip, I planned to visit Ipoh and Cameron Highlands too, but could not cover it during the trip. I found planning a trip to Malaysia a little difficult. The country is divided into two main islands - Peninsular Malaysia and Borneo. Then there are more islands - Langkawi, Penang island, Perhentian and Redang Islands. Reaching those islands seemed a little difficult to plan and I wish to visit more places in my next Malaysia trip. My first day hostel was booked in Chinatown part of Kuala Lumpur, near Pasar Seni LRT station. As soon as I checked-in and entered my room, I met another Indian named Fletcher, and after that we accompanied each other in the trip. That day, we went to Muzium Negara and Little India. I realized that if you know the right places to buy what you want, Malaysia could be quite cheap. Malaysian currency is Malaysian Ringgit (MYR). 1 MYR is equal to 18 INR. For 2 MYR, you can get a good masala tea in Little India and it costs like 4-5 MYR for a masala dosa. The vegetarian food has good availability in Kuala Lumpur, thanks to the Tamil community. I also tried Mee Goreng, which was vegetarian, and I found it fine in terms of taste. When I checked about Mee Goreng on Wikipedia, I found out that it is unique to Indian immigrants in Malaysia (and neighboring countries) but you don t get it in India!
Mee Goreng, a dish made of noodles in Malaysia.
For the next day, Fletcher had planned a trip to Genting Highlands and pre booked everything. I also planned to join him but when we went to KL Sentral to take the bus, his bus tickets were sold out. I could take a bus at a different time, but decided to visit some other place for the day and cover Genting Highlands later. At the ticket counter, I met a family from Delhi and they wanted to go to Genting Highlands but due to not getting bus tickets for that day, they decided to buy a ticket for the next day and instead planned for Batu Caves that day. I joined them and went to Batu Caves. After returning from Batu Caves, we went our separate ways. I went back and took rest at my hostel and later went to Petronas Towers at night. Petronas Towers is the icon of Kuala Lumpur. Having a photo there was a must. I was at Petronas Towers at around 9 PM. Around that time, Fletcher came back from Genting Highlands and we planned to meet at KL Sentral to head for dinner.
Me at Petronas Towers.
We went back to the same place as the day before where I had Mee Goreng. This time we had dosa and a masala tea. Their masala tea from the last day was tasty and that s why I was looking for them in the first place. We also met a Malaysian family having Indian ancestry dining there and had a nice conversation. Then we went to a place to eat roti canai in Pasar Seni market. Roti canai is a popular non-vegetarian dish in Malaysia but I took the vegetarian version.
Photo with Malaysians.
The next day, we went to Berjaya Time Square shopping place which sells pretty cheap items for daily use and souveniers too. However, I bought souveniers from Petaling Street, which is in Chinatown. At night, we explored Bukit Bintang, which is the heart of Kuala Lumpur and is famous for its nightlife. After that, Fletcher went to Bangkok and I was in Malaysia for two more days. Next day, I went to Genting Highlands and took the cable car, which had awesome views. I came back to Kuala Lumpur by the night. The remaining day I just roamed around in Bukit Bintang. Then I took a flight for Bangkok on 7th Feb, which I will cover in the next post. In Malaysia, I met so many people from different countries - apart from people from Indian subcontinent, I met Syrians, Indonesians (Malaysia seems to be a popular destination for Indonesian tourists) and Burmese people. Meeting people from other cultures is an integral part of travel for me. My expenses for Food + Accommodation + Travel added to 10,000 INR for a week in Malaysia, while flight costs were: 13,000 INR (Delhi to Kuala Lumpur) + 10,000 INR (Kuala Lumpur to Bangkok) + 12,000 INR (Bangkok to Delhi). For OpenStreetMap users, good news is Kuala Lumpur is fairly well-mapped on OpenStreetMap.

Tips
  • I bought local SIM from a shop at KL Sentral station complex which had news in their name (I forgot the exact name and there are two shops having news in their name) and it was the cheapest option I could find. The SIM was 10 MYR for 5 GB data for a week. If you want to make calls too, then you need to spend extra 5 MYR.
  • 7-Eleven and KK Mart convenience stores are everywhere in the city and they are open all the time (24 hours a day). If you are a vegetarian, you can at least get some bread and cheese from there to eat.
  • A lot of people know English (and many - Indians, Pakistanis, Nepalis - know Hindi) in Kuala Lumpur, so I had no language problems most of the time.
  • For shopping on budget, you can go to Petaling Street, Berjaya Time Square or Bukit Bintang. In particular, there is a shop named I Love KL Gifts in Bukit Bintang which had very good prices. just near the metro/monorail stattion. Check out location of the shop on OpenStreetMap.

12 February 2024

Andrew Cater: Lessons from (and for) colleagues - and, implicitly, how NOT to get on

I have had excellent colleagues both at my day job and, especially, in Debian over the last thirty-odd years. Several have attempted to give me good advice - others have been exemplars. People retire: sadly, people die. What impression do you want to leave behind when you leave here?Belatedly, I've come to realise that obduracy, sheer bloody mindedness, force of will and obstinacy will only get you so far. The following began very much as a tongue in cheek private memo to myself a good few years ago. I showed it to a colleague who suggested at the time that I should share it to a wider audience.

SOME ADVICE YOU MAY BENEFIT FROM

Personal conduct
  • Never argue with someone you believe to be arguing idiotically - a dispassionate bystander may have difficulty telling who's who.
  • You can't make yourself seem reasonable by behaving unreasonably
  • It does not matter how correct your point of view is if you get people's backs up
  • They may all be #####, @@@@@, %%%% and ******* - saying so out loud doesn't help improve matters and may make you seem intemperate.

Working with others
  • Be the change you want to be and behave the way you want others to behave in order to achieve the desired outcome.
  • You can demolish someone's argument constructively and add weight to good points rather than tearing down their ideas and hard work and being ultra-critical and negative - no-one likes to be told "You know - you've got a REALLY ugly baby there"
  • It's easier to work with someone than to work against them and have to apologise repeatedly.
  • Even when you're outstanding and superlative, even you had to learn it all once. Be generous to help others learn: you shouldn't have to teach too many times if you teach correctly once and take time in doing so.

Getting the message across
  • Stop: think: write: review: (peer review if necessary): publish.
  • Clarity is all: just because you understand it doesn't mean anyone else will.
  • It does not matter how correct your point of view is if you put it across badly.
  • If you're giving advice: make sure it is:
  • Considered
  • Constructive
  • Correct as far as you can (and)
  • Refers to other people who may be able to help
  • Say thank you promptly if someone helps you and be prepared to give full credit where credit's due.

Work is like that
  • You may not know all the answers or even have the whole picture - consult, take advice - LISTEN TO THE ADVICE
  • Sometimes the right answer is not the immediately correct answer
  • Corollary: Sometimes the right answer for the business is not your suggested/preferred outcome
  • Corollary: Just because you can do it like that in the real world doesn't mean that you can do it that way inside the business. [This realisation is INTENSELY frustrating but you have to learn to deal with it]
  • DON'T ALWAYS DO IT YOURSELF - Attempt to fix the system, sometimes allow the corporate monster to fail - then do it yourself and fix it. It is always easier and tempting to work round the system and Just Flaming Do It but it doesn't solve problems in the longer term and may create more problems and ill-feeling than it solves.

    [Worked out for Andy Cater for himself after many years of fighting the system as a misguided missile - though he will freely admit that he doesn't always follow them as often as he should :) ]


Gunnar Wolf: Heads up! A miniDebConf is approaching in Santa Fe, Argentina

I realize it s a bit late to start publicly organizing this, but better late than never I m happy some Debian people I have directly contacted have already expressed interest. So, lets make this public! For all interested people who are reasonably close to central Argentina, or can be persuaded to come here in a month s time You are all welcome! It seems I managed to convince my good friend Mart n Bayo (some Debian people will remember him, as he was present in DebConf19 in Curitiba, Brazil) to get some facilities for us to have a nice Debian get-together in Central Argentina.

Where? We will meet at APUL Asociaci n de Personal no-docente de la Universidad Nacional del Litoral, in downtown Santa Fe, Argentina.

When? Saturday, 2024.03.09. It is quite likely we can get some spaces for continuing over Sunday if there is demand.

What are we planning? We have little time for planning but we want to have a space for Debian-related outreach (so, please think about a topic or two you d like to share with general free software-interested, not too technical, audience). Please tell me by mail (gwolf@debian.org) about any ideas you might have. We also want to have a general hacklab-style area to hang out, work a bit in our projects, and spend a good time together.

Logistics I have briefly commented about this with our dear and always mighty DPL, and Debian will support Debian-related people interested in attending; please check personally with me for specifics on how to handle this case by case. My intention is to cover costs for travel, accomodation (one or two nights) and food for whoever is interested in coming over.

More information As I don t want to direct people to keep an eye on my blog post for updates, I ll copy this information (and keep it updated!) at the Debian Wiki / DebianEvents / ar / 2024 / MiniDebConf / Santa Fe please refer to that page!

Contact

Codes of Conduct DebConf and Debian Code of Conduct apply. See the DebConf Code of Conduct and the Debian Code of Conduct.

Registration Registration is free, but needed. See the separate Registration page.

Talks Please, send your proposal to gwolf@debian.org

2 February 2024

Ian Jackson: UPS, the Useless Parcel Service; VAT and fees

I recently had the most astonishingly bad experience with UPS, the courier company. They severely damaged my parcels, and were very bad about UK import VAT, ultimately ending up harassing me on autopilot. The only thing that got their attention was my draft Particulars of Claim for intended legal action. Surprisingly, I got them to admit in writing that the disbursement fee they charge recipients alongside the actual VAT, is just something they made up with no legal basis. What happened Autumn last year I ordered some furniture from a company in Germany. This was to be shipped by them to me by courier. The supplier chose UPS. UPS misrouted one of the three parcels to Denmark. When everything arrived, it had been sat on by elephants. The supplier had to replace most of it, with considerable inconvenience and delay to me, and of course a loss to the supplier. But this post isn t mostly about that. This post is about VAT. You see, import VAT was due, because of fucking Brexit. UPS made a complete hash of collecting that VAT. Their computers can t issue coherent documents, their email helpdesk is completely useless, and their automated debt collection systems run along uninfluenced by any external input. The crazy, including legal threats and escalating late payment fees, continued even after I paid the VAT discrepancy (which I did despite them not yet having provided any coherent calculation for it). This kind of behaviour is a very small and mild version of the kind of things British Gas did to Lisa Ferguson, who eventually won substantial damages for harassment, plus 10K of costs. Having tried asking nicely, and sending stiff letters, I too threatened litigation. I would have actually started a court claim, but it would have included a claim under the Protection from Harassment Act. Those have to be filed under the Part 8 procedure , which involves sending all of the written evidence you re going to use along with the claim form. Collating all that would be a good deal of work, especially since UPS and ControlAccount didn t engage with me at all, so I had no idea which things they might actually dispute. So I decided that before issuing proceedings, I d send them a copy of my draft Particulars of Claim, along with an offer to settle if they would pay me a modest sum and stop being evil robots at me. Rather than me typing the whole tale in again, you can read the full gory details in the PDF of my draft Particulars of Claim. (I ve redacted the reference numbers). Outcome The draft Particulars finally got their attention. UPS sent me an offer: they agreed to pay me 50, in full and final settlement. That was close enough to my offer that I accepted it. I mostly wanted them to stop, and they do seem to have done so. And I ve received the 50. VAT calculation They also finally included an actual explanation of the VAT calculation. It s absurd, but it s not UPS s absurd:
The clearance was entered initially with estimated import charges of 400.03, consisting of 387.83 VAT, and 12.20 disbursement fee. This original entry regrettably did not include the freight cost for calculating the VAT, and as such when submitted for final entry the VAT value was adjusted to include this and an amended invoice was issued for an additional 39.84. HMRC calculate the amount against which VAT is raised using the value of goods, insurance and freight, however they also may apply a VAT adjustment figure. The VAT Adjustment is based on many factors (Incidental costs in regards to a shipment), which includes charge for currency conversion if the invoice does not list values in Sterling, but the main is due to the inland freight from airport of destination to the final delivery point, as this charge varies, for example, from EMA to Edinburgh would be 150, from EMA to Derby would be 1, so each year UPS must supply HMRC with all values incurred for entry build up and they give an average which UPS have to use on the entry build up as the VAT Adjustment. The correct calculation for the import charges is therefore as follows: Goods value divided by exchange rate 2,489.53 EUR / 1.1683 = 2,130.89 GBP Duty: Goods value plus freight (%) 2,130.89 GBP + 5% = 2,237.43 GBP. That total times the duty rate. X 0 % = 0 GBP VAT: Goods value plus freight (100%) 2,130.89 GBP + 0 = 2,130.89 GBP That total plus duty and VAT adjustment 2,130.89 GBP + 0 GBP + 7.49 GBP = 2,348.08 GBP. That total times 20% VAT = 427.67 GBP As detailed above we must confirm that the final VAT charges applied to the shipment were correct, and that no refund of this is therefore due.
This looks very like HMRC-originated nonsense. If only they had put it on the original bills! It s completely ridiculous that it took four months and near-litigation to obtain it. Disbursement fee One more thing. UPS billed me a 12 disbursement fee . When you import something, there s often tax to pay. The courier company pays that to the government, and the consignee pays it to the courier. Usually the courier demands it before final delivery, since otherwise they end up having to chase it as a debt. It is common for parcel companies to add a random fee of their own. As I note in my Particulars, there isn t any legal basis for this. In my own offer of settlement I proposed that UPS should:
State under what principle of English law (such as, what enactment or principle of Common Law), you levy the disbursement fee (or refund it).
To my surprise they actually responded to this in their own settlement letter. (They didn t, for example, mention the harassment at all.) They said (emphasis mine):
A disbursement fee is a fee for amounts paid or processed on behalf of a client. It is an established category of charge used by legal firms, amongst other companies, for billing of various ancillary costs which may be incurred in completion of service. Disbursement fees are not covered by a specific law, nor are they legally prohibited. Regarding UPS disbursement fee this is an administrative charge levied for the use of UPS deferment account to prepay import charges for clearance through CDS. This charge would therefore be billed to the party that is responsible for the import charges, normally the consignee or receiver of the shipment in question. The disbursement fee as applied is legitimate, and as you have stated is a commonly used and recognised charge throughout the courier industry, and I can confirm that this was charged correctly in this instance.
On UPS s analysis, they can just make up whatever fee they like. That is clearly not right (and I don t even need to refer to consumer protection law, which would also make it obviously unlawful). And, that everyone does it doesn t make it lawful. There are so many things that are ubiquitous but unlawful, especially nowadays when much of the legal system - especially consumer protection regulators - has been underfunded to beyond the point of collapse. Next time this comes up I might have a go at getting the fee back. (Obviously I ll have to pay it first, to get my parcel.) ParcelForce and Royal Mail I think this analysis doesn t apply to ParcelForce and (probably) Royal Mail. I looked into this in 2009, and I found that Parcelforce had been given the ability to write their own private laws: Schemes made under section 89 of the Postal Services Act 2000. This is obviously ridiculous but I think it was the law in 2009. I doubt the intervening governments have fixed it. Furniture Oh, yes, the actual furniture. The replacements arrived intact and are great :-).

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16 January 2024

Russ Allbery: Review: Making Money

Review: Making Money, by Terry Pratchett
Series: Discworld #36
Publisher: Harper
Copyright: October 2007
Printing: November 2014
ISBN: 0-06-233499-9
Format: Mass market
Pages: 473
Making Money is the 36th Discworld novel, the second Moist von Lipwig book, and a direct sequel to Going Postal. You could start the series with Going Postal, but I would not start here. The post office is running like a well-oiled machine, Adora Belle is out of town, and Moist von Lipwig is getting bored. It's the sort of boredom that has him picking his own locks, taking up Extreme Sneezing, and climbing buildings at night. He may not realize it, but he needs something more dangerous to do. Vetinari has just the thing. The Royal Bank of Ankh-Morpork, unlike the post office before Moist got to it, is still working. It is a stolid, boring institution doing stolid, boring things for rich people. It is also the battleground for the Lavish family past-time: suing each other and fighting over money. The Lavishes are old money, the kind of money carefully entangled in trusts and investments designed to ensure the family will always have money regardless of how stupid their children are. Control of the bank is temporarily in the grasp of Joshua Lavish's widow Topsy, who is not a true Lavish, but the vultures are circling. Meanwhile, Vetinari has grand city infrastructure plans, and to carry them out he needs financing. That means he needs a functional bank, and preferably one that is much less conservative. Moist is dubious about running a bank, and even more reluctant when Topsy Lavish sees him for exactly the con artist he is. His hand is forced when she dies, and Moist discovers he has inherited her dog, Mr. Fusspot. A dog that now owns 51% of the Royal Bank and therefore is the chairman of the bank's board of directors. A dog whose safety is tied to Moist's own by way of an expensive assassination contract. Pratchett knew he had a good story with Going Postal, so here he runs the same formula again. And yes, I was happy to read it again. Moist knows very little about banking but quite a lot about pretending something will work until it does, which has more to do with banking than it does with running a post office. The bank employs an expert, Mr. Bent, who is fanatically devoted to the gold standard and the correctness of the books and has very little patience for Moist. There are golem-related hijinks. The best part of this book is Vetinari, who is masterfully manipulating everyone in the story and who gets in some great lines about politics.
"We are not going to have another wretched empire while I am Patrician. We've only just got over the last one."
Also, Vetinari processing dead letters in the post office was an absolute delight. Making Money does have the recurring Pratchett problem of having a fairly thin plot surrounded by random... stuff. Moist's attempts to reform the city currency while staying ahead of the Lavishes is only vaguely related to Mr. Bent's plot arc. The golems are unrelated to the rest of the plot other than providing a convenient deus ex machina. There is an economist making water models in the bank basement with an Igor, which is a great gag but has essentially nothing to do with the rest of the book. One of the golems has been subjected to well-meaning older ladies and 1950s etiquette manuals, which I thought was considerably less funny (and somewhat creepier) than Pratchett did. There are (sigh) clowns, which continue to be my least favorite Ankh-Morpork world-building element. At least the dog was considerably less annoying than I was afraid it was going to be. This grab-bag randomness is a shame, since I think there was room here for a more substantial plot that engaged fully with the high weirdness of finance. Unfortunately, this was a bit like the post office in Going Postal: Pratchett dives into the subject just enough to make a few wry observations and a few funny quips, and then resolves the deeper issues off-camera. Moist tries to invent fiat currency, because of course he does, and Pratchett almost takes on the gold standard, only to veer away at the last minute into vigorous hand-waving. I suspect part of the problem is that I know a little bit too much about finance, so I kept expecting Pratchett to take the humorous social commentary a couple of levels deeper. On a similar note, the villains have great potential that Pratchett undermines by adding too much over-the-top weirdness. I wish Cosmo Lavish had been closer to what he appears to be at the start of the book: a very wealthy and vindictive man (and a reference to Cosimo de Medici) who doesn't have Moist's ability to come up with wildly risky gambits but who knows considerably more than he does about how banking works. Instead, Pratchett gives him a weird obsession that slowly makes him less sinister and more pathetic, which robs the book of a competent antagonist for Moist. The net result is still a fun book, and a solid Discworld entry, but it lacks the core of the best series entries. It felt more like a skit comedy show than a novel, but it's an excellent skit comedy show with the normal assortment of memorable Pratchettisms. Certainly if you've read this far, or even if you've only read Going Postal, you'll want to read Making Money as well. Followed by Unseen Academicals. The next Moist von Lipwig book is Raising Steam. Rating: 8 out of 10

14 January 2024

Debian Brasil: MiniDebConf BH 2024 - abertura de inscri o e chamada de atividades

MiniDebConf BH 2024 Est aberta a inscri o de participantes e a chamada de atividades para a MiniDebConf Belo Horizonte 2024 e para o FLISOL - Festival Latino-americano de Instala o de Software Livre. Veja abaixo algumas informa es importantes: Data e local da MiniDebConf e do FLISOL A MiniDebConf acontecer de 27 a 30 de abril no Campus Pampulha da UFMG - Universidade Federal de Minas Gerais. No dia 27 (s bado) tamb m realizaremos uma edi o do FLISOL - Festival Latino-americano de Instala o de Software Livre, evento que acontece no mesmo dia em v rias cidades da Am rica Latina. Enquanto a MiniDebConf ter atividades focados no Debian, o FLISOL ter atividades gerais sobre Software Livre e temas relacionados como linguagem de programa o, CMS, administra o de redes e sistemas, filosofia, liberdade, licen as, etc. Inscri o gratuita e oferta de bolsas Voc j pode realizar a sua inscri o gratuita para a MiniDebConf Belo Horizonte 2024. A MiniDebConf um evento aberto a todas as pessoas, independente do seu n vel de conhecimento sobre Debian. O mais importante ser reunir a comunidade para celebrar um dos maiores projeto de Software Livre no mundo, por isso queremos receber desde usu rios(as) inexperientes que est o iniciando o seu contato com o Debian at Desenvolvedores(as) oficiais do projeto. Ou seja, est o todos(as) convidados(as)! Este ano estamos ofertando bolsas de hospedagem e passagens para viabilizar a vinda de pessoas de outras cidades que contribuem para o Projeto Debian. Contribuidores(as) n o oficiais, DMs e DDs podem solicitar as bolsas usando o formul rio de inscri o. Tamb m estamos ofertando bolsas de alimenta o para todos(as) os(as) participantes, mesmo n o contribuidores(as), e pessoas que moram na regi o de BH. Os recursos financeiros s o bastante limitados, mas tentaremos atender o m ximo de pedidos. Se voc pretende pedir alguma dessas bolsas, acesse este link e veja mais informa es antes de realizar a sua inscri o: A inscri o (sem bolsas) poder ser feita at a data do evento, mas temos uma data limite para o pedido de bolsas de hospedagem e passagens, por isso fique atento(a) ao prazo final: at 18 de fevereiro. Como estamos usando mesmo formul rio para os dois eventos, a inscri o ser v lida tanto para a MiniDebConf quanto para o FLISOL. Para se inscrever, acesse o site, v em Criar conta. Criei a sua conta (preferencialmente usando o Salsa) e acesse o seu perfil. L voc ver o bot o de Se inscrever. https://bh.mini.debconf.org Chamada de atividades Tamb m est aberta a chamada de atividades tanto para MiniDebConf quanto para o FLISOL. Para mais informa es, acesse este link. Fique atento ao prazo final para enviar sua proposta de atividade: at 18 de fevereiro. Contato Qualquer d vida, mande um email para contato@debianbrasil.org.br Organiza o Debian Brasil Debian Debian MG DCC

7 January 2024

Valhalla's Things: A Corset or Two

Posted on January 7, 2024
Tags: madeof:atoms, craft:sewing, period:victorian, FreeSoftWear
a black coutil midbust corset, from a 3/4 front view, showing the busk closure, a waist tape and external boning channels made of the same twill tape and placed about 1-2 cm from each other at waist level. CW for body size change mentions I needed a corset, badly. Years ago I had a chance to have my measurements taken by a former professional corset maker and then a lesson in how to draft an underbust corset, and that lead to me learning how nice wearing a well-fitted corset feels. Later I tried to extend that pattern up for a midbust corset, with success. And then my body changed suddenly, and I was no longer able to wear either of those, and after a while I started missing them. Since my body was still changing (if no longer drastically so), and I didn t want to use expensive materials for something that had a risk of not fitting after too little time, I decided to start by making myself a summer lightweight corset in aida cloth and plastic boning (for which I had already bought materials). It fitted, but not as well as the first two ones, and I ve worn it quite a bit. I still wanted back the feeling of wearing a comfy, heavy contraption of coutil and steel, however. After a lot of procrastination I redrafted a new pattern, scrapped everything, tried again, had my measurements taken by a dressmaker [#dressmaker], put them in the draft, cut a first mock-up in cheap cotton, fixed the position of a seam, did a second mock-up in denim [#jeans] from an old pair of jeans, and then cut into the cheap herringbone coutil I was planning to use. And that s when I went to see which one of the busks in my stash would work, and realized that I had used a wrong vertical measurement and the front of the corset was way too long for a midbust corset. a corset busk basted to a mock-up with scraps of fabric between each stud / loop. Luckily I also had a few longer busks, I basted one to the denim mock up and tried to wear it for a few hours, to see if it was too long to be comfortable. It was just a bit, on the bottom, which could be easily fixed with the Power Tools1. Except, the more I looked at it the more doing this felt wrong: what I needed most was a midbust corset, not an overbust one, which is what this was starting to be. I could have trimmed it down, but I knew that I also wanted this corset to be a wearable mockup for the pattern, to refine it and have it available for more corsets. And I still had more than half of the cheap coutil I was using, so I decided to redo the pattern and cut new panels. And this is where the or two comes in: I m not going to waste the overbust panels: I had been wanting to learn some techniques to make corsets with a fashion fabric layer, rather than just a single layer of coutil, and this looks like an excellent opportunity for that, together with a piece of purple silk that I know I have in the stash. This will happen later, however, first I m giving priority to the underbust. Anyway, a second set of panels was cut, all the seam lines marked with tailor tacks, and I started sewing by inserting the busk. And then realized that the pre-made boning channel tape I had was too narrow for the 10 mm spiral steel I had plenty of. And that the 25 mm twill tape was also too narrow for a double boning channel. On the other hand, the 18 mm twill tape I had used for the waist tape was good for a single channel, so I decided to put a single bone on each seam, and then add another piece of boning in the middle of each panel. Since I m making external channels, making them in self fabric would have probably looked better, but I no longer had enough fabric, because of the cutting mishap, and anyway this is going to be a strictly underwear only corset, so it s not a big deal. Once the boning channel situation was taken care of, everything else proceeded quite smoothly and I was able to finish the corset during the Christmas break, enlisting again my SO to take care of the flat steel boning while I cut the spiral steels myself with wire cutters. The same corset straight from the front: the left side is a few mm longer than the right side I could have been a bit more precise with the binding, as it doesn t align precisely at the front edge, but then again, it s underwear, nobody other than me and everybody who reads this post is going to see it and I was in a hurry to see it finished. I will be more careful with the next one. The same corset from the back, showing cross lacing with bunny ears at the waist and a lacing gap of about 8 cm. I also think that I haven t been careful enough when pressing the seams and applying the tape, and I ve lost about a cm of width per part, so I m using a lacing gap that is a bit wider than I planned for, but that may change as the corset gets worn, and is still within tolerance. Also, on the morning after I had finished the corset I woke up and realized that I had forgotten to add garter tabs at the bottom edge. I don t know whether I will ever use them, but I wanted the option, so maybe I ll try to add them later on, especially if I can do it without undoing the binding. The next step would have been flossing, which I proceeded to postpone until I ve worn the corset for a while: not because there is any reason for it, but because I still don t know how I want to do it :) What was left was finishing and uploading the pattern and instructions, that are now on my sewing pattern website as #FreeSoftWear, and finally I could post this on the blog.
  1. i.e. by asking my SO to cut and sand it, because I m lazy and I hate doing that part :D

4 January 2024

Aigars Mahinovs: Figuring out finances part 5

At the end of the last part of this, we got a Home Assistant OS installation that contains in itself a Firefly III instance and that contains all the current financial information. They are communicating and calculating predictions for me. The only part that I was not 100% happy with was accounting of cash transactions. You see payments in cash are mostly made away from computer and sometimes even in areas without a mobile Internet connection. And all Firefly III apps that I tried failed at the task of creating a new transaction when offline. Even the one recommended Telegram bot from Firefly III page used a dialog-based approach for creating even a simplest transaction. Issue asking for a one-shot transaction creation option stands as unresolved. Theoretically it would have been best if I could simply contribute that feature to that particular Telegram bot ... but it's written in Javascript. By mapping the API onto tasks somehow. After about 4 hours I still could not figure out where in the code anything actually happens. It all looked like just sugar or spagetty. Connectors on connectors on mappers. So I did the real open-source thing and just wrote my own tool. firefly3_telegram_oneshot is a maximally simple Telegram bot based on python-telegram-bot library. So what does it do? The primary usage for me is to simply send a message to the bot at any time with text like "23.2 coffee and cake" and when the message eventually reaches the bot, it then should create a new transaction from my "cash" account to "Unknown" account in amount of 23.20 and description "coffee and cake". That is the key. Everything else in the bot is comfort. For example "/undo" command deletes the last transaction in cash account (presumably added by error) and "/last" shows which transaction the "/undo" would delete. And to help with expense categorisation one can also do a message like "6.1 beer, dest=Edeka, cat=alcohol" that would search for a destination account that would fuzzy match to "Edeka" (a supermarket in Germany) and add the transation to the category fuzzy matched to "alcohol", like "Shopping - alcoholic drinks". And to make that fuzzy matching more reliable I also added "/cat something" and "/dest something" commands that would show which category or destination account would be matched with a given string. All of that in around 250 lines of Python code and executed by a 17 line Dockerfile (via the Portainer on my Home Assistant OS). One remaining function that could be nice is creating a category or destination account on request (for example when the first character of the supplied string is "+"). I am really plesantly surprised about how much can be done with how little code using the above Python library. And you never need to have any open incoming ports anywhere to runs such bots, so the attack surface for such bot-based service is much tighter. All in all the system works and works well. The only exception is that for my particual bank there is still no automatic way of extracting data about credit card transactions. For those I still have to manually log into the Internet bank, export a CSV file and then feed that into the Firefly III importer. Annoying. And I am not really motivated to try to hack my bank :D Has this been useful to any of you? Any ideas to expand or improve what I have? Just find me as "aigarius" on any social media and speak up :)

25 December 2023

Sergio Talens-Oliag: GitLab CI/CD Tips: Automatic Versioning Using semantic-release

This post describes how I m using semantic-release on gitlab-ci to manage versioning automatically for different kinds of projects following a simple workflow (a develop branch where changes are added or merged to test new versions, a temporary release/#.#.# to generate the release candidate versions and a main branch where the final versions are published).

What is semantic-releaseIt is a Node.js application designed to manage project versioning information on Git Repositories using a Continuous integration system (in this post we will use gitlab-ci)

How does it workBy default semantic-release uses semver for versioning (release versions use the format MAJOR.MINOR.PATCH) and commit messages are parsed to determine the next version number to publish. If after analyzing the commits the version number has to be changed, the command updates the files we tell it to (i.e. the package.json file for nodejs projects and possibly a CHANGELOG.md file), creates a new commit with the changed files, creates a tag with the new version and pushes the changes to the repository. When running on a CI/CD system we usually generate the artifacts related to a release (a package, a container image, etc.) from the tag, as it includes the right version number and usually has passed all the required tests (it is a good idea to run the tests again in any case, as someone could create a tag manually or we could run extra jobs when building the final assets if they fail it is not a big issue anyway, numbers are cheap and infinite, so we can skip releases if needed).

Commit messages and versioningThe commit messages must follow a known format, the default module used to analyze them uses the angular git commit guidelines, but I prefer the conventional commits one, mainly because it s a lot easier to use when you want to update the MAJOR version. The commit message format used must be: 
<type>(optional scope): <description>
[optional body]
[optional footer(s)]
The system supports three types of branches: release, maintenance and pre-release, but for now I m not using maintenance ones. The branches I use and their types are:
  • main as release branch (final versions are published from there)
  • develop as pre release branch (used to publish development and testing versions with the format #.#.#-SNAPSHOT.#)
  • release/#.#.# as pre release branches (they are created from develop to publish release candidate versions with the format #.#.#-rc.# and once they are merged with main they are deleted)
On the release branch (main) the version number is updated as follows:
  1. The MAJOR number is incremented if a commit with a BREAKING CHANGE: footer or an exclamation (!) after the type/scope is found in the list of commits found since the last version change (it looks for tags on the same branch).
  2. The MINOR number is incremented if the MAJOR number is not going to be changed and there is a commit with type feat in the commits found since the last version change.
  3. The PATCH number is incremented if neither the MAJOR nor the MINOR numbers are going to be changed and there is a commit with type fix in the the commits found since the last version change.
On the pre release branches (develop and release/#.#.#) the version and pre release numbers are always calculated from the last published version available on the branch (i. e. if we published version 1.3.2 on main we need to have the commit with that tag on the develop or release/#.#.# branch to get right what will be the next version). The version number is updated as follows:
  1. The MAJOR number is incremented if a commit with a BREAKING CHANGE: footer or an exclamation (!) after the type/scope is found in the list of commits found since the last released version.In our example it was 1.3.2 and the version is updated to 2.0.0-SNAPSHOT.1 or 2.0.0-rc.1 depending on the branch.
  2. The MINOR number is incremented if the MAJOR number is not going to be changed and there is a commit with type feat in the commits found since the last released version.In our example the release was 1.3.2 and the version is updated to 1.4.0-SNAPSHOT.1 or 1.4.0-rc.1 depending on the branch.
  3. The PATCH number is incremented if neither the MAJOR nor the MINOR numbers are going to be changed and there is a commit with type fix in the the commits found since the last version change.In our example the release was 1.3.2 and the version is updated to 1.3.3-SNAPSHOT.1 or 1.3.3-rc.1 depending on the branch.
  4. The pre release number is incremented if the MAJOR, MINOR and PATCH numbers are not going to be changed but there is a commit that would otherwise update the version (i.e. a fix on 1.3.3-SNAPSHOT.1 will set the version to 1.3.3-SNAPSHOT.2, a fix or feat on 1.4.0-rc.1 will set the version to 1.4.0-rc.2 an so on).

How do we manage its configurationAlthough the system is designed to work with nodejs projects, it can be used with multiple programming languages and project types. For nodejs projects the usual place to put the configuration is the project s package.json, but I prefer to use the .releaserc file instead. As I use a common set of CI templates, instead of using a .releaserc on each project I generate it on the fly on the jobs that need it, replacing values related to the project type and the current branch on a template using the tmpl command (lately I use a branch of my own fork while I wait for some feedback from upstream, as you will see on the Dockerfile).

Container used to run itAs we run the command on a gitlab-ci job we use the image built from the following Dockerfile:
Dockerfile 
# Semantic release image
FROM golang:alpine AS tmpl-builder
#RUN go install github.com/krakozaure/tmpl@v0.4.0
RUN go install github.com/sto/tmpl@v0.4.0-sto.2
FROM node:lts-alpine
COPY --from=tmpl-builder /go/bin/tmpl /usr/local/bin/tmpl
RUN apk update &&\
  apk upgrade &&\
  apk add curl git jq openssh-keygen yq zip &&\
  npm install --location=global\
    conventional-changelog-conventionalcommits@6.1.0\
    @qiwi/multi-semantic-release@7.0.0\
    semantic-release@21.0.7\
    @semantic-release/changelog@6.0.3\
    semantic-release-export-data@1.0.1\
    @semantic-release/git@10.0.1\
    @semantic-release/gitlab@9.5.1\
    @semantic-release/release-notes-generator@11.0.4\
    semantic-release-replace-plugin@1.2.7\
    semver@7.5.4\
  &&\
  rm -rf /var/cache/apk/*
CMD ["/bin/sh"]

How and when is it executedThe job that runs semantic-release is executed when new commits are added to the develop, release/#.#.# or main branches (basically when something is merged or pushed) and after all tests have passed (we don t want to create a new version that does not compile or passes at least the unit tests). The job is something like the following: 
semantic_release:
  image: $SEMANTIC_RELEASE_IMAGE
  rules:
    - if: '$CI_COMMIT_BRANCH =~ /^(develop main release\/\d+.\d+.\d+)$/'
      when: always
  stage: release
  before_script:
    - echo "Loading scripts.sh"
    - . $ASSETS_DIR/scripts.sh
  script:
    - sr_gen_releaserc_json
    - git_push_setup
    - semantic-release
Where the SEMANTIC_RELEASE_IMAGE variable contains the URI of the image built using the Dockerfile above and the sr_gen_releaserc_json and git_push_setup are functions defined on the $ASSETS_DIR/scripts.sh file:
  • The sr_gen_releaserc_json function generates the .releaserc.json file using the tmpl command.
  • The git_push_setup function configures git to allow pushing changes to the repository with the semantic-release command, optionally signing them with a SSH key.

The sr_gen_releaserc_json functionThe code for the sr_gen_releaserc_json function is the following: 
sr_gen_releaserc_json()
 
  # Use nodejs as default project_type
  project_type="$ PROJECT_TYPE:-nodejs "
  # REGEX to match the rc_branch name
  rc_branch_regex='^release\/[0-9]\+\.[0-9]\+\.[0-9]\+$'
  # PATHS on the local ASSETS_DIR
  assets_dir="$ CI_PROJECT_DIR /$ ASSETS_DIR "
  sr_local_plugin="$ assets_dir /local-plugin.cjs"
  releaserc_tmpl="$ assets_dir /releaserc.json.tmpl"
  pipeline_runtime_values_yaml="/tmp/releaserc_values.yaml"
  pipeline_values_yaml="$ assets_dir /values_$ project_type _project.yaml"
  # Destination PATH
  releaserc_json=".releaserc.json"
  # Create an empty pipeline_values_yaml if missing
  test -f "$pipeline_values_yaml"   : >"$pipeline_values_yaml"
  # Create the pipeline_runtime_values_yaml file
  echo "branch: $ CI_COMMIT_BRANCH " >"$pipeline_runtime_values_yaml"
  echo "gitlab_url: $ CI_SERVER_URL " >"$pipeline_runtime_values_yaml"
  # Add the rc_branch name if we are on an rc_branch
  if [ "$(echo "$CI_COMMIT_BRANCH"   sed -ne "/$rc_branch_regex/ p ")" ]; then
    echo "rc_branch: $ CI_COMMIT_BRANCH " >>"$pipeline_runtime_values_yaml"
  elif [ "$(echo "$CI_MERGE_REQUEST_SOURCE_BRANCH_NAME"  
      sed -ne "/$rc_branch_regex/ p ")" ]; then
    echo "rc_branch: $ CI_MERGE_REQUEST_SOURCE_BRANCH_NAME " \
      >>"$pipeline_runtime_values_yaml"
  fi
  echo "sr_local_plugin: $ sr_local_plugin " >>"$pipeline_runtime_values_yaml"
  # Create the releaserc_json file
  tmpl -f "$pipeline_runtime_values_yaml" -f "$pipeline_values_yaml" \
    "$releaserc_tmpl"   jq . >"$releaserc_json"
  # Remove the pipeline_runtime_values_yaml file
  rm -f "$pipeline_runtime_values_yaml"
  # Print the releaserc_json file
  print_file_collapsed "$releaserc_json"
  # --*-- BEG: NOTE --*--
  # Rename the package.json to ignore it when calling semantic release.
  # The idea is that the local-plugin renames it back on the first step of the
  # semantic-release process.
  # --*-- END: NOTE --*--
  if [ -f "package.json" ]; then
    echo "Renaming 'package.json' to 'package.json_disabled'"
    mv "package.json" "package.json_disabled"
  fi
Almost all the variables used on the function are defined by gitlab except the ASSETS_DIR and PROJECT_TYPE; in the complete pipelines the ASSETS_DIR is defined on a common file included by all the pipelines and the project type is defined on the .gitlab-ci.yml file of each project. If you review the code you will see that the file processed by the tmpl command is named releaserc.json.tmpl, its contents are shown here: 
 
  "plugins": [
     - if .sr_local_plugin  
    "  .sr_local_plugin  ",
     - end  
    [
      "@semantic-release/commit-analyzer",
       
        "preset": "conventionalcommits",
        "releaseRules": [
            "breaking": true, "release": "major"  ,
            "revert": true, "release": "patch"  ,
            "type": "feat", "release": "minor"  ,
            "type": "fix", "release": "patch"  ,
            "type": "perf", "release": "patch"  
        ]
       
    ],
     - if .replacements  
    [
      "semantic-release-replace-plugin",
        "replacements":   .replacements   toJson    
    ],
     - end  
    "@semantic-release/release-notes-generator",
     - if eq .branch "main"  
    [
      "@semantic-release/changelog",
        "changelogFile": "CHANGELOG.md", "changelogTitle": "# Changelog"  
    ],
     - end  
    [
      "@semantic-release/git",
       
        "assets":   if .assets   .assets   toJson   else  []  end  ,
        "message": "ci(release): v$ nextRelease.version \n\n$ nextRelease.notes "
       
    ],
    [
      "@semantic-release/gitlab",
        "gitlabUrl": "  .gitlab_url  ", "successComment": false  
    ]
  ],
  "branches": [
      "name": "develop", "prerelease": "SNAPSHOT"  ,
     - if .rc_branch  
      "name": "  .rc_branch  ", "prerelease": "rc"  ,
     - end  
    "main"
  ]
The values used to process the template are defined on a file built on the fly (releaserc_values.yaml) that includes the following keys and values:
  • branch: the name of the current branch
  • gitlab_url: the URL of the gitlab server (the value is taken from the CI_SERVER_URL variable)
  • rc_branch: the name of the current rc branch; we only set the value if we are processing one because semantic-release only allows one branch to match the rc prefix and if we use a wildcard (i.e. release/*) but the users keep more than one release/#.#.# branch open at the same time the calls to semantic-release will fail for sure.
  • sr_local_plugin: the path to the local plugin we use (shown later)
The template also uses a values_$ project_type _project.yaml file that includes settings specific to the project type, the one for nodejs is as follows: 
replacements:
  - files:
      - "package.json"
    from: "\"version\": \".*\""
    to: "\"version\": \"$ nextRelease.version \""
assets:
  - "CHANGELOG.md"
  - "package.json"
The replacements section is used to update the version field on the relevant files of the project (in our case the package.json file) and the assets section includes the files that will be committed to the repository when the release is published (looking at the template you can see that the CHANGELOG.md is only updated for the main branch, we do it this way because if we update the file on other branches it creates a merge nightmare and we are only interested on it for released versions anyway). The local plugin adds code to rename the package.json_disabled file to package.json if present and prints the last and next versions on the logs with a format that can be easily parsed using sed:
local-plugin.cjs 
// Minimal plugin to:
// - rename the package.json_disabled file to package.json if present
// - log the semantic-release last & next versions
function verifyConditions(pluginConfig, context)  
  var fs = require('fs');
  if (fs.existsSync('package.json_disabled'))  
    fs.renameSync('package.json_disabled', 'package.json');
    context.logger.log( verifyConditions: renamed 'package.json_disabled' to 'package.json' );
   
 
function analyzeCommits(pluginConfig, context)  
  if (context.lastRelease && context.lastRelease.version)  
    context.logger.log( analyzeCommits: LAST_VERSION=$ context.lastRelease.version  );
   
 
function verifyRelease(pluginConfig, context)  
  if (context.nextRelease && context.nextRelease.version)  
    context.logger.log( verifyRelease: NEXT_VERSION=$ context.nextRelease.version  );
   
 
module.exports =  
  verifyConditions,
  analyzeCommits,
  verifyRelease

The git_push_setup functionThe code for the git_push_setup function is the following: 
git_push_setup()
 
  # Update global credentials to allow git clone & push for all the group repos
  git config --global credential.helper store
  cat >"$HOME/.git-credentials" <<EOF
https://fake-user:$ GITLAB_REPOSITORY_TOKEN @gitlab.com
EOF
  # Define user name, mail and signing key for semantic-release
  user_name="$SR_USER_NAME"
  user_email="$SR_USER_EMAIL"
  ssh_signing_key="$SSH_SIGNING_KEY"
  # Export git user variables
  export GIT_AUTHOR_NAME="$user_name"
  export GIT_AUTHOR_EMAIL="$user_email"
  export GIT_COMMITTER_NAME="$user_name"
  export GIT_COMMITTER_EMAIL="$user_email"
  # Sign commits with ssh if there is a SSH_SIGNING_KEY variable
  if [ "$ssh_signing_key" ]; then
    echo "Configuring GIT to sign commits with SSH"
    ssh_keyfile="/tmp/.ssh-id"
    : >"$ssh_keyfile"
    chmod 0400 "$ssh_keyfile"
    echo "$ssh_signing_key"   tr -d '\r' >"$ssh_keyfile"
    git config gpg.format ssh
    git config user.signingkey "$ssh_keyfile"
    git config commit.gpgsign true
  fi
The function assumes that the GITLAB_REPOSITORY_TOKEN variable (set on the CI/CD variables section of the project or group we want) contains a token with read_repository and write_repository permissions on all the projects we are going to use this function. The SR_USER_NAME and SR_USER_EMAIL variables can be defined on a common file or the CI/CD variables section of the project or group we want to work with and the script assumes that the optional SSH_SIGNING_KEY is exported as a CI/CD default value of type variable (that is why the keyfile is created on the fly) and git is configured to use it if the variable is not empty.
Warning: Keep in mind that the variables GITLAB_REPOSITORY_TOKEN and SSH_SIGNING_KEY contain secrets, so probably is a good idea to make them protected (if you do that you have to make the develop, main and release/* branches protected too).
Warning: The semantic-release user has to be able to push to all the projects on those protected branches, it is a good idea to create a dedicated user and add it as a MAINTAINER for the projects we want (the MAINTAINERS need to be able to push to the branches), or, if you are using a Gitlab with a Premium license you can use the api to allow the semantic-release user to push to the protected branches without allowing it for any other user.

The semantic-release commandOnce we have the .releaserc file and the git configuration ready we run the semantic-release command. If the branch we are working with has one or more commits that will increment the version, the tool does the following (note that the steps are described are the ones executed if we use the configuration we have generated):
  1. It detects the commits that will increment the version and calculates the next version number.
  2. Generates the release notes for the version.
  3. Applies the replacements defined on the configuration (in our example updates the version field on the package.json file).
  4. Updates the CHANGELOG.md file adding the release notes if we are going to publish the file (when we are on the main branch).
  5. Creates a commit if all or some of the files listed on the assets key have changed and uses the commit message we have defined, replacing the variables for their current values.
  6. Creates a tag with the new version number and the release notes.
  7. As we are using the gitlab plugin after tagging it also creates a release on the project with the tag name and the release notes.

Notes about the git workflows and merges between branchesIt is very important to remember that semantic-release looks at the commits of a given branch when calculating the next version to publish, that has two important implications:
  1. On pre release branches we need to have the commit that includes the tag with the released version, if we don t have it the next version is not calculated correctly.
  2. It is a bad idea to squash commits when merging a branch to another one, if we do that we will lose the information semantic-release needs to calculate the next version and even if we use the right prefix for the squashed commit (fix, feat, ) we miss all the messages that would otherwise go to the CHANGELOG.md file.
To make sure that we have the right commits on the pre release branches we should merge the main branch changes into the develop one after each release tag is created; in my pipelines the fist job that processes a release tag creates a branch from the tag and an MR to merge it to develop. The important thing about that MR is that is must not be squashed, if we do that the tag commit will probably be lost, so we need to be careful. To merge the changes directly we can run the following code: 
# Set the SR_TAG variable to the tag you want to process
SR_TAG="v1.3.2"
# Fetch all the changes
git fetch --all --prune
# Switch to the main branch
git switch main
# Pull all the changes
git pull
# Switch to the development branch
git switch develop
# Pull all the changes
git pull
# Create followup branch from tag
git switch -c "followup/$SR_TAG" "$SR_TAG"
# Change files manually & commit the changed files
git commit -a --untracked-files=no -m "ci(followup): $SR_TAG to develop"
# Switch to the development branch
git switch develop
# Merge the followup branch into the development one using the --no-ff option
git merge --no-ff "followup/$SR_TAG"
# Remove the followup branch
git branch -d "followup/$SR_TAG"
# Push the changes
git push
If we can t push directly to develop we can create a MR pushing the followup branch after committing the changes, but we have to make sure that we don t squash the commits when merging or it will not work as we want.

24 December 2023

Russ Allbery: Review: Liberty's Daughter

Review: Liberty's Daughter, by Naomi Kritzer
Publisher: Fairwood Press
Copyright: November 2023
ISBN: 1-958880-16-7
Format: Kindle
Pages: 257
Liberty's Daughter is a stand-alone near-future science fiction fix-up novel. The original stories were published in Fantasy and Science Fiction between 2012 and 2015. Beck Garrison lives on New Minerva (Min), one of a cluster of libertarian seasteads 220 nautical miles off the coast of Los Angeles. Her father brought her to Min when she was four, so it's the only life she knows. As this story opens, she's picked up a job for pocket change: finding very specific items that people want to buy. Since any new goods have to be shipped in and the seasteads have an ambiguous legal status, they don't get Amazon deliveries, but there are enough people (and enough tourists who bring high-value goods for trade) that someone probably has whatever someone else is looking for. Even sparkly high-heeled sandals size eight. Beck's father is high in the informal power structure of the seasteads for reasons that don't become apparent until very late in this book. Beck therefore has a comfortable, albeit cramped, life. The social protections, self-confidence, and feelings of invincibility that come with that wealth serve her well as a finder. After the current owner of the sandals bargains with her to find a person rather than an object, that privilege also lets her learn quite a lot before she starts getting into trouble. The political background of this novel is going to require some suspension of disbelief. The premise is that one of those harebrained libertarian schemes to form a freedom utopia has been successful enough to last for 49 years and attract 80,000 permanent residents. (It's a libertarian seastead so a lot of those residents are indentured slaves, as one does in libertarian philosophy. The number of people with shares, like Beck's father, is considerably smaller.) By the end of the book, Kritzer has offered some explanations for why the US would allow such a place to continue to exist, but the chances of the famously fractious con artists and incompetents involved in these types of endeavors creating something that survived internal power struggles for that long seem low. One has to roll with it for story reasons: Kritzer needs the population to be large enough for a plot, and the history to be long enough for Beck to exist as a character. The strength of this book is Beck, and specifically the fact that Beck is a second-generation teenager who grew up on the seastead. Unlike a lot of her age peers with their Cayman Islands vacations, she's never left and has no experience with life on land. She considers many things to be perfectly normal that are not at all normal to the reader and the various reader surrogates who show up over the course of the book. She also has the instinctive feel for seastead politics of the child of a prominent figure in a small town. And, most importantly, she has formed her own sense of morality and social structure that matches neither that of the reader nor that of her father. Liberty's Daughter is told in first-person by Beck. Judging the authenticity of Gen-Z thought processes is not one of my strengths, but Beck felt right to me. Her narration is dryly matter-of-fact, with only brief descriptions of her emotional reactions, but her personality shines in the occasional sarcasm and obstinacy. Kritzer has the teenage bafflement at the stupidity of adults down pat, as well as the tendency to jump head-first into ideas and make some decisions through sheer stubbornness. This is not one of those fix-up novels where the author has reworked the stories sufficiently that the original seams don't show. It is very episodic; compared to a typical novel of this length, there's more plot but less character growth. It's a good book when you want to be pulled into a stream of events that moves right along. This is not the book for deep philosophical examinations of the basis of a moral society, but it does have, around the edges, is the humans build human societies and develop elaborate social conventions and senses of belonging no matter how stupid the original philosophical foundations were. Even societies built on nasty exploitation can engender a sort of loyalty. Beck doesn't support the worst parts of her weird society, but she wants to fix it, not burn it to the ground. I thought there was a profound observation there. That brings me to my complaint: I hated the ending. Liberty's Daughter is in part Beck's fight for her own autonomy, both moral and financial, and the beginnings of an effort to turn her home into the sort of home she wants. By the end of the book, she's testing the limits of what she can accomplish, solidifying her own moral compass, and deciding how she wants to use the social position she inherited. It felt like the ending undermined all of that and treated her like a child. I know adolescence comes with those sorts of reversals, but I was still so mad. This is particularly annoying since I otherwise want to recommend this book. It's not ground-breaking, it's not that deep, but it was a thoroughly enjoyable day's worth of entertainment with a likable protagonist. Just don't read the last chapter, I guess? Or have more tolerance than I have for people treating sixteen-year-olds as if they're not old enough to make decisions. Content warnings: pandemic. Rating: 7 out of 10

22 December 2023

Gunnar Wolf: Pushing some reviews this way

Over roughly the last year and a half I have been participating as a reviewer in ACM s Computing Reviews, and have even been honored as a Featured Reviewer. Given I have long enjoyed reading friends reviews of their reading material (particularly, hats off to the very active Russ Allbery, who both beats all of my frequency expectations (I could never sustain the rythm he reads to!) and holds documented records for his >20 years as a book reader, with far more clarity and readability than I can aim for!), I decided to explicitly share my reviews via this blog, as the audience is somewhat congruent; I will also link here some reviews that were not approved for publication, clearly marking them so. I will probably work on wrangling my Jekyll site to display an (auto-)updated page and RSS feed for the reviews. In the meantime, the reviews I have published are:

19 December 2023

Antoine Beaupr : (Re)introducing screentest

I have accidentally rewritten screentest, an old X11/GTK2 program that I was previously using to, well, test screens.

Screentest is dead It was removed from Debian in May 2023 but had already missed two releases (Debian 11 "bullseye" and 12 "bookworm") due to release critical bugs. The stated reason for removal was:
The package is orphaned and its upstream is no longer developed. It depends on gtk2, has a low popcon and no reverse dependencies.
So I had little hope to see this program back in Debian. The git repository shows little activity, the last being two years ago. Interestingly, I do not quite remember what it was testing, but I do remember it to find dead pixels, confirm native resolution, and various pixel-peeping. Here's a screenshot of one of the screentest screens: screentest screenshot showing a white-on-black checkered background, with some circles in the corners, shades of gray and colors in the middle Now, I think it's safe to assume this program is dead and buried, and anyways I'm running wayland now, surely there's something better? Well, no. Of course not. Someone would know about it and tell me before I go on a random coding spree in a fit of procrastination... riiight? At least, the Debconf video team didn't seem to know of any replacement. They actually suggested I just "invoke gstreamer directly" and "embrace the joy of shell scripting".

Screentest reborn So, I naively did exactly that and wrote a horrible shell script. Then I realized the next step was to write an command line parser and monitor geometry guessing, and thought "NOPE, THIS IS WHERE THE SHELL STOPS", and rewrote the whole thing in Python. Now, screentest lives as a ~400-line Python script, half of which is unit test data and command-line parsing.

Why screentest Some smarty pants is going to complain and ask why the heck one would need something like that (and, well, someone already did), so maybe I can lay down a list of use case:
  • testing color output, in broad terms (answering the question of "is it just me or this project really yellow?")
  • testing focus and keystone ("this looks blurry, can you find a nice sharp frame in that movie to adjust focus?")
  • test for native resolution and sharpness ("does this projector really support 4k for 30$? that sounds like bullcrap")
  • looking for dead pixels ("i have a new monitor, i hope it's intact")

What does screentest do? Screentest displays a series of "patterns" on screen. The list of patterns is actually hardcoded in the script, copy-pasted from this list from the videotestsrc gstreamer plugin, but you can pass any pattern supported by your gstreamer installation with --patterns. A list of patterns relevant to your installation is available with the gst-inspect-1.0 videotestsrc command. By default, screentest goes through all patterns. Each pattern runs indefinitely until the you close the window, then the next pattern starts. You can restrict to a subset of patterns, for example this would be a good test for dead pixels: 
screentest --patterns black,white,red,green,blue
This would be a good sharpness test: 
screentest --patterns pinwheel,spokes,checkers-1,checkers-2,checkers-4,checkers-8
A good generic test is the classic SMPTE color bars and is the first in the list, but you can run only that test with: 
screentest --patterns smpte
(I will mention, by the way, that as a system administrator with decades of experience, it is nearly impossible to type SMPTE without first typing SMTP and re-typing it again a few times before I get it right. I fully expect this post to have numerous typos.)
Here's an example of the SMPTE pattern from Wikipedia: SMPTE color bars For multi-monitor setups, screentest also supports specifying which output to use as a native resolution, with --output. Failing that, it will try to look at the outputs and use the first it will find. If it fails to find anything, you can specify a resolution with --resolution WIDTHxHEIGHT. I have tried to make it go full screen by default, but stumbled a bug in Sway that crashes gst-launch. If your Wayland compositor supports it, you can possibly enable full screen with --sink waylandsink fullscreen=true. Otherwise it will create a new window that you will have to make fullscreen yourself. For completeness, there's also an --audio flag that will emit the classic "drone", a sine wave at 440Hz at 40% volume (the audiotestsrc gstreamer plugin. And there's a --overlay-name option to show the pattern name, in case you get lost and want to start with one of them again.

How this works Most of the work is done by gstreamer. The script merely generates a pipeline and calls gst-launch to show the output. That both limits what it can do but also makes it much easier to use than figuring out gst-launch. There might be some additional patterns that could be useful, but I think those are better left to gstreamer. I, for example, am somewhat nostalgic of the Philips circle pattern that used to play for TV stations that were off-air in my area. But that, in my opinion, would be better added to the gstreamer plugin than into a separate thing. The script shows which command is being ran, so it's a good introduction to gstreamer pipelines. Advanced users (and the video team) will possibly not need screentest and will design their own pipelines with their own tools. I've previously worked with ffmpeg pipelines (in another such procrastinated coding spree, video-proxy-magic), and I found gstreamer more intuitive, even though it might be slightly less powerful. In retrospect, I should probably have picked a new name, to avoid crashing the namespace already used by the project, which is now on GitHub. Who knows, it might come back to life after this blog post; it would not be the first time. For now, the project lives along side the rest of my scripts collection but if there's sufficient interest, I might move it to its own git repositories. Comments, feedback, contributions are as usual welcome. And naturally, if you know something better for this kind of stuff, I'm happy to learn more about your favorite tool! So now I have finally found something to test my projector, which will likely confirm what I've already known all along: that it's kind of a piece of crap and I need to get a proper one.

Next.