Review:
The Ten Thousand Doors of January, by Alix E. Harrow
Publisher: |
Redhook |
Copyright: |
September 2019 |
ISBN: |
0-316-42198-7 |
Format: |
Kindle |
Pages: |
373 |
In 1901, at the age of seven, January found a Door. It was barely more
than a frame in a ruined house in a field in Kentucky, but she wrote a
story about opening it, and then did.
Once there was a brave and temeraryous (sp?) girl who found a Door.
It was a magic Door that's why it has a capital D. She opened the
Door.
The Door led to a bluff over the sea and above a city, a place very far
from Kentucky, and she almost stayed, but she came back through the Door
when her guardian, Mr. Locke, called. The adventure cost her a diary,
several lectures, days of being locked in her room, and the remnants of
her strained relationship with her father. When she went back, the frame
of the Door was burned to the ground.
That was the end of Doors for January for some time, and the continuation
of a difficult childhood. She was cared for by her father's employer as a
sort of exotic pet, dutifully attempting to obey, grateful for Mr. Locke's
protection, and convinced that he was occasionally sneaking her presents
through a box in the Pharaoh Room out of some hidden kindness. Her father
appeared rarely, said little, and refused to take her with him. Three
things helped: the grocery boy who smuggled her stories, an intimidating
black woman sent by her father to replace her nurse, and her dog.
Once upon a time there was a good girl who met a bad dog, and they
became the very best of friends. She and her dog were inseparable
from that day forward.
I will give you a minor spoiler that I would have preferred to have had,
since it would have saved me some unwarranted worry and some mental
yelling at the author: The above story strains but holds.
January's adventure truly starts the day before her seventeenth birthday,
when she finds a book titled
The Ten Thousand Doors in the box in
the Pharaoh Room.
As you may have guessed from the title,
The Ten Thousand Doors of
January is a portal fantasy, but it's the sort of portal fantasy that is
more concerned with the portal itself than the world on the other side of
it. (Hello to all of you out there who, like me, have vivid memories of
the Wood between the Worlds.) It's a book about traveling and
restlessness and the possibility of escape, about the ability to return
home again, and about the sort of people who want to close those doors
because the possibility of change created by people moving around freely
threatens the world they have carefully constructed.
Structurally, the central part of the book is told by interleaving
chapters of January's tale with chapters from
The Ten Thousand
Doors. That book within a book starts with the framing of a scholarly
treatment but quickly becomes a biography of a woman: Adelaide Lee Larson,
a half-wild farm girl who met her true love at the threshold of a Door and
then spent much of her life looking for him.
I am not a very observant reader for plot details, particularly for books
that I'm enjoying. I read books primarily for the emotional beats and the
story structure, and often miss rather obvious story clues. (I'm hopeless
at guessing the outcomes of mysteries.) Therefore, when I say that there
are many things January is unaware of that are obvious to the reader,
that's saying a lot. Even more clues were apparent when I skimmed the
first chapter again, and a more observant reader would probably have seen
them on the first read. Right down to Mr. Locke's name, Harrow is not
very subtle about the moral shape of this world.
That can make the early chapters of the book frustrating. January is
being emotionally (and later physically) abused by the people who have
power in her life, but she's very deeply trapped by false loyalty and lack
of external context. Winning free of that is much of the story of the
book, and at times it has the unpleasantness of watching someone make
excuses for her abuser. At other times it has the unpleasantness of
watching someone be abused. But this is the place where I thought the
nested story structure worked marvelously. January escapes into the story
of
The Ten Thousand Doors at the worst moments of her life, and the
reader escapes with her. Harrow uses the desire to switch scenes back to
the more adventurous and positive story to construct and reinforce the
emotional structure of the book. For me, it worked extremely well.
It helps that the ending is glorious. The payoff is worth all the
discomfort and tension-building in the first half of the book. Both
The Ten Thousand Doors and the surrounding narrative reach deeply
satisfying conclusions, ones that are entangled but separate in just the
ways that they need to be. January's abilities, actions, and decisions at
the end of the book were just the outcome that I needed but didn't
entirely guess in advance. I could barely put down the last quarter of
this story and loved every moment of the conclusion.
This is the sort of book that can be hard to describe in a review because
its merits don't rest on an original twist or easily-summarized idea. The
elements here are all elements found in other books: portal fantasy, the
importance of story-telling, coming of age, found family, irrepressible
and indomitable characters, and the battle of the primal freedom of travel
and discovery and belief against the structural forces that keep rulers in
place. The merits of this book are in the small details: the way that
January's stories are sparse and rare and sometimes breathtaking, the
handling of tattoos, the construction of other worlds with a few deft
strokes, and the way Harrow embraces the emotional divergence between
January's life and Adelaide's to help the reader synchronize the emotional
structure of their reading experience with January's.
She writes a door of blood and silver. The door opens just for her.
The Ten Thousand Doors of January is up against a very strong slate
for both the Nebula and the Hugo this year, and I suspect it may be edged
out by other books, although I wouldn't be unhappy if it won. (It
probably has a better shot at the Nebula than the Hugo.) But I will be
stunned if Harrow doesn't walk away with the
Mythopoeic Award. This seems
like exactly the type of book that award was created for.
This is an excellent book, one of the best I've read so far this year.
Highly recommended.
Rating: 9 out of 10