Review:
Surface Detail, by Iain M. Banks
| Publisher: |
Orbit |
| Copyright: |
October 2010 |
| Printing: |
May 2011 |
| ISBN: |
0-316-12341-2 |
| Format: |
Trade paperback |
| Pages: |
627 |
Surface Detail is the ninth novel in Banks's Culture science
fiction (literary space opera?) series. As with most of the Culture
novels, it can be read in any order, although this isn't the best starting
point. There is an Easter egg reference to
Use of Weapons that would be easier to notice if you have read
that book recently, but which is not that important to the story.
Lededje Y'breq is an Indented Intagliate from the Sichultian Enablement.
Her body is patterned from her skin down to her bones, covered with
elaborate markings similar to tattoos that extend to her internal organs.
As an intagliate, she is someone's property. In her case, she is the
property of Joller Veppers, the richest man in the Enablement and her
father's former business partner. Intagliates are a tradition of great
cultural pride in the Enablement. They are a living representation of the
seriousness with which debts and honor are taken, up to and including
one's not-yet-born children becoming the property of one's debtor. Such
children are decorated as living works of art of the highest skill and
technical sophistication; after all, the Enablement are not barbarians.
As the story opens, Lededje is attempting, not for the first time, to
escape. This attempt is successful in an unexpected way.
Prin and Chay are Pavulean researchers and academics who, as this story
opens, are in Hell. They are not dead; they have infiltrated the Hell that
Pavuleans are shown to scare them into proper behavior in order to prove
that it is not an illusion and their society does indeed torture people in
an afterlife, in more awful ways than people dare imagine. They have
reached the portal through which temporary visitors exit, hoping to escape
with firm evidence of the existence and horrors of the Pavulean afterlife.
They will not be entirely successful.
Yime Nsokyi is a Culture agent for Quietus, the part of Contact that
concerns itself with the dead. Many advanced societies throughout the
galaxy have invented and reinvented the ability to digitize a mind and
then run it in a virtual environment. Once a society can capture the minds
of every person in that society from that point forward, it faces the
question of whether to do so and, if it does, what to do with those minds.
More specifically, it faces the moral question of whether to punish the
minds of people who were horrible in life. It faces the question of
whether to create Hell.
Vatueil is a soldier in a contestation, a limited and carefully monitored
virtual war. The purpose of that war game is to, once and for all, resolve
the question of whether civilizations should be allowed to create Hells.
Some civilizations consider them integral to their religion or
self-conception. Others consider them morally abhorrent, and that conflict
was in danger of spilling over into war in the Real. Hence the War in
Heaven: Both sides committed to fight in a virtual space under specific
and structured rules, and the winner decides the fate of the galaxy's
Hells. Vatueil is fighting for the anti-Hell side. The anti-Hell side is
losing.
There are very few authors who were better at big-idea science fiction
than Iain M. Banks. I've been reading
a few
books about AI ships and remembered that I had two unread Culture novels
that I was saving. It felt like a good time to lose myself in something
sprawling.
Surface Detail does sprawl. Even by Banks's standards, there was an
impressive amount of infodumping in this book. Banks always has huge and
lovingly described set pieces, and this book is no exception, but there
are also paragraphs and pages of background and cultural musings and
galactic politics. We are introduced to not one but three new Contact
divisions; as well as the already-mentioned Quietus, there is Numina,
which concerns itself with the races that have sublimed (transcended), and
Restoria, which deals with hegemonizing swarms (grey goo nanotech,
paperclip maximizers, and their equivalents).
Infodumping is both a feature and a bane of big-idea science fiction, and
it helps to be in the right mood. It also helps if the info being dumped
is interesting, and this is where Banks shines. This is a huge, sprawling
book, but it deals with some huge, sprawling questions and it has
interesting and non-reductive thoughts about them. The problems posed by
the plot come with history, failed solutions, multi-sided political
disputes, strategies and tactics of varying morality and efficacy, and an
effort to wrestle with the irreducible complexity of trying to resolve
political and ethical disagreements in a universe full of profound
disagreements and moral systems that one cannot simply steamroll.
It also helps that the characters are interesting, even when they're not
likable.
Surface Detail has one fully hissable villain (Veppers) as
a viewpoint character, but even Veppers is interesting in a "let me check
the publication date to see if Banks was aware of Peter Thiel" sort of
way. The Culture ships, of which there are several in this story, tend
towards a gently sarcastic kindness that I find utterly charming. Lededje
provides the compelling motive force of someone who has no involvement in
the broader philosophical questions and instead intends to resolve one
specific problem through lethal violence. Vatueil and Yime were a bit
bland in personality, more exposition generators than characters I warmed
to, but their roles and therefore the surrounding exposition were
fascinating enough that I still enjoyed their sections.
I'm sure this is not an original observation, but I was struck reading
this book in the first half of 2026 that the Culture functions as an
implementation of what the United States likes to think it is but has
never been. It has a strong sense of shared ethics and moral principles,
it tries to export them to the rest of the galaxy through example,
persuasion, and careful meddling, but it tries to follow some combination
of pragmatic and moral rules while doing so, partly to avoid a backlash
and partly to avoid becoming its own sort of hegemonizing swarm. That is a
powerfully attractive vision of how to be an advanced civilization, and
the fact that every hegemon that has claimed that mantle has behaved
appallingly just makes it more intriguing as a fictional concept. In this
book, like in many Culture books, the Culture is painfully aware of the
failure modes of meddling, and the story slowly reveals the effort the
Culture put into staying just on a defensible side of their own moral
lines. This is, in a sense, a Prime Directive story, but with a level of
hard-nosed pragmatism and political sophistication that the endless
Star Trek Prime Directive episodes never reach.
Surface Detail does tend to sprawl, and I'm not sure Banks pulled
together all the pieces of the plot. For example, if there was a point to
the subplot involving the Unfallen Bulbitian, it was lost on me. (There is
always a possibility with Banks that I wasn't paying close enough
attention.) But the descriptions are so elaborate and the sense of
politics and history are so deep that I was never bored, even when
following a plot thread that meandered off into apparent irrelevance. The
main plot line comes to a satisfying conclusion that may be even more
biting social commentary today than it was in 2010.
A large part of the plot does involve Hell, so a warning for those who
haven't read much Banks: He adores elaborate descriptions of body horror
and physical torture. The sections involving Prin and Chay are rather
grim and horrific, probably a bit worse than Dante's
Inferno. I
have a low tolerance for horror and I was able to read past and around the
worst bits, but be warned that Banks indulges his love for the painfully
grotesque quite a bit.
This was great, and exactly what I was hoping for when I picked it up.
It's not the strongest Culture novel (for me, that's either
The Player of Games or
Excession), but it's one of the better
ones. Highly recommended, although if you're new to the Culture, I would
start with one of the earlier books that provide a more gradual
introduction to the Culture and Special Circumstances.
Followed, in the somewhat disconnected Culture series sense, by
The
Hydrogen Sonata.
Content warnings: Rape (largely off-screen), graphic violence, lots of
Bosch-style grotesque torture, and a lot of Veppers being a thoroughly
awful human being as a viewpoint character.
Rating: 8 out of 10