Review: On a Sunbeam, by Tillie Walden

Publisher:	Tillie Walden
Copyright:	2016-2017
Format:	Online graphic novel
Pages:	544

On a Sunbeam is a web comic that was published in installments between Fall 2016 and Spring 2017, and then later published in dead tree form. I read the on-line version, which is still available for free from its web site. It was nominated for an Eisner Award and won a ton of other awards, including the Los Angeles Times Book Prize. Mia is a new high school graduate who has taken a job with a construction crew that repairs old buildings (that are floating in space, but I'll get to that in a moment). Alma, Elliot, and Charlotte have been together for a long time; Jules is closer to Mia's age and has been with them for a year. This is not the sort of job one commutes to: they live together on a spaceship that travels to the job sites, share meals together, and are more of an extended family than a group of coworkers. It's all a bit intimidating for Mia, but Jules provides a very enthusiastic welcome and some orientation. The story of Mia's new job is interleaved with Mia's school experience from five years earlier. As a new frosh at a boarding school, Mia is obsessed with Lux, a school sport that involves building and piloting ships through a maze to capture orbs. Sent to the principal's office on the first day of school for sneaking into the Lux tower when she's supposed to be at assembly, she meets Grace, a shy girl with sparkly shoes and an unheard-of single room. Mia (a bit like Jules in the present timeline) overcomes Grace's reticence by being persistently outgoing and determinedly friendly, while trying to get on the Lux team and dealing with the typical school problems of bullies and in-groups. On a Sunbeam is science fiction in the sense that it seems to take place in space and school kids build flying ships. It is not science fiction in the sense of caring about technological extrapolation or making any scientific sense whatsoever. The buildings that Mia and the crew repair appear to be hanging in empty space, but there's gravity. No one wears any protective clothing or air masks. The spaceships look (and move) like giant tropical fish. If you need realism in your science fiction graphical novels, it's probably best not to think of this as science fiction at all, or even science fantasy despite the later appearance of some apparently magical or divine elements. That may sound surrealistic or dream-like, but On a Sunbeam isn't that either. It's a story about human relationships, found family, and diversity of personalities, all of which are realistically portrayed. The characters find their world coherent, consistent, and predictable, even if it sometimes makes no sense to the reader. On a Sunbeam is simply set in its own universe, with internal logic but without explanation or revealed rules. I kind of liked this approach? It takes some getting used to, but it's an excuse for some dramatic and beautiful backgrounds, and it's oddly freeing to have unremarked train tracks in outer space. There's no way that an explanation would have worked; if one were offered, my brain would have tried to nitpick it to the detriment of the story. There's something delightful about a setting that follows imaginary physical laws this unapologetically and without showing the author's work. I was, sadly, not as much of a fan of the art, although I am certain this will be a matter of taste. Walden mixes simple story-telling panels with sweeping vistas, free-floating domes, and strange, wild asteroids, but she uses a very limited color palette. Most panels are only a few steps away from monochrome, and the colors are chosen more for mood or orientation in the story (Mia's school days are all blue, the Staircase is orange) than for any consistent realism. There is often a lot of detail in the panels, but I found it hard to appreciate because the coloring confused my eye. I'm old enough to have been a comics reader during the revolution in digital coloring and improved printing, and I loved the subsequent dramatic improvement in vivid colors and shading. I know the coloring style here is an intentional artistic choice, but to me it felt like a throwback to the days of muddy printing on cheap paper. I have a similar complaint about the lettering: On a Sunbeam is either hand-lettered or closely simulates hand lettering, and I often found the dialogue hard to read due to inconsistent intra- and interword spacing or ambiguous letters. Here too I'm sure this was an artistic choice, but as a reader I'd much prefer a readable comics font over hand lettering. The detail in the penciling is more to my liking. I had occasional trouble telling some of the characters apart, but they're clearly drawn and emotionally expressive. The scenery is wildly imaginative and often gorgeous, which increased my frustration with the coloring. I would love to see what some of these panels would have looked like after realistic coloring with a full palette. (It's worth noting again that I read the on-line version. It's possible that the art was touched up for the print version and would have been more to my liking.) But enough about the art. The draw of On a Sunbeam for me is the story. It's not very dramatic or event-filled at first, starting as two stories of burgeoning friendships with a fairly young main character. (They are closely linked, but it's not obvious how until well into the story.) But it's the sort of story that I started reading, thought was mildly interesting, and then kept reading just one more chapter until I had somehow read the whole thing. There are some interesting twists towards the end, but it's otherwise not a very dramatic or surprising story. What it is instead is open-hearted, quiet, charming, and deeper than it looks. The characters are wildly different and can be abrasive, but they invest time and effort into understanding each other and adjusting for each other's preferences. Personal loss drives a lot of the plot, but the characters are also allowed to mature and be happy without resolving every bad thing that happened to them. These characters felt like people I would like and would want to get to know (even if Jules would be overwhelming). I enjoyed watching their lives. This reminded me a bit of a Becky Chambers novel, although it's less invested in being science fiction and sticks strictly to humans. There's a similar feeling that the relationships are the point of the story, and that nearly everyone is trying hard to be good, with differing backgrounds and differing conceptions of good. All of the characters are female or non-binary, which is left as entirely unexplained as the rest of the setting. It's that sort of book. I wouldn't say this is one of the best things I've ever read, but I found it delightful and charming, and it certainly sucked me in and kept me reading until the end. One also cannot argue with the price, although if I hadn't already read it, I would be tempted to buy a paper copy to support the author. This will not be to everyone's taste, and stay far away if you are looking for realistic science fiction, but recommended if you are in the mood for an understated queer character story full of good-hearted people. Rating: 7 out of 10

Lotte Reiniger. The Unsung Heroine of Early Animation

Lotte Reiniger pioneered early animation, yet her name remains largely unknown. We pay homage to her life and work, and reflect on why she never received the recognition she deserves.

Stephen Wolfram shares what he learned in researching Ada Lovelace's life, writings about the Analytical Engine, and computation of Bernoulli numbers.

Elizabeth Cochran Seaman[1] (May 5, 1864[2] January 27, 1922), better known by her pen name Nellie Bly, was an American journalist who was widely known for her record-breaking trip around the world in 72 days, in emulation of Jules Verne's fictional character Phileas Fogg, and an expos in which she worked undercover to report on a mental institution from within.[3] She was a pioneer in her field, and launched a new kind of investigative journalism.[4] Bly was also a writer, inventor, and industrialist.

Delia Ann Derbyshire (5 May 1937 3 July 2001)[1] was an English musician and composer of electronic music.[2] She carried out pioneering work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who.[3][4] She has been referred to as "the unsung heroine of British electronic music,"[3] having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.[5]

Charity Adams Earley (5 December 1918 13 January 2002) was the first African-American woman to be an officer in the Women's Army Auxiliary Corps (later WACS) and was the commanding officer of the first battalion of African-American women to serve overseas during World War II. Adams was the highest ranking African-American woman in the army by the completion of the war.

For some reason, June is always incredibly busy for me. It's historically the most likely month in which I don't post anything here at all except reviews (and sometimes not even that). But I'm going to tell you about what books I bought (or were given to me) on the very last day of the month to break the pattern of no journal postings in June. Ted Chiang Arrival (Stories of Your Life) (sff collection)
Eoin Colfer Artemis Fowl (sff)
Philip K. Dick The Man Who Japed (sff)
Yoon Ha Lee Raven Strategem (sff)
Paul K. Longmore Why I Burned My Book (nonfiction)
Melina Marchetta The Piper's Son (mainstream)
Jules Verne For the Flag (sff, sort of) This is a more than usually eclectic mix. The Chiang is his Stories of Your Life collection reissued under the title of Arrival to cash in on the huge success of the movie based on one of his short stories. I'm not much of a short fiction reader, but I've heard so many good things about Chiang that I'm going to give it a try. The Longmore is a set of essays about disability rights that has been on my radar for a while. I finally got pushed into buying it (plus the first Artemis Fowl book and the Marchetta) because I've been reading back through every review Light has written. (I wish I were even close to that amusingly snarky in reviews, and she manages to say in a few paragraphs what usually takes me a whole essay.) Finally, the Dick and the Verne were gifts from a co-worker from a used book store in Ireland. Minor works by both authors, but nice, old copies of the books.

# Copyright (C) YEAR Free Software Foundation, Inc. # This file is distributed under the same license as the PACKAGE package. # FIRST AUTHOR <email>, YEAR. # #, fuzzy msgid "" msgstr "" "Project-Id-Version: PACKAGE VERSION\n" "POT-Creation-Date: 2012-10-12 11:14+0300\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME <email>\n" "Language-Team: LANGUAGE <ll>\n" "Language: \n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" #. type: Title # #, no-wrap msgid "Status hos doktoren" msgstr "" #. type: Plain text #, no-wrap msgid "\n" msgstr "" #. type: Plain text #, no-wrap msgid "\n" msgstr "" #. type: Plain text #, no-wrap msgid "" "**Jonas Smedegaard** [dr.jones at pobox.com " "](mailto:friends%40jones.dk?Subject=Status%20hos%20doktoren&In-Reply-To=1.5.4.32.19971011010004.0067de34%40kaospilot.dk) " "\n" msgstr "" #. type: Plain text msgid "_Sat Oct 11 15:22:00 CEST 1997_" msgstr "" #. type: Bullet: ' * ' #: msgid "Previous message: [Spamming? ](000001.html)" msgstr "" #. type: Bullet: ' * ' #: msgid "" "**Messages sorted by:** ? date (date.html#2) ? thread (thread.html#2) " "? subject (subject.html#2) ? author (author.html#2)" msgstr "" #. type: Plain text #, no-wrap msgid " Hej Patrik (og alle Jer andre )!\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " >_Vad sker med dig det var ett stycke tid diden?\n" " _>_Vad skedde der med ditt arbejde pa cafeet og pa skolen?\n" " _\n" " Lang historie!\n" " (den kommer nu )\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Jeg tror snart jeg har laert (the hard way) hvor dyr jeg egentligt er i " "drift.\n" " Jeg har nu i 3 maneder "ligget med r ven *under* vandskorpen" " " konomisk: minus 15.000,- pa kontoen. Det vender forhabentligvis indenfor " "den naeste maned - ellers pa jeg tage et regulaert lan, hvis jeg fortsat " "skal have firma som fuldtidsbeskaeftigelse.\n" " Det betyder, at jeg for tiden arbejder fra ca. 9 morgen til 0:30 nat syv " "dage om ugen (med enkelte eftermiddage eller aftener fri). Der er faktisk " "opgaver at lave, som ogsa gi'r penge i kassen - men det har der ikke vaeret " "for nogle maneder siden, og nar der var, har jeg taget mig for billigt " "betalt (men du kender mig jo!). Jeg er begyndt mere at involvere min " "storebror, nar jeg udarbejder tilbud, til at hjaelpe mig med en mere reel " "prissaetning.\n" msgstr "" #. type: Plain text #, no-wrap msgid " Her er lidt(?) om, hvad jeg beskaeftiger mig med for tiden:\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " *** Homebase ***\n" " Jeg far forbindelse fra mit kontor og ned til Mejlgade om en lille uge - " "rent teoretisk ihvertfald - derefter skal jeg ha' elektronikken til at " "fungere \n" " Jeg administrerer deres servere og netvaerk, og er "Boss" for Morten " "P. fra Frontl berne, som er blevet hyret til at vedligeholde alle " "arbejdspladserne pa skolen.\n" " Jeg har *intet* at g re med content pa webserveren. Efter i foraret at " "have haft DogSystem (et par nystartede edb-folk) til at udarbejde noget " "smart (som vist aldrig blev rigtigt til noget) har Uffe nu faet samlet nogle " "studerende (vist primaert fra hold 3), som skal hitte pa noget \n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Her er et uddrag af en mail til Rasmus fra hold 3:\n" " >>_Du ma gerne f lge lidt med i arbejdet og sende mig en kommentar " "eller\n" " _>>_gode rad, hvis du f ler for det.\n" " _>_\n" " _>_Jeg har et ambivalent forhold til Jeres arbejde:\n" " _>_ - Jeg f ler for det, Ja. Meget!\n" " _>_ - I sidder og laver mit arbejde \n" " _>_ - Meningen med mit arbejde er ar g re mig selv arbejdsl s - sa det " "er\n" " _>_*godt*, at I laver det \n" " _>_ - I laver det maske bedre, maske darligere end jeg ville ha' gjort " "det -\n" " _>_men helt sikkert anderledes!\n" " _>_ - Min force (og min kaephest!) er grundstrukturer mere end visuel " "(og\n" " _>_anden) indpakning. Det er svaert at kommentere og komme med gode rad, " "nar de\n" " _>_er omkring grundstruktur. Det kraever naesten, at man sidder ved " "roret \n" " _>_ - Hvis ikke jeg kommer med mine kommentarer nu, skal jeg enten holde " "mund\n" " _>_med det (og det er svaert) eller de vil udvikles til bagklogskab og\n" " _>_bedrevidenhed \n" " _>_ - Jeg har egentligt for travlt til at beskaeftige mig med det: Jeg " "har hele\n" " _>_tiden haft "travlt". At jeg har "for travlt" er et udtryk for, at " "jeg er\n" " _>_blevet klar over, at for at leve et liv som selvstaendigt " "erhvervsdrivende\n" " _>_er det ikke nok at arbejde hardt - man skal ogsa ta' penge for " "det Jeg\n" " _>_har derfor ikke for travlt, hvis der er penge i lortet (men det er " "sjaeldent\n" " _>_tilfaeldet i Mejlgade - til gengaeld er der sa meget andet " "dernede!).\n" " _\n" " *** Brugerflade-design ***\n" " Jeg har faet et job ved Frontl berne: VPAE (Virtual Project Assistance " "Environment).\n" " De er med i et faelles-nordisk projekt om at lave en "virtuel " "projektvugge" - altsa et forum pa Internet med en raekke vaerkt jer til " "projektudvikling og administration af gamle projekter.\n" " Konkret arbejder jeg i diss uger pa design af brugergraenseflade " "(dialogbokse osv.) og n dvendige datastrukturer til et system til " "udarbejdelse af en projektbeskrivelse.\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Jeg arbejder taet sammen med Morten P., og det er utroligt spaendende at " "arbejde med en konkret, mindre opgave med stor paedagogisk og funktionel " "vaerdi.\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " *** Praktikant ***\n" " En af mine venner fra gymnasietiden, Henrik, studerer informatik (det " "hedder vist noget lidt andet ) her i rhus, og meget tyder pa, at han " "snart kommer i praktik her hos mig i en maned.\n" " Han skal arbejde meget selvstaendigt. Jeg har brug for hans viden " "indenfor PR, han kan bruge mig som "pr veklud", og jeg kan stille medier " "(webserver o.l.) til hans radighed.\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Jeg har en ide om at vaere meget aben overfor brug af praktikanter - " "ikke bare som nem arbejdskraft (det er kraevende at saette i arbejde, og at " "give opgaver fra sig!), men mere fordi det giver mig en traening i " "formidling af min viden, og erfaringer mht. "s saetning" af mine metoder " "og ideer som tekniker - men det kraever maske lidt uddybning :\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Mit virke er grundliggende at bygge bro mellem teknikere og brugere " "indenfor IT. Det har 2 aspekter - at naerme teknikeren til brugeren, og at " "naermere brugeren til teknikken. Jeg arbejder med undervisning (arketyper, " "paedagogik og kommunikation), brugerfladedesign og almen radgivning for at " "hjaelpe brugeren pa vej. For at hjaelpe teknikeren tager jeg udgangspunkt i " "mig selv og mit arbejde med brugeren, og udvikler herigennem en raekke " "metoder og tankesaet, som jeg vil formidle - gennem praktikanter eller " "evt. decideret undervisning - til andre teknikere, som ikke i det daglige " "arbejder "i begge lejre", og derfor ikke ser de samme problematikker som " "mig.\n" " konomisk skulle "Projekt dr. Jones" gerne baeres igennem " "vha. konkrete projekter - virksomheder og enkeltpersoner, som har behov for " "min viden og mit arbejde, og som er villige til at betale merprisen for " "forskning fremfor traditionelle l sninger (NB! jeg bruger bevidst ikke ord " "som "udvikling" og "innovation" - for mit arbejde f rer til tider " "tilbage til udgangspunktet - det er ikke *altid* n dvendigt at opfinde den " "dybe tallerken igen!)\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Henrik vil ikke give mig de store erfaringer mht. formidling af min " "viden - jeg har for stor en pukkel af opgaver liggende til at kunne gabe " "over ham ogsa. Denne gang er det primaert hans felt - PR - jeg kan drage " "nytte af.\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " *** Undevisning ***\n" " Jeg har nu i en maned undeervist i edb som valgfag pa IDA " "(Idraetsdagh jskolen). Indtil nu har det vaeret 2 timer om ugen, elever i " "alderen 30-60 ar - men om fa uger bliver der yderligere 4 timer om ugen med " "elever pa 20-30 ar.\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Afl nningen er symbolsk (nej, god l n regnet som underviser, jeg far " "samme l n som en uddannet laerer - men ikke sammenholdt med, hvor " ""dyrebar" min tid er som selvstaendig ), men sjaeldent har jeg oplevet " "sa tydeligt et ryk i min paedagogiske forstaelse og opmaerksomhed.\n" " Jeg bliver sandsynligvis ikke haengende ved IDA i mere end et 1/2-1 ar - " "det er simpelthen for tids- og ressourcekraevende - men h ster gode " "erfaringer salaenge (og bader mig i deres positive feedback :-)\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " *** Brugerflade-programmering ***\n" " Samtidig (egentligt burde jeg forlaengst vaere faerdig, men opgaven greb " "om sig) arbejder jeg pa mit eget projekt: BOS (BrugerOpdateringsSystem).\n" " Det er et CGI-script (lille program pa en web-server), som muligg r " "redigering af indholdet pa websider uafhaengigt af sidens grafiske " "opsaetning, og - vaesentligst - UDEN AT SKRIVE EEN ENESTE KODE!\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " 1. udgave af BOS betalte jeg en programm r 15.000,- for at udvikle. Jeg " "havde brug for det til en opgave for AC (Akademikernes Centralorganisation), " "som skulle bruge det til bl.a. pressemeddelelser og publicering af et " "manedsblad pa deres 200+ siders websider (som jeg ogsa har lavet!).\n" " Da AC i sensommeren kom med rettelser og udvidelser til deres website " "blev der brug for forbedringer af BOS, og jeg erfarede, at min programm r " "havde lavet meget u-fleksibel kode, som var umulig at bygge videre pa.\n" " 2. udgave af BOS er nu naesten faerdig. Jeg valgte at skrive det om fra " "grunden selv (med hjaelp fra en god ven, som studerer datalogi), og har " "efterhanden skrevet ca. 750 linjers kode i programmeringssproget Perl \n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Jeg havde ikke troet, at jeg nogensinde skulle kunne programmere. Det " "kraever disciplin og god forstaelse for grundliggende datastrukturer, som " "jeg hidtil troede n dvendiggjorde et mangearigt universitetsstudie " "(datalogi).\n" " Jeg vil ikke sla mig ned som programm r, men kan nu bruge det som ekstra " "fjer i min vifte af erfaringsomrader, i min rejse mod "At vaere det ledende " "radgivningsorgan i Danmark indenfor anvendt edb"!\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " *** Internet-Cafe ***\n" " Jeg har jo kontor i 2 lokaler hos NETLAB, en spillecafe (computerspil i " "netvaerk). Det tog ikke mange jeblikke at slutte deres og mit netvaerk " "sammen, sa alle spillecomputerne ogsa kunne komme pa Internet - desvaerre " "fungerede det ikke med store computerspil (lang teknisk forklaring ), kun " "med alm. ting som e-mail og at "surfe" pa nettet.\n" " Jeg far snart (indenfor fa uger) "aegte" adgang til Internet, via fast " "forbindelse d gnet rundt. Sa kan der spilles computerspil via Internet, og " "spillecafeen er reelt blevet en Internet-Cafe \n" " Den kommende Internetforbindelse er dog ikke saerligt kraftig (64kbit - " "2-4 x modemhastighed) til deling mellem 20 kraftige maskiner, og har lagt en " "f ler ind hos Telia: Om ikke de har lyst til at sponsorere stedet. Give os " "en kraftig forbindelse til Internet, og til gengaeld fa reklamevaerdien af " "en stabil og hurtig forbindelse Folk der bliver rigtigt bidt af det vil " "jo f r eller siden k be en maskine selv, og sa far de jo brug for en " "Internet-udbyder \n" " Min rolle bliver at administrere "hullet" (eller "hullerne" til " "Internet, og evt. ogsa at strukturere og administrere mail-adresser til " "bes gende pa cafeen.\n" " konomisk forestiller jeg mig en fast procentdel af indtaegterne i " "cafeen - eller evt. simpelthen en billigere husleje?!?. Det gaelder om at " "finde en prispolitik, som spiller sammen med den grundliggende holdning ved " "bade dr. Jones og NETLAB om et indbydende, seri st (uden at blive kedeligt!) " "milj fremfor "flest muligt forbi kasseapperatet".\n" msgstr "" #. type: Plain text #, no-wrap msgid " -\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Det blev et laengere brev - og jeg tror faktisk, jeg vil genbruge det " "til ogsa at fortaelle familie og andre venner, hvorfor de har h rst sa lidt " "til mig pa det sidste \n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Hej allesammen!\n" " Haber I nyder tilvaerelsen. Det g r jeg - men traenger ogsa snart til et " "lille pusterum - juleferie i Sydfrankrig, regner jeg med!\n" msgstr "" #. type: Plain text #, no-wrap msgid "" " Ha' det bra!\n" " Jonas\n" " :_-)\n" " _\n" msgstr "" #. type: Plain text msgid "" "[More information about the Friends mailing list](http://mail.jones.dk/cgi- " "bin/mailman/listinfo/friends)" msgstr "" #. type: Plain text msgid "This text is part of my friends scriblings." msgstr ""

Sarah's Mum had accrued too much annual leave and had to take some time off work, so Sarah did some (very mild) arm twisting and convinced her to come over for 3 weeks, and do a 5 day cruise to Mexico out of New Orleans. Unfortunately, my annual leave situation wasn't quite so abundant, and I had a lot going on at work, so regretfully I didn't join them on the cruise, and instead went to New Orleans for a four day weekend when they returned. From all reports, the cruise was very good. Zoe handled it well, although she did say "home" a lot. One of the two stops in Mexico was to check out some Mayan ruins, which looked awesome from the photos. The other stop involved a dolphin encounter. I was incredibly envious of all that they got to do, and would have loved to have gone with them, as I've never been on a cruise ship either. I can also report that no cats were lost during this bachelor stint. I had a night flight on the Wednesday evening to get there, which was scheduled to get in at around midnight, and I'd booked a motel room near the airport for that night, and we'd booked a vacation rental home for Thursday to Sunday nights. Unfortunately, my flight ended being delayed something like 2.5 hours, so I didn't get into New Orleans until around 2am. The house we rented did the trick nicely. It was a small "shotgun" duplex in what looked like a nice neighbourhood. It was advertised as being close to the street car line, but they were doing some work on the tracks, so the street car didn't seem to be running as far down the line as it usually did, so it ended up being a bit more of a trek to get to it. It was also extremely slow, and there was a marathon on the Sunday, which closed everything down for a long time, making it a generally pretty unreliable form the transport. We ended up renting a car for Saturday and Sunday, which was something of a saga in itself, as Enterprise didn't have any cars at the location we'd booked one, so after a couple of hours cooling our heels there (Zoe was incredibly well-behaved, all things considered), they shuttled us over to another location and we ended up with a minivan instead of a compact, which for the same price, allayed our concerns about being able to transport all of our luggage to the airport on Monday morning. We had a very early morning flight on Monday morning to come back, which got into SFO at around 9am, and I went directly to work from there. Thursday We all arrived at the house, separately. It ended up taking them 2 hours to disembark the ship when it came back into port, with Customs taking an eternity to process everyone. I think we went exploring the local area that afternoon, and took a street car into the city to check out Bourbon Street, having a Cajun dinner at Remoulade. Friday In the morning, we went to check out Lafayette Cemetery Number 2. Sarah took Zoe back to the house for a nap, and Sarah's Mum and I continued back to explore the French Quarter some more, walking down the length of Royal Street (which was vastly different from Bourbon Street, just one block over). We had lunch at the French Market. The cemetery was interesting, as pretty much all of the graves were these huge above ground tombs, that seemed to have multiple family members interred in them. Apparently the cemetery filled up quite quickly courtesy of a Yellow Fever outbreak. After lunch, Sarah's Mum and I continued wandering around the French Quarter. We went and took a look at the Mississippi River, and I had an encounter with a grifter who was so good at his job I couldn't bring myself to argue with him over the $20 he diddled me out of. We tried to get to the Civil War Museum, but it closed at 4pm. We looked at the Robert E. Lee Monument, which seemed to be draped in drunks, and then I think we rendezvoused with Sarah and Zoe back on Canal Street for dinner at The Court of Two Sisters (which apparently we were under-dressed for, as Sarah and her Mum said we were getting a lot of dirty looks from other patrons). Saturday On Saturday morning, we had the aforementioned car rental experience from hell, and by the time we had the car it was lunchtime, so Zoe napped in the car after lunch on the way out to Oak Alley Plantation, where we were introduced to the delightful beverage known as the mint julep, and took a tour of the house and wandered the grounds. Sunday On Sunday, Sarah and her Mum did a swamp tour, and Zoe and I went to the zoo. As I said earlier, there was a marathon that completely closed down Saint Charles Avenue, which is where the street cars run, so after walking down to where the street cars started operating (which ended up being most of the way down South Carrollton Avenue), the driver informed me that the street cars were queuing up at the corner of South Carrollton and Saint Charles, and I should get off her street car and get on the one at the front of the queue. I did this, but the driver of the front street car informed me that she wouldn't be leaving for an hour and half. At this point, I started considering a bus instead. Zoe and I went to check out the Mississippi River, which was quite close to where we were, and then I went back, and despite a street car having left (without any passengers) the driver of the current street car couldn't tell me when she'd be leaving, so I started walking down Saint Charles Avenue. Unfortunately, Zoe's going through a phase where she wants to be carried everywhere, so I was lugging her all over the place on my hip. Sarah didn't take a stroller with her, and instantly regretted it. Lesson learned. Eventually we managed to get onto a bus, which dropped us off at Audubon Park, which had Audubon Zoo at the other end of it. There was a playground near the Saint Charles Avenue end of the park, so Zoe had a bit of a play on that, and then we continued through the park to the zoo. Mercifully, the zoo had dodgy strollers for rent, and there was no way in the world I wasn't going to rent one of them, so that made getting around with Zoe a lot easier on my back. We had a really good time at the zoo. There was some sort of a music festival on in the parklands within the zoo grounds, and that included a jumping castle, which Zoe expressed a desire to have a go on. She had a fabulous time on it. I think she probably spent about 15 minutes in there, without any tears. I was very impressed. I took a brief video of some of her antics. It was getting close to Zoe's nap time, and she was getting tired, but fortunately Sarah and her Mum were able to pick us up from the zoo after their swamp tour and Zoe got to nap back at the house. Monday We had a very early start. Unfortunately, our flight (with United) was a couple of days after United and Continental officially merged, and despite having checked in online, we had to queue up with everyone else (for an extended period of time) to drop off our checked luggage. Then there was a 45 minute line for security screening. We pulled the "toddler going to melt down" card and jumped to the head of the line, but Sarah's Mum had to wait. The flight ended up being delayed because people were stuck in the security line. Overall impressions of New Orleans Fabulous architecture. There were so many gorgeous houses on Saint Charles Avenue and the surrounding area. I'd have loved to do an architecture tour. Crap (but cheap) public transport. $3 gets you a day pass. The street cars are cute, but slow and unpredictable. The drivers were remarkably unhelpful. The buses were okay. Great food. Zoe seemed to have a liking for the spicy stuff. I gave her some fresh alligator jerky, and after some initial coughing and spluttering at the spiciness of it, she came back for more. Post-Katrina recovery. We really only saw a very small part of the city, but there were still some houses with boarded up windows, and some vacant blocks where buildings had been demolished, but largely you'd not have been able to tell that large parts of the city had been underwater, from casual inspection. I really enjoyed the trip, even though it was brief, I feel like I got a good feel for the place. We were there just after Mardi Gras, and there were still beads everywhere. Draped all over fences. Over power lines. Trees on the parade route were absolutely covered in beads. I'd have loved to have been there for Mardi Gras. My friend Brandon, who is an excellent street photographer, took some great photos that capture some of it. Photos from Sarah's cruise and our time in New Orleans are here.

Mostly everything in life boils down to the same troublesome issue: people are reading different things into what they read, and interpret them regularly in a way it wasn't meant to. It seems that in certain areas a culture of interpreting things in a bad way instead of good or asking how they were actually meant has established the rules of (not) working together but rather against each other and around each other. At times I would like to account it to language barriers, or cultural differences, but it happens with people from all areas so that reasoning would be too easy. Even artists manage to do that, and in that certain area it creates something extremely creative and thoughtful. This blog entry thus contains three songs and six videos: Two different interpretations of the same lyrics. Maybe this is able to stir some thinking process whether the interpretation that one found for a given situation might be biased or even just looking from the wrong angle.

• Imagine (John Lennon vs. A Perfect Circle): It gives me the shivers when thinking about what a different tune and might turn the same lyrics into. The various videos going with this interpretation make me even cry, and since the official video might be blocked in your country I linked one of the private made ones.
• Mad World (Tears For Fears vs. Gary Jules): You might not have known the original (Tears For Fears is well known for other songs actually) but only the cover, which was in the soundtrack of Donnie Darko.
• Drive (R.E.M. vs. R.E.M.): You read correctly: a band covering itself is rare but it happens. And yes, when I heard the live version back in the years it was a quite enlightening situation.

Enjoy! One thing I'd like to mention, and that is two cross references to former blog entries. For the first song, James Iha played as guitarist in The Smashing Pumpkins before he joined A Perfect Circle. The second cross reference is with respect to my former blog entry about the Wise Guys: They did also cover Mad World, in the Gary Jules' interpretation but of course in a capella.

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Yes, it's that time of the year again... it's almost Christmas, which means that I once again updated my 10 + 100 Creative Commons Christmas Songs blog article I originally wrote in 2005. That's a collection of a lot of freely downloadable, Creative Commons licensed Christmas music. Some of the older entries in the list are no longer available unfortunately, some only needed a URL update, and I also added more than 30 new songs this year. This currently makes a total of 256 CC Christmas songs (more will probably be added over the next few days), so head over to the full song list and get those downloads started... (Photo: Wikipedia. Author: Malene Thyssen. License: GFDL 1.2 / CC-BY-SA 2.5)

From Tuesday thingers, via Jules Jones:

Here is the Top 100 Most Popular Books on LibraryThing. Bold what you own, italicize what you’ve read. Star what you liked. Star multiple times what you loved!

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There are many reasons why I love Jon Snow: his eclectic ties and socks, his personal morals and ethics (his biography is pretty good), and of course Snowmail. Today's Snowmail contained this referential gem: These are not just bad sales figures. These are M&S bad sales figures. NP: Herbstlaub, Marsen Jules

So, it's Christmas today (or it will be tomorrow, depending on where you live). Wouldn't it be nice if you had a bunch of freely and legally available Christmas songs you could listen to all day? Burn on CDs and hand over to your relatives? Share with your friends without the fear of being sued to death by big record labels? Well, here's a list of 110 128 songs which are all explicitly released under a Creative Commons license (no, I did not consider songs which are merely "podsafe"!) and thus can be shared, listened to, and sometimes even modified freely. There's a great variety in style, mood, and genre of the songs: some traditional, some contemporary, some happy, some sad, and some just plain funny. So here's the list: Single MP3s:

• Natalie Brown - Jingle Bells
• Danny Morris - Santa's Gone Surfing!
• Bullette - Christmas Blank
• Bullette - The Finest Gifts
• Jonathan Coulton - Podsafe Christmas Song
• Jonathan Coulton - Christmas Is Interesting
• Pete Green - Everything's Dead Pretty When it Snows
• Robert Gayler - Christmas Bells
• Sonny Jim - Christmas
• Shira Kammen - Christmas Day in the Morning
• Derek K. Miller - We Three Kings
• High-C & DJ Manticore - How George Stole Christmas
• Sarah Whiteley - Still, Still, Still
• Sean McGaughey - Homeless Babe
• Skoria - Christmas Impro

Compilations:

• Kemper Crabb - A Medieval Christmas (11 songs)
• Diorisiy - Christmas Carols (19 songs)
• The 8bitpeoples - The 8bits of Christmas (8 songs)
• Austin Rudy Christmas - Carolina Christmas (5 songs)
• Goyette Christmas Carolers - Various Christmas Songs (10 songs)
• Kevin MacLeod - Holiday / Christmas Collection (8 songs)
• Oilville Christmas Dynasty - Christmas Compilations (39 songs)
• Ottmar Liebert - Winter Rose (13 songs)

This list is by no means complete, I'm sure. So if you happen to know some more Creative Commons licensed Christmas music, please leave a comment! I'd love to hear about it. (Btw., the nice image on the right is taken from the Wikipedia. The author is Malene Thyssen, and the image is dual-licensed under the GNU Free Documentation License 1.2 and the Creative Commons Attribution-ShareAlike 2.5 license) Merry Christmas everyone! Update 2005-12-24: Added "We Three Kings".
Update 2005-12-25: In the press: Boing Boing, Creative Commons Blog, netzpolitik.org, Technorati, digg.com, del.icio.us and lots more. Added "How George Stole Christmas". Added "Winter Rose". Added "Still, Still, Still".
Update 2005-12-26: Added "Homeless Babe". Added "Christmas Impro".