Search Results: "bart"

16 October 2023

Scarlett Gately Moore: KDE: Debian: Hopefully a short goodbye for now.

KDE MascotKDE Mascot
I have been working around the clock and over the weekend trying to get the transition for snapcraft files in their respective repos. What does this mean for users? Faster releases for Snaps and closer collaboration between snapcrafters and application developers so bugs get resolved much quicker. Unfortunately, I have 2 days to finish before my internet gets cut off. I did not make enough to pay the bill. Seeing as this is the first time in a year, I am absolutely, positively grateful for all of you and your support over the past year. I know my work is appreciated! I will never be homeless or starve due to my wonderful local community, but the Internet bill is not something we can barter or trade labor for. I have caught up on my Debian obligations ( so no MIA needed! ) KDE neon is in good hands with Jonathan and Carlos. So for now, farewell ( I assure you I will be back! ) https://gofund.me/b8b69e54

7 March 2023

Robert McQueen: Flathub in 2023

It s been quite a few months since the most recent updates about Flathub last year. We ve been busy behind the scenes, so I d like to share what we ve been up to at Flathub and why and what s coming up from us this year. I want to focus on: Today Flathub is going strong: we offer 2,000 apps from over 1,500 collaborators on GitHub. We re averaging 700,000 app downloads a day, with 898 million HTTP requests totalling 88.3 TB served by our CDN each day (thank you Fastly!). Flatpak has, in my opinion, solved the largest technical issue which has held back the mainstream growth and acceptance of Linux on the desktop (or other personal computing devices) for the past 25 years: namely, the difficulty for app developers to publish their work in a way that makes it easy for people to discover, download (or sideload, for people in challenging connectivity environments), install and use. Flathub builds on that to help users discover the work of app developers and helps that work reach users in a timely manner. Initial results of this disintermediation are promising: even with its modest size so far, Flathub has hundreds of apps that I have never, ever heard of before and that s even considering I ve been working in the Linux desktop space for nearly 20 years and spent many of those staring at the contents of dselect (showing my age a little) or GNOME Software, attending conferences, and reading blog posts, news articles, and forums. I am also heartened to see that many of our OS distributor partners have recognised that this model is hugely complementary and additive to the indispensable work they are doing to bring the Linux desktop to end users, and that having more apps available to your users is a value-add allowing you to focus on your core offering and not a zero-sum game that should motivate infighting. Ongoing Progress Getting Flathub into its current state has been a long ongoing process. Here s what we ve been up to behind the scenes: Development Last year, we concluded our first engagement with Codethink to build features into the Flathub web app to move from a build service to an app store. That includes accounts for users and developers, payment processing via Stripe, and the ability for developers to manage upload tokens for the apps they control. In parallel, James Westman has been working on app verification and the corresponding features in flat-manager to ensure app metadata accurately reflects verification and pricing, and to provide authentication for paying users for app downloads when the developer enables it. Only verified developers will be able to make direct uploads or access payment settings for their apps. Legal So far, the GNOME Foundation has acted as an incubator and legal host for Flathub even though it s not purely a GNOME product or initiative. Distributing software to end users along with processing and forwarding payments and donations also has a different legal profile in terms of risk exposure and nonprofit compliance than the current activities of the GNOME Foundation. Consequently, we plan to establish an independent legal entity to own and operate Flathub which reduces risk for the GNOME Foundation, better reflects the independent and cross-desktop interests of Flathub, and provides flexibility in the future should we need to change the structure. We re currently in the process of reviewing legal advice to ensure we have the right structure in place before moving forward. Governance As Flathub is something we want to set outside of the existing Linux desktop and distribution space and ensure we represent and serve the widest community of Linux users and developers we ve been working on a governance model that ensures that there is transparency and trust in who is making decisions, and why. We have set up a working group with myself and Mart n Abente Lahaye from GNOME, Aleix Pol Gonzalez, Neofytos Kolokotronis, and Timoth e Ravier from KDE, and Jorge Castro flying the flag for the Flathub community. Thanks also to Neil McGovern and Nick Richards who were also more involved in the process earlier on. We don t want to get held up here creating something complex with memberships and elections, so at first we re going to come up with a simple/balanced way to appoint people into a board that makes key decisions about Flathub and iterate from there. Funding We have received one grant for 2023 of $100K from Endless Network which will go towards the infrastructure, legal, and operations costs of running Flathub and setting up the structure described above. (Full disclosure: Endless Network is the umbrella organisation which also funds my employer, Endless OS Foundation.) I am hoping to grow the available funding to $250K for this year in order to cover the next round of development on the software, prepare for higher operations costs (e.g., accounting gets more complex), and bring in a second full-time staff member in addition to Bart omiej Piotrowski to handle enquiries, reviews, documentation, and partner outreach. We re currently in discussions with NLnet about funding further software development, but have been unfortunately turned down for a grant from the Plaintext Group for this year; this Schmidt Futures project around OSS sustainability is not currently issuing grants in 2023. However, we continue to work on other funding opportunities. Remaining Barriers My personal hypothesis is that our largest remaining barrier to Linux desktop scale and impact is economic. On competing platforms mobile or desktop a developer can offer their work for sale via an app store or direct download with payment or subscription within hours of making a release. While we have taken the time to first download time down from months to days with Flathub, as a community we continue to have a challenging relationship with money. Some creators are lucky enough to have a full-time job within the FLOSS space, while a few superstar developers are able to nurture some level of financial support by investing time in building a following through streaming, Patreon, Kickstarter, or similar. However, a large proportion of us have to make do with the main payback from our labours being a stream of bug reports on GitHub interspersed with occasional conciliatory beers at FOSDEM (other beverages and events are available). The first and most obvious consequence is that if there is no financial payback for participating in developing apps for the free and open source desktop, we will lose many people in the process despite the amazing achievements of those who have brought us to where we are today. As a result, we ll have far fewer developers and apps. If we can t offer access to a growing base of users or the opportunity to offer something of monetary value to them, the reward in terms of adoption and possible payment will be very small. Developers would be forgiven for taking their time and attention elsewhere. With fewer apps, our platform has less to entice and retain prospective users. The second consequence is that this also represents a significant hurdle for diverse and inclusive participation. We essentially require that somebody is in a position of privilege and comfort that they have internet, power, time, and income not to mention childcare, etc. to spare so that they can take part. If that s not the case for somebody, we are leaving them shut out from our community before they even have a chance to start. My belief is that free and open source software represents a better way for people to access computing, and there are billions of people in the world we should hope to reach with our work. But if the mechanism for participation ensures their voices and needs are never represented in our community of creators, we are significantly less likely to understand and meet those needs. While these are my thoughts, you ll notice a strong theme to this year will be leading a consultation process to ensure that we are including, understanding and reflecting the needs of our different communities app creators, OS distributors and Linux users as I don t believe that our initiative will be successful without ensuring mutual benefit and shared success. Ultimately, no matter how beautiful, performant, or featureful the latest versions of the Plasma or GNOME desktops are, or how slick the newly rewritten installer is from your favourite distribution, all of the projects making up the Linux desktop ecosystem are subdividing between ourselves an absolutely tiny market share of the global market of personal computers. To make a bigger mark on the world, as a community, we need to get out more. What s Next? After identifying our major barriers to overcome, we ve planned a number of focused initiatives and restructuring this year: Phased Deployment We re working on deploying the work we have been doing over the past year, starting first with launching the new Flathub web experience as well as the rebrand that Jakub has been talking about on his blog. This also will finally launch the verification features so we can distinguish those apps which are uploaded by their developers. In parallel, we ll also be able to turn on the Flatpak repo subsets that enable users to select only verified and/or FLOSS apps in the Flatpak CLI or their desktop s app center UI. Consultation We would like to make sure that the voices of app creators, OS distributors, and Linux users are reflected in our plans for 2023 and beyond. We will be launching this in the form of Flathub Focus Groups at the Linux App Summit in Brno in May 2023, followed up with surveys and other opportunities for online participation. We see our role as interconnecting communities and want to be sure that we remain transparent and accountable to those we are seeking to empower with our work. Whilst we are being bold and ambitious with what we are trying to create for the Linux desktop community, we also want to make sure we provide the right forums to listen to the FLOSS community and prioritise our work accordingly. Advisory Board As we build the Flathub organisation up in 2023, we re also planning to expand its governance by creating an Advisory Board. We will establish an ongoing forum with different stakeholders around Flathub: OS vendors, hardware integrators, app developers and user representatives to help us create the Flathub that supports and promotes our mutually shared interests in a strong and healthy Linux desktop community. Direct Uploads Direct app uploads are close to ready, and they enable exciting stuff like allowing Electron apps to be built outside of flatpak-builder, or driving automatic Flathub uploads from GitHub actions or GitLab CI flows; however, we need to think a little about how we encourage these to be used. Even with its frustrations, our current Buildbot ensures that the build logs and source versions of each app on Flathub are captured, and that the apps are built on all supported architectures. (Is 2023 when we add RISC-V? Reach out if you d like to help!). If we hand upload tokens out to any developer, even if the majority of apps are open source, we will go from this relatively structured situation to something a lot more unstructured and we fear many apps will be available on only 64-bit Intel/AMD machines. My sketch here is that we need to establish some best practices around how to integrate Flathub uploads into popular CI systems, encouraging best practices so that we promote the properties of transparency and reproducibility that we don t want to lose. If anyone is a CI wizard and would like to work with us as a thought partner about how we can achieve this make it more flexible where and how build tasks can be hosted, but not lose these cross-platform and inspectability properties we d love to hear from you. Donations and Payments Once the work around legal and governance reaches a decent point, we will be in the position to move ahead with our Stripe setup and switch on the third big new feature in the Flathub web app. At present, we have already implemented support for one-off payments either as donations or a required purchase. We would like to go further than that, in line with what we were describing earlier about helping developers sustainably work on apps for our ecosystem: we would also like to enable developers to offer subscriptions. This will allow us to create a relationship between users and creators that funds ongoing work rather than what we already have. Security For Flathub to succeed, we need to make sure that as we grow, we continue to be a platform that can give users confidence in the quality and security of the apps we offer. To that end, we are planning to set up infrastructure to help ensure developers are shipping the best products they possibly can to users. For example, we d like to set up automated linting and security scanning on the Flathub back-end to help developers avoid bad practices, unnecessary sandbox permissions, outdated dependencies, etc. and to keep users informed and as secure as possible. Sponsorship Fundraising is a forever task as is running such a big and growing service. We hope that one day, we can cover our costs through some modest fees built into our payments but until we reach that point, we re going to be seeking a combination of grant funding and sponsorship to keep our roadmap moving. Our hope is very much that we can encourage different organisations that buy into our vision and will benefit from Flathub to help us support it and ensure we can deliver on our goals. If you have any suggestions of who might like to support Flathub, we would be very appreciative if you could reach out and get us in touch. Finally, Thank You! Thanks to you all for reading this far and supporting the work of Flathub, and also to our major sponsors and donors without whom Flathub could not exist: GNOME Foundation, KDE e.V., Mythic Beasts, Endless Network, Fastly, and Equinix Metal via the CNCF Community Cluster. Thanks also to the tireless work of the Freedesktop SDK community to give us the runtime platform most Flatpaks depend on, particularly Seppo Yli-Olli, Codethink and others. I wanted to also give my personal thanks to a handful of dedicated people who keep Flathub working as a service and as a community: Bart omiej Piotrowski is keeping the infrastructure working essentially single-handedly (in his spare time from keeping everything running at GNOME); Kolja Lampe and Bart built the new web app and backend API for Flathub which all of the new functionality has been built on, and Filippe LeMarchand maintains the checker bot which helps keeps all of the Flatpaks up to date. And finally, all of the submissions to Flathub are reviewed to ensure quality, consistency and security by a small dedicated team of reviewers, with a huge amount of work from Hubert Figui re and Bart to keep the submissions flowing. Thanks to everyone named or unnamed for building this vision of the future of the Linux desktop together with us. (originally posted to Flathub Discourse, head there if you have any questions or comments)

27 December 2022

Chris Lamb: Favourite books of 2022: Fiction

This post marks the beginning my yearly roundups of the favourite books and movies that I read and watched in 2022 that I plan to publish over the next few days. Just as I did for 2020 and 2021, I won't reveal precisely how many books I read in the last year. I didn't get through as many books as I did in 2021, though, but that's partly due to reading a significant number of long nineteenth-century novels in particular, a fair number of those books that American writer Henry James once referred to as "large, loose, baggy monsters." However, in today's post I'll be looking at my favourite books that are typically filed under fiction, with 'classic' fiction following tomorrow. Works that just missed the cut here include John O'Brien's Leaving Las Vegas, Colson Whitehead's Sag Harbor and possibly The Name of the Rose by Umberto Eco, or Elif Batuman's The Idiot. I also feel obliged to mention (or is that show off?) that I also read the 1,079-page Infinite Jest by David Foster Wallace, but I can't say it was a favourite, let alone recommend others unless they are in the market for a good-quality under-monitor stand.

Mona (2021) Pola Oloixarac Mona is the story of a young woman who has just been nominated for the 'most important literary award in Europe'. Mona sees the nomination as a chance to escape her substance abuse on a Californian campus and so speedily decamps to the small village in the depths of Sweden where the nominees must convene for a week before the overall winner is announced. Mona didn't disappear merely to avoid pharmacological misadventures, though, but also to avoid the growing realisation that she is being treated as something of an anthropological curiosity at her university: a female writer of colour treasured for her flourish of exotic diversity that reflects well upon her department. But Mona is now stuck in the company of her literary competitors who all have now gathered from around the world in order to do what writers do: harbour private resentments, exchange empty flattery, embody the selfsame racialised stereotypes that Mona left the United States to avoid, stab rivals in the back, drink too much, and, of course, go to bed together. But as I read Mona, I slowly started to realise that something else is going on. Why does Mona keep finding traces of violence on her body, the origins of which she cannot or refuses to remember? There is something eerily defensive about her behaviour and sardonic demeanour in general as well. A genre-bending and mind-expanding novel unfolded itself, and, without getting into spoiler territory, Mona concludes with such a surprising ending that, according to Adam Thirlwell:
Perhaps we need to rethink what is meant by a gimmick. If a gimmick is anything that we want to reject as extra or excessive or ill-fitting, then it may be important to ask what inhibitions or arbitrary conventions have made it seem like excess, and to revel in the exorbitant fictional constructions it produces. [...]
Mona is a savage satire of the literary world, but it's also a very disturbing exploration of trauma and violence. The success of the book comes in equal measure from the author's commitment to both ideas, but also from the way the psychological damage component creeps up on you. And, as implied above, the last ten pages are quite literally out of this world.

My Brilliant Friend (2011)
The Story of a New Name (2012)
Those Who Leave and Those Who Stay (2013)
The Story of the Lost Child (2014) Elena Ferrante Elena Ferrante's Neopolitan Quartet follows two girls, both brilliant in their own way. Our protagonist-narrator is Elena, a studious girl from the lower rungs of the middle class of Naples who is inspired to be more by her childhood friend, Lila. Lila is, in turn, far more restricted by her poverty and class, but can transcend it at times through her fiery nature, which also brands her as somewhat unique within their inward-looking community. The four books follow the two girls from the perspective of Elena as they grow up together in post-war Italy, where they drift in-and-out of each other's lives due to the vicissitudes of change and the consequences of choice. All the time this is unfolding, however, the narrative is very always slightly charged by the background knowledge revealed on the very first page that Lila will, many years later, disappear from Elena's life. Whilst the quartet has the formal properties of a bildungsroman, its subject and conception are almost entirely different. In particular, the books are driven far more by character and incident than spectacular adventures in picturesque Italy. In fact, quite the opposite takes place: these are four books where ordinary-seeming occurrences take on an unexpected radiance against a background of poverty, ignorance, violence and other threats, often bringing to mind the films of the Italian neorealism movement. Brilliantly rendered from beginning to end, Ferrante has a seemingly studious eye for interpreting interactions and the psychology of adolescence and friendship. Some utterances indeed, perhaps even some glances are dissected at length over multiple pages, something that Vittorio De Sica's classic Bicycle Thieves (1948) could never do. Potential readers should not take any notice of the saccharine cover illustrations on most editions of the books. The quartet could even win an award for the most misleading artwork, potentially rivalling even Vladimir Nabokov's Lolita. I wouldn't be at all surprised if it is revealed that the drippy illustrations and syrupy blurbs ("a rich, intense and generous-hearted story ") turn out to be part of a larger metatextual game that Ferrante is playing with her readers. This idiosyncratic view of mine is partially supported by the fact that each of the four books has been given a misleading title, the true ambiguity of which often only becomes clear as each of the four books comes into sharper focus. Readers of the quartet often fall into debating which is the best of the four. I've heard from more than one reader that one has 'too much Italian politics' and another doesn't have enough 'classic' Lina moments. The first book then possesses the twin advantages of both establishing the environs and finishing with a breathtaking ending that is both satisfying and a cliffhanger as well but does this make it 'the best'? I prefer to liken the quartet more like the different seasons of The Wire (2002-2008) where, personal favourites and preferences aside, although each season is undoubtedly unique, it would take a certain kind of narrow-minded view of art to make the claim that, say, series one of The Wire is 'the best' or that the season that focuses on the Baltimore docks 'is boring'. Not to sound like a neo-Wagnerian, but each of them adds to final result in its own. That is to say, both The Wire and the Neopolitan Quartet achieve the rare feat of making the magisterial simultaneously intimate.

Out There: Stories (2022) Kate Folk Out There is a riveting collection of disturbing short stories by first-time author Kate Fork. The title story first appeared in the New Yorker in early 2020 imagines a near-future setting where a group of uncannily handsome artificial men called 'blots' have arrived on the San Francisco dating scene with the secret mission of sleeping with women, before stealing their personal data from their laptops and phones and then (quite literally) evaporating into thin air. Folk's satirical style is not at all didactic, so it rarely feels like she is making her points in a pedantic manner. But it's clear that the narrator of Out There is recounting her frustration with online dating. in a way that will resonate with anyone who s spent time with dating apps or indeed the contemporary hyper-centralised platform-based internet in general. Part social satire, part ghost story and part comic tales, the blurring of the lines between these factors is only one of the things that makes these stories so compelling. But whilst Folk constructs crazy scenarios and intentionally strange worlds, she also manages to also populate them with characters that feel real and genuinely sympathetic. Indeed, I challenge you not to feel some empathy for the 'blot' in the companion story Big Sur which concludes the collection, and it complicates any primary-coloured view of the dating world of consisting entirely of predatory men. And all of this is leavened with a few stories that are just plain surreal. I don't know what the deal is with Dating a Somnambulist (available online on Hobart Pulp), but I know that I like it.

Solaris (1961) Stanislaw Lem When Kelvin arrives at the planet Solaris to study the strange ocean that covers its surface, instead of finding an entirely physical scientific phenomenon, he soon discovers a previously unconscious memory embodied in the physical manifestation of a long-dead lover. The other scientists on the space station slowly reveal that they are also plagued with their own repressed corporeal memories. Many theories are put forward as to why all this is occuring, including the idea that Solaris is a massive brain that creates these incarnate memories. Yet if that is the case, the planet's purpose in doing so is entirely unknown, forcing the scientists to shift focus and wonder whether they can truly understand the universe without first understanding what lies within their own minds and in their desires. This would be an interesting outline for any good science fiction book, but one of the great strengths of Solaris is not only that it withholds from the reader why the planet is doing anything it does, but the book is so forcefully didactic in its dislike of the hubris, destructiveness and colonial thinking that can accompany scientific exploration. In one of its most vitriolic passages, Lem's own anger might be reaching out to the reader:
We are humanitarian and chivalrous; we don t want to enslave other races, we simply want to bequeath them our values and take over their heritage in exchange. We think of ourselves as the Knights of the Holy Contact. This is another lie. We are only seeking Man. We have no need of other worlds. We need mirrors. We don t know what to do with other worlds. A single world, our own, suffices us; but we can t accept it for what it is. We are searching for an ideal image of our own world: we go in quest of a planet, of a civilisation superior to our own, but developed on the basis of a prototype of our primaeval past. At the same time, there is something inside us that we don t like to face up to, from which we try to protect ourselves, but which nevertheless remains since we don t leave Earth in a state of primal innocence. We arrive here as we are in reality, and when the page is turned, and that reality is revealed to us that part of our reality that we would prefer to pass over in silence then we don t like it anymore.
An overwhelming preoccupation with this idea infuses Solaris, and it turns out to be a common theme in a lot of Lem's work of this period, such as in his 1959 'anti-police procedural' The Investigation. Perhaps it not a dislike of exploration in general or the modern scientific method in particular, but rather a savage critique of the arrogance and self-assuredness that accompanies most forms of scientific positivism, or at least pursuits that cloak themselves under the guise of being a laudatory 'scientific' pursuit:
Man has gone out to explore other worlds and other civilizations without having explored his own labyrinth of dark passages and secret chambers and without finding what lies behind doorways that he himself has sealed.
I doubt I need to cite specific instances of contemporary scientific pursuits that might meet Lem's punishing eye today, and the fact that his critique works both in 2022 and 1961 perhaps tells us more about the human condition than we'd care to know. Another striking thing about Solaris isn't just the specific Star Trek and Stargate SG-1 episodes that I retrospectively realised were purloined from the book, but that almost the entire register of Star Trek: The Next Generation in particular seems to be rehearsed here. That is to say, TNG presents itself as hard and fact-based 'sci-fi' on the surface, but, at its core, there are often human, existential and sometimes quite enormously emotionally devastating human themes being discussed such as memory, loss and grief. To take one example from many, the painful memories that the planet Solaris physically materialises in effect asks us to seriously consider what it actually is taking place when we 'love' another person: is it merely another 'mirror' of ourselves? (And, if that is the case, is that... bad?) It would be ahistorical to claim that all popular science fiction today can be found rehearsed in Solaris, but perhaps it isn't too much of a stretch:
[Solaris] renders unnecessary any more alien stories. Nothing further can be said on this topic ...] Possibly, it can be said that when one feels the urge for such a thing, one should simply reread Solaris and learn its lessons again. Kim Stanley Robinson [...]
I could go on praising this book for quite some time; perhaps by discussing the extreme framing devices used within the book at one point, the book diverges into a lengthy bibliography of fictional books-within-the-book, each encapsulating a different theory about what the mechanics and/or function of Solaris is, thereby demonstrating that 'Solaris studies' as it is called within the world of the book has been going on for years with no tangible results, which actually leads to extreme embarrassment and then a deliberate and willful blindness to the 'Solaris problem' on the part of the book's scientific community. But I'll leave it all here before this review gets too long... Highly recommended, and a likely reread in 2023.

Brokeback Mountain (1997) Annie Proulx Brokeback Mountain began as a short story by American author Annie Proulx which appeared in the New Yorker in 1997, although it is now more famous for the 2005 film adaptation directed by Taiwanese filmmaker Ang Lee. Both versions follow two young men who are hired for the summer to look after sheep at a range under the 'Brokeback' mountain in Wyoming. Unexpectedly, however, they form an intense emotional and sexual attachment, yet life intervenes and demands they part ways at the end of the summer. Over the next twenty years, though, as their individual lives play out with marriages, children and jobs, they continue reuniting for brief albeit secret liaisons on camping trips in remote settings. There's no feigned shyness or self-importance in Brokeback Mountain, just a close, compassionate and brutally honest observation of a doomed relationship and a bone-deep feeling for the hardscrabble life in the post-War West. To my mind, very few books have captured so acutely the desolation of a frustrated and repressed passion, as well as the particular flavour of undirected anger that can accompany this kind of yearning. That the original novella does all this in such a beautiful way (and without the crutch of the Wyoming landscape to look at ) is a tribute to Proulx's skills as a writer. Indeed, even without the devasting emotional undertones, Proulx's descriptions of the mountains and scree of the West is likely worth the read alone.

Luster (2020) Raven Leilani Edie is a young Black woman living in New York whose life seems to be spiralling out of control. She isn't good at making friends, her career is going nowhere, and she has no close family to speak of as well. She is, thus, your typical NYC millennial today, albeit seen through a lens of Blackness that complicates any reductive view of her privilege or minority status. A representative paragraph might communicate the simmering tone:
Before I start work, I browse through some photos of friends who are doing better than me, then an article on a black teenager who was killed on 115th for holding a weapon later identified as a showerhead, then an article on a black woman who was killed on the Grand Concourse for holding a weapon later identified as a cell phone, then I drown myself in the comments section and do some online shopping, by which I mean I put four dresses in my cart as a strictly theoretical exercise and then let the page expire.
She starts a sort-of affair with an older white man who has an affluent lifestyle in nearby New Jersey. Eric or so he claims has agreed upon an 'open relationship' with his wife, but Edie is far too inappropriate and disinhibited to respect any boundaries that Eric sets for her, and so Edie soon becomes deeply entangled in Eric's family life. It soon turns out that Eric and his wife have a twelve-year-old adopted daughter, Akila, who is also wait for it Black. Akila has been with Eric's family for two years now and they aren t exactly coping well together. They don t even know how to help her to manage her own hair, let alone deal with structural racism. Yet despite how dark the book's general demeanour is, there are faint glimmers of redemption here and there. Realistic almost to the end, Edie might finally realise what s important in her life, but it would be a stretch to say that she achieves them by the final page. Although the book is full of acerbic remarks on almost any topic (Dogs: "We made them needy and physically unfit. They used to be wolves, now they are pugs with asthma."), it is the comments on contemporary race relations that are most critically insightful. Indeed, unsentimental, incisive and funny, Luster had much of what I like in Colson Whitehead's books at times, but I can't remember a book so frantically fast-paced as this since the Booker-prize winning The Sellout by Paul Beatty or Sam Tallent's Running the Light.

8 December 2022

Shirish Agarwal: Wayland, Hearing aids, Multiverse & Identity

Wayland First up, I read Antoine Beaupr s Wayland to Sway migration with interest. While he said it s done and dusted or something similar, the post shows there s still quite a ways to go. I wouldn t say it s done or whatever till it s integrated so well that a person installs it and doesn t really need to fiddle with config files as an average user. For specific use-cases you may need to, but that should be outside of a normal user (layperson) experience. I have been using mate for a long long time and truth be told been very happy with it. The only thing I found about Wayland on mate is this discussion or rather this entry. The roadmap on Ubuntu Mate is also quite iffy. The Mate Wayland entry on Debian wiki also perhaps need an updation but dunno much as the latest update it shares is 2019 and it s 2022. One thing to note, at least according to Antoine, things should be better as and when it gets integrated even on legacy hardware. I would be interested to know how it would work on old desktops and laptops rather than new or is there some barrier? I, for one would have liked to see or know about why lightdm didn t work on Wayland and if there s support. From what little I know lightdm is much lighter than gdm3 and doesn t require much memory and from what little I have experienced works very well with mate. I have been using it since 2015/16 although the Debian changelog tells me that it has been present since 2011. I was hoping to see if there was a Wayland specific mailing list, something like debian-wayland but apparently there s not :(. Using mate desktop wayland (tried few other variations on the keywords) but search fails to find any meaningful answer :(. FWIW and I don t know the reason why but Archwiki never fails to amaze me. Interestingly, it just says No for mate. I probably would contact upstream in the coming days to know what their plans are and hopefully they will document what their plans are on integrating Wayland in both short-term and long-term with an update, or if there is something more recent they have documented elsewhere, get that update on the Debian wiki so people know. The other interesting thread I read was Russel Coker s Thinkpad X1 Carbon Gen5 entry. I would be in the market in a few months to find/buy a Thinkpad but probably of AMD rather than Intel because part of recent past history with Intel as well as AMD having a bit of an edge over Intel as far as graphics is concerned. I wonder why Russel was looking into Intel and not AMD. Would be interested to know why Intel and not AMD? Any specific reason ???

Hearing Aids I finally bought hearing aids about a couple of weeks back and have been practicing using them. I was able to have quite a few conversations although music is still I m not able to listen clearly but it is still a far cry from before and for the better. I am able to have conversations with people and also reply and they do not have to make that extra effort that they needed to. Make things easier for everybody. The one I bought is at the starting range although the hearing aids go all the way to 8 lakhs for a pair (INR 800,000), the more expensive ones having WiFi, Bluetooth and more channels, it all depends on how much can one afford. And AFAIK there is not a single Indian manufacturer who is known in this business.

One thing I did notice is while the hearing aids are remarkably sturdy if they fall down as they are small, yet you have to be careful of both dust and water . That does makes life a bit difficult as my house and city both gets sand quite a bit everyday. I don t think they made any India-specific changes, if they had, would probably make things better. I haven t yet looked at it, but it may be possible to hack it remotely. There may or may not be security issues involved, probably would try once I ve bit more time am bit more comfortable to try and see what I can find out. If I had bought it before, maybe I would have applied for the Debian event happening in Kerala, if nothing else, would have been to document what happened there in detail.  I probably would have to get a new motherboard for my desktop probably in a year or two as quite a few motherboards also have WiFi (WiFi 6 ?) think on the southbridge. I at least would have a look in new year and know more as to what s been happening. For last at least 2-3 years there has been a rumor which has been confirmed time and again that the Tata Group has been in talks with multiple vendors to set chip fabrication and testing business but to date they haven t been able to find one. They do keep on giving press conferences about the same but that s all they do :(. Just shared the latest one above.

The Long War Terry Pratchett, Stephen Braxter Long Earth Terry Pratchett, Stephen Braxter ISBN13: 9780062067777 Last month there was also a seconds books sale where I was lucky enough to get my hands on the Long War. But before I share about the book itself, I had a discussion with another of my friends and had to re-share part of that conversation. While the gentleman was adamant that non-fiction books are great, my point as always is both are equal. As I shared perhaps on this blog itself, perhaps multiple times, that I had seen a YT video in which a professor shared multiple textbooks of physics and shared how they are wrong and have been wrong and kept them in a specific corner. He took the latest book which he honestly said doesn t have any mistakes as far as he know and yet still kept in that same corner denoting that it is highly possible that future understanding will make the knowledge or understanding we know different. An example of physics in the nano world and how that is different and basically turns our understanding than what we know. Now as far as the book is concerned, remember Michael Crichton s Timeline. Now that book was originally written in the 1960 s while this one was written by both the honorable gentleman in 2013. So almost 50+ years difference between the two books, and that even shows how they think about things. In this book, you no longer need a big machine, but have something called a stepper machine which is say similar to a cellphone, that size and that frame, thickness etc. In this one, the idea of multiverse is also there but done a tad differently. In this, we do not have other humans or copy humans but have multiple earths that may have same or different geography as how evolution happened. None of the multiverse earths have humans but have different species depending on the evolution that happened there. There are something called as trolls but they have a much different meaning and way about them about how most fantasy authors portray trolls. While they are big in this as well, they are as gentle as bears or rabbits. So the whole thing is about real estate and how humans have spread out on multiple earths and the politics therein. Interestingly, the story was trashed or given negative reviews on Goodreads. The sad part is/was that it was written and published in 2013 when perhaps the possibility of war or anything like that was very remote especially in the States, but now we are now in 2022 and just had an insurrection happen and whole lot of Americans are radicalized, whether you see the left or the right depending on your ideology. An American did share few weeks ago how some shares are looking at Proportional Representation and that should make both parties come more towards the center and be a bit more transparent. What was interesting to me is the fact that states have much more rights to do elections and electioneering the way they want rather than a set model which everyone has common which is what happens in India. This also does poke holes into the whole Donald Trump stolen democracy drama but that s a different story altogether. One of the more interesting things I came to know about is that there are 4 books in the long series and this was the second book in itself. I do not want to dwell on the characters themselves as frankly speaking I haven t read all the four books and it would be gross injustice on my part to talk about the characters themselves. Did I enjoy reading the book, for sure. What was interesting and very true of human nature is that even if we have the ability or had the ability to have whole worlds to ourselves, we are bound to mess it up. And in that aspect, I don t think he is too far off the mark. If I had a whole world, wouldn t I try to exploit it to the best or worse of my ability. One of the more interesting topics in the book is the barter system they have thought of that is called as favors. If you are in multiple worlds, then having a currency, even fiat money is of no use and they have to find ways and means to trade with one another. The book also touches a bit on slavery but only just and doesn t really explore it as much as it could have.

Identity Now this has many meanings to it. Couple of weeks ago, saw a transgender meet. For the uninitiated or rather people like me, basically it is about people who are born in one gender but do not identify with it but the other and they express it first through their clothes and expression and the end of the journey perhaps is with having the organs but this may or may not be feasible, as such surgery is expensive and also not available everywhere. After section 377 was repealed few years ago, we do have a third gender on forms as well as have something called a Transgender Act but how much the needle has moved in society is still a question. They were doing a roadshow near my house hence I was able to talk with them with my new hearing aids and while there was lot of traffic was able to understand some of their issues. For e.g. they find it difficult to get houses on rent, but then it is similar for bachelor guys or girls also. One could argue to what degree it is, and that perhaps maybe. Also, there is a myth that they are somehow promiscuous but that I believe is neither here or there. Osho said an average person thinks about the opposite sex every few seconds or a minute. I am sure even Freud would have similar ideas. So, if you look in that way everybody is promiscuous as far as thought is concerned. The other part being opportunity but that again is function of so many other things. Some people are able to attract a lot of people, others might not. And then whether they chose to act on that opportunity or not is another thing altogether. Another word that is or was used is called gender fluid, but that too is iffy as gender fluid may or may not mean transgender. Also, while watching some nature documentary few days/weeks back had come to know that trees have something like 18 odd genders. That just blows me out of the mind and does re-question this whole idea of sexuality and identity to only two which seems somewhat regressive at least to me. If we think humans are part of nature, then we need to be open up perhaps a bit more. But identity as I shared above has more than one meaning. For e.g. citizenship, that one is born in India is even messier to know, understand and define. I had come across this article about couple of months back. Now think about this. Now, there have been studies and surveys about citizenship and it says something like 60% birth registrations are done in metro cities. Now Metro cities are 10 as defined by Indian state. But there are roughly an odd 4k cities in India and probably twice the number of villages and those are conservative numbers as we still don t record things meticulously, maybe due to the Indian oral tradition or just being lazy or both, one part is also that if you document people and villages and towns, then you are also obligated to give them some things as a state and that perhaps is not what the Indian state wants. A small village in India could be anywhere from few hundreds of people to a few thousand. And all the new interventions whether it is PAN, Aadhar has just made holes rather than making things better. They are not inclusive but exclusive. And none of this takes into account Indian character and the way things are done in India. In most households, excluding the celebs (they are in a world of pain altogether when it comes to baby names but then it s big business but that s an entire different saga altogether, so not going to touch that.) I would use or say my individual case as that is and seems to be something which is regular even today. I was given a nickname when I was 3 years old and given a name when I was 5-6 when I was put in school. I also came to know in school few kids who didn t like their names and couple of them cajoled and actually changed their names while they were kids, most of us just stayed with what we got. I do remember sharing about nakushi or something similar a name given to few girls in Maharashtra by their parents and the state intervened and changed their names. But that too is another story in itself. What I find most problematic is that the state seems to be blind, and this seems to be by design rather than a mistake. Couple of years back, Assam did something called NRC (National Register of Citizens) and by the Govt s own account it was a failure of massive proportions. And they still want to bring in CAA, screwing up Assam more. And this is the same Govt. went shown how incorrect it was, blamed it all on the High Court and it s the same Govt. that shopped around for judges to put somebody called Mr. Saibaba (an invalid 90 year adivasi) against whom the Govt. hasn t even a single proof as of date. Apparently, they went to 6 judges who couldn t give what the decision the Govt. wanted. All this info. is in public domain. So the current party ruling, i.e. BJP just wants to make more divisions rather than taking people along as they don t have answers either on economy, inflation or issues that people are facing. One bright light has been Rahul Gandhi who has been doing a padhyatra (walking) from Kanyakumari to Kashmir and has had tremendous success although mainstream media has showed almost nothing what he is doing or why he is doing that. Not only he had people following him, there are and were many who took his example and using the same values of inclusiveness are walking where they can. And this is not to do with just a political party but more with a political thought of inclusiveness, that we are one irrespective of what I believe, eat, wear etc. And that gentleman has been giving press conferences while our dear P.M. even after 8 years doesn t have the guts to do a single press conference. Before closing, I do want to take another aspect, Rahul Gandhi s mother is an Italian or was from Italy before she married. But for BJP she is still Italian. Rishi Sunak, who has become the UK Prime Minister they think of him as Indian and yet he has sworn using the Queen s name. And the same goes for Canada Kumar (Akshay Kumar) and many others. How the right is able to blind and deaf to what it thinks is beyond me. All these people have taken an oath in the name of the Queen and they have to be loyal to her or rather now King Charles III. The disconnect continues.

23 September 2022

Gunnar Wolf: 6237415

Years ago, it was customary that some of us stated publicly the way we think in time of Debian General Resolutions (GRs). And even if we didn t, vote lists were open (except when voting for people, i.e. when electing a DPL), so if interested we could understand what our different peers thought. This is the first vote, though, where a Debian vote is protected under voting secrecy. I think it is sad we chose that path, as I liken a GR vote more with a voting process within a general assembly of a cooperative than with a countrywide voting one; I feel that understanding who is behind each posture helps us better understand the project as a whole. But anyway, I m digressing Even though I remained quiet during much of the discussion period (I was preparing and attending a conference), I am very much interested in this vote I am the maintainer for the Raspberry Pi firmware, and am a seconder for two of them. Many people know me for being quite inflexible in my interpretation of what should be considered Free Software, and I m proud of it. But still, I believer it to be fundamental for Debian to be able to run on the hardware most users have. So My vote was as follows:
[6] Choice 1: Only one installer, including non-free firmware
[2] Choice 2: Recommend installer containing non-free firmware
[3] Choice 3: Allow presenting non-free installers alongside the free one
[7] Choice 4: Installer with non-free software is not part of Debian
[4] Choice 5: Change SC for non-free firmware in installer, one installer
[1] Choice 6: Change SC for non-free firmware in installer, keep both installers
[5] Choice 7: None Of The Above
For people reading this not into Debian s voting processes: Debian uses the cloneproof Schwatz sequential dropping Condorcet method, which means we don t only choose our favorite option (which could lead to suboptimal strategic voting outcomes), but we rank all the options according to our preferences. To read this vote, we should first locate position of None of the above , which for my ballot is #5. Let me reorder the ballot according to my preferences:
[1] Choice 6: Change SC for non-free firmware in installer, keep both installers
[2] Choice 2: Recommend installer containing non-free firmware
[3] Choice 3: Allow presenting non-free installers alongside the free one
[4] Choice 5: Change SC for non-free firmware in installer, one installer
[5] Choice 7: None Of The Above
[6] Choice 1: Only one installer, including non-free firmware
[7] Choice 4: Installer with non-free software is not part of Debian
This is, I don t agree either with Steve McIntyre s original proposal, Choice 1 (even though I seconded it, this means, I think it s very important to have this vote, and as a first proposal, it s better than the status quo maybe it s contradictory that I prefer it to the status quo, but ranked it below NotA. Well, more on that when I present Choice 5). My least favorite option is Choice 4, presented by Simon Josefsson, which represents the status quo: I don t want Debian not to have at all an installer that cannot be run on most modern hardware with reasonably good user experience (i.e. network support or the ability to boot at all!) Slightly above my acceptability threshold, I ranked Choice 5, presented by Russ Allbery. Debian s voting and its constitution rub each other in interesting ways, so the Project Secretary has to run the votes as they are presented but he has interpreted Choice 1 to be incompatible with the Social Contract (as there would no longer be a DFSG-free installer available), and if it wins, it could lead him to having to declare the vote invalid. I don t want that to happen, and that s why I ranked Choice 1 below None of the above.
[update/note] Several people have asked me to back that the Secretary said so. I can refer to four mails: 2022.08.29, 2022.08.30, 2022.09.02, 2022.09.04.
Other than that, Choice 6 (proposed by Holger Levsen), Choice 2 (proposed by me) and Choice 3 (proposed by Bart Martens) are very much similar; the main difference is that Choice 6 includes a modification to the Social Contract expressing that:
The Debian official media may include firmware that is otherwise not
part of the Debian system to enable use of Debian with hardware that
requires such firmware.
I believe choices 2 and 3 to be mostly the same, being Choice 2 more verbose in explaining the reasoning than Choice 3. Oh! And there are always some more bits to the discussion For example, given they hold modifications to the Social Contract, both Choice 5 and Choice 6 need a 3:1 supermajority to be valid. So, lets wait until the beginning of October to get the results, and to implement the changes they will (or not?) allow. If you are a Debian Project Member, please vote!

30 December 2021

Chris Lamb: Favourite books of 2021: Non-fiction

As a follow-up to yesterday's post listing my favourite memoirs and biographies I read in 2021, today I'll be outlining my favourite works of non-fiction. Books that just missed the cut include: The Unusual Suspect by Ben Machell for its thrilleresque narrative of a modern-day Robin Hood (and if you get to the end, a completely unexpected twist); Paul Fussell's Class: A Guide to the American Status System as an amusing chaser of sorts to Kate Fox's Watching the English; John Carey's Little History of Poetry for its exhilarating summation of almost four millennia of verse; David Graeber's Debt: The First 5000 Years for numerous historical insights, not least its rejoinder to our dangerously misleading view of ancient barter systems; and, although I didn't treasure everything about it, I won't hesitate to gift Pen Vogler's Scoff to a number of friends over the next year. The weakest book of non-fiction I read this year was undoubtedly Roger Scruton's How to Be a Conservative: I much preferred The Decadent Society for Ross Douthat for my yearly ration of the 'intellectual right'. I also very much enjoyed reading a number of classic texts from academic sociology, but they are difficult to recommend or even summarise. These included One-Dimensional Man by Herbert Marcuse, Postmodernism: Or, the Cultural Logic of Late Capitalism by Frederic Jameson and The Protestant Ethic and the Spirit of Capitalism by Max Weber. 'These are heavy books', remarks John Proctor in Arthur Miller's The Crucible... All round-up posts for 2021: Memoir/biography, Non-fiction (this post) & Fiction (coming soon).

Hidden Valley Road (2020) Robert Kolker A compelling and disturbing account of the Galvin family six of whom were diagnosed with schizophrenia which details a journey through the study and misunderstanding of the condition. The story of the Galvin family offers a parallel history of the science of schizophrenia itself, from the era of institutionalisation, lobotomies and the 'schizo mother', to the contemporary search for genetic markers for the disease... all amidst fundamental disagreements about the nature of schizophrenia and, indeed, of all illnesses of the mind. Samples of the Galvins' DNA informed decades of research which, curiously, continues to this day, potentially offering paths to treatment, prediction and even eradication of the disease, although on this last point I fancy that I detect a kind of neo-Victorian hubris that we alone will be the ones to find a cure. Either way, a gentle yet ultimately tragic view of a curiously 'American' family, where the inherent lack of narrative satisfaction brings a frustration and sadness of its own.

Islands of Abandonment: Life in the Post-Human Landscape (2021) Cat Flyn In this disarmingly lyrical book, Cat Flyn addresses the twin questions of what happens after humans are gone and how far can our damage to nature be undone. From the forbidden areas of post-war France to the mining regions of Scotland, Islands of Abandonment explores the extraordinary places where humans no longer live in an attempt to give us a glimpse into what happens when mankind's impact on nature is, for one reason or another, forced to stop. Needless to say, if anxieties in this area are not curdling away in your subconscious mind, you are probably in some kind of denial. Through a journey into desolate, eerie and ravaged areas in the world, this artfully-written study offers profound insights into human nature, eschewing the usual dry sawdust of Wikipedia trivia. Indeed, I summed it up to a close friend remarking that, through some kind of hilarious administrative error, the book's publisher accidentally dispatched a poet instead of a scientist to write this book. With glimmers of hope within the (mostly) tragic travelogue, Islands of Abandonment is not only a compelling read, but also a fascinating insight into the relationship between Nature and Man.

The Anatomy of Fascism (2004) Robert O. Paxton Everyone is absolutely sure they know what fascism is... or at least they feel confident choosing from a buffet of features to suit the political mood. To be sure, this is not a new phenomenon: even as 'early' as 1946, George Orwell complained in Politics and the English Language that the word Fascism has now no meaning except in so far as it signifies something not desirable . Still, it has proved uncommonly hard to define the core nature of fascism and what differentiates it from related political movements. This is still of great significance in the twenty-first century, for the definition ultimately determines where the powerful label of 'fascist' can be applied today. Part of the enjoyment of reading this book was having my own cosy definition thoroughly dismantled and replaced with a robust system of abstractions and common themes. This is achieved through a study of the intellectual origins of fascism and how it played out in the streets of Berlin, Rome and Paris. Moreover, unlike Strongmen (see above), fascisms that failed to gain meaningful power are analysed too, including Oswald Mosley's British Union of Fascists. Curiously enough, Paxton's own definition of fascism is left to the final chapter, and by the time you reach it, you get an anti-climatic feeling of it being redundant. Indeed, whatever it actually is, fascism is really not quite like any other 'isms' at all, so to try and classify it like one might be a mistake. In his introduction, Paxton warns that many of those infamous images associated with fascism (eg. Hitler in Triumph of the Will, Mussolini speaking from a balcony, etc.) have the ability to induce facile errors about the fascist leader and the apparent compliance of the crowd. (Contemporary accounts often record how sceptical the common man was of the leader's political message, even if they were transfixed by their oratorical bombast.) As it happens, I thus believe I had something of an advantage of reading this via an audiobook, and completely avoided re-absorbing these iconic images. To me, this was an implicit reminder that, however you choose to reduce it to a definition, fascism is undoubtedly the most visual of all political forms, presenting itself to us in vivid and iconic primary images: ranks of disciplined marching youths, coloured-shirted militants beating up members of demonised minorities; the post-war pictures from the concentration camps... Still, regardless of you choose to read it, The Anatomy of Fascism is a powerful book that can teach a great deal about fascism in particular and history in general.

What Good are the Arts? (2005) John Carey What Good are the Arts? takes a delightfully sceptical look at the nature of art, and cuts through the sanctimony and cant that inevitably surrounds them. It begins by revealing the flaws in lofty aesthetic theories and, along the way, debunks the claims that art makes us better people. They may certainly bring joy into your life, but by no means do the fine arts make you automatically virtuous. Carey also rejects the entire enterprise of separating things into things that are art and things that are not, making a thoroughly convincing case that there is no transcendental category containing so-called 'true' works of art. But what is perhaps equally important to what Carey is claiming is the way he does all this. As in, this is an extremely enjoyable book to read, with not only a fine sense of pace and language, but a devilish sense of humour as well. To be clear, What Good are the Arts? it is no crotchety monograph: Leo Tolstoy's *What Is Art? (1897) is hilarious to read in similar ways, but you can't avoid feeling its cantankerous tone holds Tolstoy's argument back. By contrast, Carey makes his argument in a playful sort of manner, in a way that made me slightly sad to read other polemics throughout the year. It's definitely not that modern genre of boomer jeremiad about the young, political correctness or, heaven forbid, 'cancel culture'... which, incidentally, made Carey's 2014 memoir, The Unexpected Professor something of a disappointing follow-up. Just for fun, Carey later undermines his own argument by arguing at length for the value of one art in particular. Literature, Carey asserts, is the only art capable of reasoning and the only art with the ability to criticise. Perhaps so, and Carey spends a chapter or so contending that fiction has the exclusive power to inspire the mind and move the heart towards practical ends... or at least far better than any work of conceptual art. Whilst reading this book I found myself taking down innumerable quotations and laughing at the jokes far more than I disagreed. And the sustained and intellectual style of polemic makes this a pretty strong candidate for my favourite overall book of the year.

16 September 2021

Chris Lamb: On Colson Whitehead's Harlem Shuffle

Colson Whitehead's latest novel, Harlem Shuffle, was always going to be widely reviewed, if only because his last two books won Pulitzer prizes. Still, after enjoying both The Underground Railroad and The Nickel Boys, I was certainly going to read his next book, regardless of what the critics were saying indeed, it was actually quite agreeable to float above the manufactured energy of the book's launch. Saying that, I was encouraged to listen to an interview with the author by Ezra Klein. Now I had heard Whitehead speak once before when he accepted the Orwell Prize in 2020, and once again he came across as a pretty down-to-earth guy. Or if I were to emulate the detached and cynical tone Whitehead embodied in The Nickel Boys, after winning so many literary prizes in the past few years, he has clearly rehearsed how to respond to the cliched questions authors must be asked in every interview. With the obligatory throat-clearing of 'so, how did you get into writing?', for instance, Whitehead replies with his part of the catechism that 'It seemed like being a writer could be a cool job. You could work from home and not talk to people.' The response is the right combination of cute and self-effacing... and with its slight tone-deafness towards enforced isolation, it was no doubt honed before Covid-19. Harlem Shuffle tells three separate stories about Ray Carney, a furniture salesman and 'fence' for stolen goods in New York in the 1960s. Carney doesn't consider himself a genuine criminal though, and there's a certain logic to his relativistic morality. After all, everyone in New York City is on the take in some way, and if some 'lightly used items' in Carney's shop happened to have had 'previous owners', well, that's not quite his problem. 'Nothing solid in the city but the bedrock,' as one character dryly observes. Yet as Ezra pounces on in his NYT interview mentioned abov, the focus on the Harlem underworld means there are very few women in the book, and Whitehead's circular response ah well, it's a book about the criminals at that time! was a little unsatisfying. Not only did it feel uncharacteristically slippery of someone justly lauded for his unflinching power of observation (after all, it was the author who decided what to write about in the first place), it foreclosed on the opportunity to delve into why the heist and caper genres (from The Killing, The Feather Thief, Ocean's 11, etc.) have historically been a 'male' mode of storytelling. Perhaps knowing this to be the case, the conversation quickly steered towards Ray Carney's wife, Elizabeth, the only woman in the book who could be said possesses some plausible interiority. The following off-hand remark from Whitehead caught my attention:
My wife is convinced that [Elizabeth] knows everything about Carney's criminal life, and is sort of giving him a pass. And I'm not sure if that's true. I have to have to figure out exactly what she knows and when she knows it and how she feels about it.
I was quite taken by this, although not simply due to its effect on the story it self. As in, it immediately conjured up a charming picture of Whitehead's domestic arrangements: not only does Whitehead's wife feel free to disagree with what one of Whitehead's 'own' characters knows or believes, but that Colson has no problem whatsoever sharing that disagreement with the public at large. (It feels somehow natural that Whitehead's wife believes her counterpart knows more than she lets on, whilst Whitehead himself imbues the protagonist's wife with a kind of neo-Victorian innocence.) I'm minded to agree with Whitehead's partner myself, if only due to the passages where Elizabeth is studiously ignoring Carney's otherwise unexplained freak-outs. But all of these meta-thoughts simply underline just how emancipatory the Death of the Author can be. This product of academic literary criticism (the term was coined by Roland Barthes' 1967 essay of the same name) holds that the original author's intentions, ideas or biographical background carry no especial weight in determining how others should interpret their work. It is usually understood as meaning that a writer's own views are no more valid or 'correct' than the views held by someone else. (As an aside, I've found that most readers who encounter this concept for the first time have been reading books in this way since they were young. But the opposite is invariably true with cinephiles, who often have a bizarre obsession with researching or deciphering the 'true' interpretation of a film.) And with all that in mind, can you think of a more wry example of how freeing (and fun) nature of the Death of the Author than an author's own partner dissenting with their (Pulitzer Prize-winning) husband on the position of a lynchpin character?
The 1964 Harlem riot began after James Powell, a 15-year-old African American, was shot and killed by Thomas Gilligan, an NYPD police officer in front of 10s of witnesses. Gilligan was subsequently cleared by a grand jury.
As it turns out, the reviews for Harlem Shuffle have been almost universally positive, and after reading it in the two days after its release, I would certainly agree it is an above-average book. But it didn't quite take hold of me in the way that The Underground Railroad or The Nickel Boys did, especially the later chapters of The Nickel Boys that were set in contemporary New York and could thus make some (admittedly fairly explicit) connections from the 1960s to the present day that kind of connection is not there in Harlem Shuffle, or at least I did not pick up on it during my reading. I can see why one might take exception to that, though. For instance, it is certainly true that the week-long Harlem Riot forms a significant part of the plot, and some events in particular are entirely contingent on the ramifications of this momentous event. But it's difficult to argue the riot's impact are truly integral to the story, so not only is this uprising against police brutality almost regarded as a background event, any contemporary allusion to the murder of George Floyd is subsequently watered down. It's nowhere near the historical rubbernecking of Forrest Gump (1994), of course, but that's not a battle you should ever be fighting. Indeed, whilst a certain smoothness of affect is to be priced into the Whitehead reading experience, my initial overall reaction to Harlem Shuffle was fairly flat, despite all the action and intrigue on the page. The book perhaps belies its origins as a work conceived during quarantine after all, the book is essentially comprised of three loosely connected novellas, almost as if the unreality and mental turbulence of lockdown prevented the author from performing the psychological 'deep work' of producing a novel-length text with his usual depth of craft. A few other elements chimed with this being a 'lockdown novel' as well, particularly the book's preoccupation with the sheer physicality of the city compared to the usual complex interplay between its architecture and its inhabitants. This felt like it had been directly absorbed into the book from the author walking around his deserted city, and thus being able to take in details for the first time:
The doorways were entrances into different cities no, different entrances into one vast, secret city. Ever close, adjacent to all you know, just underneath. If you know where to look.
And I can't fail to mention that you can almost touch Whitehead's sublimated hunger to eat out again as well:
Stickups were chops they cook fast and hot, you re in and out. A stakeout was ribs fire down low, slow, taking your time. [ ] Sometimes when Carney jumped into the Hudson when he was a kid, some of that stuff got into his mouth. The Big Apple Diner served it up and called it coffee.
More seriously, however, the relatively thin personalities of minor characters then reminded me of the simulacrum of Zoom-based relationships, and the essentially unsatisfactory endings to the novellas felt reminiscent of lockdown pseudo-events that simply fizzle out without a bang. One of the stories ties up loose ends with: 'These things were usually enough to terminate a mob war, and they appeared to end the hostilities in this case as well.' They did? Well, okay, I guess.
The corner of 125th Street and Morningside Avenue in 2019, the purported location of Carney's fictional furniture store. Signage plays a prominent role in Harlem Shuffle, possibly due to the author's quarantine walks.
Still, it would be unfair to characterise myself as 'disappointed' with the novel, and none of this piece should be taken as really deep criticism. The book certainly was entertaining enough, and pretty funny in places as well:
Carney didn t have an etiquette book in front of him, but he was sure it was bad manners to sit on a man s safe. [ ] The manager of the laundromat was a scrawny man in a saggy undershirt painted with sweat stains. Launderer, heal thyself.
Yet I can't shake the feeling that every book you write is a book that you don't, and so we might need to hold out a little longer for Whitehead's 'George Floyd novel'. (Although it is for others to say how much of this sentiment is the expectations of a White Reader for The Black Author to ventriloquise the pain of 'their' community.) Some room for personal critique is surely permitted. I dearly missed the junk food energy of the dry and acerbic observations that run through Whitehead's previous work. At one point he had a good line on the model tokenisation that lurks behind 'The First Negro to...' labels, but the callbacks to this idea ceased without any payoff. Similar things happened with the not-so-subtle critiques of the American Dream:
Entrepreneur? Pepper said the last part like manure. That s just a hustler who pays taxes. [ ] One thing I ve learned in my job is that life is cheap, and when things start getting expensive, it gets cheaper still.
Ultimately, though, I think I just wanted more. I wanted a deeper exploration of how the real power in New York is not wielded by individual street hoodlums or even the cops but in the form of real estate, essentially serving as a synecdoche for Capital as a whole. (A recent take of this can be felt in Jed Rothstein's 2021 documentary, WeWork: Or the Making and Breaking of a $47 Billion Unicorn and it is perhaps pertinent to remember that the US President at the time this novel was written was affecting to be a real estate tycoon.). Indeed, just like the concluding scenes of J. J. Connolly's Layer Cake, although you can certainly pull off a cool heist against the Man, power ultimately resides in those who control the means of production... and a homespun furniture salesman on the corner of 125 & Morningside just ain't that. There are some nods to kind of analysis in the conclusion of the final story ('Their heist unwound as if it had never happened, and Van Wyck kept throwing up buildings.'), but, again, I would have simply liked more. And when I attempted then file this book away into the broader media landscape, given the current cultural visibility of 1960s pop culture (e.g. One Night in Miami (2020), Judas and the Black Messiah (2021), Summer of Soul (2021), etc.), Harlem Shuffle also seemed like a missed opportunity to critically analyse our (highly-qualified) longing for the civil rights era. I can certainly understand why we might look fondly on the cultural products from a period when politics was less alienated, when society was less atomised, and when it was still possible to imagine meaningful change, but in this dimension at least, Harlem Shuffle seems to merely contribute to this nostalgic escapism.

13 September 2021

John Goerzen: Facebook s Blocking Decisions Are Deliberate Including Their Censorship of Mastodon

In the aftermath of my report of Facebook censoring mentions of the open-source social network Mastodon, there was a lot of conversation about whether or not this was deliberate. That conversation seemed to focus on whether a human speficially added joinmastodon.org to some sort of blacklist. But that s not even relevant. OF COURSE it was deliberate, because of how Facebook tunes its algorithm. Facebook s algorithm is tuned for Facebook s profit. That means it s tuned to maximize the time people spend on the site engagement. In other words, it is tuned to keep your attention on Facebook. Why do you think there is so much junk on Facebook? So much anti-vax, anti-science, conspiracy nonsense from the likes of Breitbart? It s not because their algorithm is incapable of surfacing the good content; we already know it can because they temporarily pivoted it shortly after the last US election. They intentionally undid its efforts to make high-quality news sources more prominent twice. Facebook has said that certain anti-vax disinformation posts violate its policies. It has an extremely cumbersome way to report them, but it can be done and I have. These reports are met with either silence or a response claiming the content didn t violate their guidelines. So what algorithm is it that allows Breitbart to not just be seen but to thrive on the platform, lets anti-vax disinformation survive even a human review, while banning mentions of Mastodon? One that is working exactly as intended. We may think this algorithm is busted. Clearly, Facebook does not. If their goal is to maximize profit by maximizing engagement, the algorithm is working exactly as designed. I don t know if joinmastodon.org was specifically blacklisted by a human. Nor is it relevant. Facebook s choice to tolerate and promote the things that service its greed for engagement and money, even if they are the lowest dregs of the web, is deliberate. It is no accident that Breitbart does better than Mastodon on Facebook. After all, which of these does its algorithm detect keep people engaged on Facebook itself more? Facebook removes the ban You can see all the screenshots of the censorship in my original post. Now, Facebook has reversed course: We also don t know if this reversal was human or algorithmic, but that still is beside the point. The point is, Facebook intentionally chooses to surface and promote those things that drive engagement, regardless of quality. Clearly many have wondered if tens of thousands of people have died unnecessary deaths over COVID as a result. One whistleblower says I have blood on my hands and President Biden said they re killing people before walking back his comments slightly . I m not equipped to verify those statements. But what do they think is going to happen if they prioritize engagement over quality? Rainbows and happiness?

10 May 2021

Russell Coker: Echo Chambers vs Epistemic Bubbles

C Thi Nguyen wrote an interesting article about the difficulty of escaping from Echo Chambers and also mentions Epistemic Bubbles [1]. An Echo Chamber is a group of people who reinforce the same ideas and who often preemptively strike against opposing ideas (for example the right wing denigrating mainstream media to prevent their followers from straying from their approved message). An Epistemic Bubble is a group of people who just happen to not have contact with certain different ideas. When reading that article I wondered about what bubbles I and the people I associate with may be in. One obvious issue is that I have little communication with people who don t write in English and also little communication with people who are poor. So people who are poor and who can t write in English (which means significant portions of the population of India and Africa) are out of communication range for me. There are many situations that are claimed to be bubbles such as white people who are claimed to be innocent of racial issues because they only associate with other white people and men in the IT industry who are claimed to be innocent of sexism because they don t associate with women in the IT industry. But I think they are more of an echo chamber issue, if a white American doesn t access any of the variety of English language media produced by Afro Americans and realise that there s a racial problem it s because they don t want to see it and deliberately avoid looking at evidence. If a man in the IT industry doesn t access any of the media produced by women in tech and realise there are problems with sexism then it s because they don t want to see it. When is it OK to Reject a Group? The Ad Hominem Wikipedia page has a good analysis of different types of Ad Hominem arguments [2]. But the criteria for refuting a point in a debate are very different to the criteria used to determine which sources you should trust when learning about a topic. For example it s theoretically possible for someone to be good at computer science while also thinking the world is flat. In a debate about some aspect of computer programming it would be a fallacious Ad Hominem argument to say you think the Earth is flat therefore you can t program a computer . But if you do a Google search for information on computer programming and one of the results is from earthisflat.com then it would probably save time to skip reading that one. If only one person supports an idea then it s quite likely to be wrong. Good ideas tend to be supported by multiple people and for any good idea you will find a supporter who doesn t appear to have any ideas that are obviously wrong. One of the problems we have as a society now is determining the quality of data (ideas, claims about facts, opinions, communication/spam, etc). When humans have to do that it takes time and energy. Shortcuts can make things easier. Some shortcuts I use are that mainstream media articles are usually more reliable than social media posts (even posts by my friends) and that certain media outlets are untrustworthy (like Breitbart). The next step is that anyone who cites a bad site like Breitbart as factual (rather than just an indication of what some extremists believe) is unreliable. For most questions that you might search for on the Internet there is a virtually endless supply of answers, the challenge is not finding an answer but finding a correct answer. So eliminating answers that are unlikely to be correct is an important part of the search. If someone is citing references to support their argument and they can only cite fringe or extremist sites then I won t be convinced. Now someone could turn that argument around and claim that a site I reference such as the New York Times is wrong. If I find that my ideas were based on a claim that can only be found on the NYT then I will reconsider the issue. While I think that the NYT is generally accurate they are capable of making mistakes and if they are the sole source for claims that go against other claims then I will be hesitant to accept such claims. Newspapers often have exclusive articles based on their own research, but such articles always inspire investigation from other newspapers so other articles appear either supporting or questioning the claims in the exclusive. Saving Time When Interacting With Members of Echo Chambers Convincing a member of a cult or echo chamber of anything is not likely. When in discussions with them the focus should be on the audience and on avoiding wasting much time while also not giving them the impression that you agree with them. A common thing that members of echo chambers say is I don t have time to read about that when you ask if they have read a research paper or a news article. I don t have time to listen to people who can t or won t learn before speaking, there just isn t any value in that. Also if someone has a list of memes that takes more than 15 minutes to recite then they have obviously got time for reading things, just not reading outside their echo chamber. Conversations with members of echo chambers seem to be state free. They make a claim and you reject it, but regardless of the logical flaws you point out or the counter evidence you cite they make the same claim again the next time you speak to them. This seems to be evidence supporting the claim that evangelism is not about converting other people but alienating cult members from the wider society [3] (the original Quora text seems unavailable so I ve linked to a Reddit copy). Pointing out that they had made a claim previously and didn t address the issues you had with it seems effective, such discussions seem to be more about performance so you want to perform your part quickly and efficiently. Be aware of false claims about etiquette. It s generally regarded as polite not to disagree much with someone who invites you to your home or who has done some favour for you, but that is no reason for tolerating an unwanted lecture about their echo chamber. Anyone who tries to create a situation where it seems rude of you not to listen to them saying things that they know will offend you is being rude, much ruder than telling them you are sick of it. Look for specific claims that can be disproven easily. The claim that the Roman Salute is different from the Hitler Salute is one example that is easy to disprove. Then they have to deal with the issue of their echo chamber being wrong about something.

26 April 2021

Vishal Gupta: Ramblings // On Sikkim and Backpacking

What I loved the most about Sikkim can t be captured on cameras. It can t be taped since it would be intrusive and it can t be replicated because it s unique and impromptu. It could be described, as I attempt to, but more importantly, it s something that you simply have to experience to know. Now I first heard about this from a friend who claimed he d been offered free rides and Tropicanas by locals after finishing the Ladakh Marathon. And then I found Ronnie s song, whose chorus goes : Dil hai pahadi, thoda anadi. Par duniya ke maya mein phasta nahi (My heart belongs to the mountains. Although a little childish, it doesn t get hindered by materialism). While the song refers his life in Manali, I think this holds true for most Himalayan states. Maybe it s the pleasant weather, the proximity to nature, the sense of safety from Indian Army being round the corner, independence from material pleasures that aren t available in remote areas or the absence of the pollution, commercialisation, & cutthroat-ness of cities, I don t know, there s just something that makes people in the mountains a lot kinder, more generous, more open and just more alive. Sikkimese people, are honestly some of the nicest people I ve ever met. The blend of Lepchas, Bhutias and the humility and the truthfulness Buddhism ingrains in its disciples is one that ll make you fall in love with Sikkim (assuming the views, the snow, the fab weather and food, leave you pining for more). As a product of Indian parenting, I ve always been taught to be wary of the unknown and to stick to the safer, more-travelled path but to be honest, I enjoy bonding with strangers. To me, each person is a storybook waiting to be flipped open with the right questions and the further I get from home, the wilder the stories get. Besides there s something oddly magical about two arbitrary curvilinear lines briefly running parallel until they diverge to move on to their respective paths. And I think our society has been so busy drawing lines and spreading hate that we forget that in the end, we re all just lines on the universe s infinite canvas. So the next time you travel, and you re in a taxi, a hostel, a bar, a supermarket, or on a long walk to a monastery (that you re secretly wishing is open despite a lockdown), strike up a conversation with a stranger. Small-talk can go a long way.
Header icon made by Freepik from www.flaticon.com

19 April 2021

Ritesh Raj Sarraf: Catching Up Your Sources

I ve mostly had the preference of controlling my data rather than depend on someone else. That s one reason why I still believe email to be my most reliable medium for data storage, one that is not plagued/locked by a single entity. If I had the resources, I d prefer all digital data to be broken down to its simplest form for storage, like email format, and empower the user with it i.e. their data. Yes, there are free services that are indirectly forced upon common users, and many of us get attracted to it. Many of us do not think that the information, which is shared for the free service in return, is of much importance. Which may be fair, depending on the individual, given that they get certain services without paying any direct dime.

New age communication So first, we had email and usenet. As I mentioned above, email was designed with fine intentions. Intentions that make it stand even today, independently. But not everything, back then, was that great either. For example, instant messaging was very closed and centralised then too. Things like: ICQ, MSN, Yahoo Messenger; all were centralized. I wonder if people still have access to their ICQ logs. Not much has chagned in the current day either. We now have domination by: Facebook Messenger, Google Whatever the new marketing term they introdcue, WhatsApp, Telegram, Signal etc. To my knowledge, they are all centralized. Over all this time, I m yet to see a product come up with good (business) intentions, to really empower the end user. In this information age, the most invaluable data is user activity. That s one data everyone is after. If you decline to share that bit of free data in exchange for the free services, mind you, that that free service like Facebook, Google, Instagram, WhatsApp, Truecaller, Twitter; none of it would come to you at all. Try it out. So the reality is that while you may not be valuating the data you offer in exchange correctly, there s a lot that is reaped from it. But still, I think each user has (and should have) the freedom to opt in for these tech giants and give them their personal bit, for free services in return. That is a decent barter deal. And it is a choice that one if free to choose

Retaining my data I m fond of keeping an archive folder in my mailbox. A folder that holds significant events in the form of an email usually, if documented. Over the years, I chose to resort to the email format because I felt it was more reliable in the longer term than any other formats. The next best would be plain text. In my lifetime, I have learnt a lot from the internet; so it is natural that my preference has been with it. Mailing Lists, IRCs, HOWTOs, Guides, Blog posts; all have helped. And over the years, I ve come across hundreds of such content that I d always like to preserve. Now there are multiple ways to preserving data. Like, for example, big tech giants. In most usual cases, your data for your lifetime, should be fine with a tech giant. In some odd scenarios, you may be unlucky if you relied on a service provider that went bankrupt. But seriously, I think users should be fine if they host their data with Microsoft, Google etc; as long as they abide by their policies. There s also the catch of alignment. As the user, you should ensure to align (and transition) with the product offerings of your service provider. Otherwise, what may look constant and always reliable, will vanish in the blink of an eye. I guess Google Plus would be a good example. There was some Google Feed service too. Maybe Google Photos in the near decade future, just like Google Picasa in the previous (or current) decade.

History what is On the topic of retaining information, lets take a small drift. I still admire our ancestors. I don t know what went in their mind when they were documenting events in the form of scriptures, carvings, temples, churches, mosques etc; but one things for sure, they were able to leave a fine means of communication. They are all gone but a large number of those events are evident through the creations that they left. Some of those events have been strong enough that further rulers/invaders have had tough times trying to wipe it out from history. Remember, history is usually not the truth, but the statement to be believed by the teller. And the teller is usually the survivor, or the winner you may call. But still, the information retention techniques were better. I haven t visited, but admire whosoever built the Kailasa Temple, Ellora, without which, we d be made to believe what not by all invaders and rulers of the region. But the majestic standing of the temple, is a fine example of the history and the events that have occured in the past.
Ellora Temple -  The majectic carving believed to be carved out of a single stone
Ellora Temple - The majectic carving believed to be carved out of a single stone
Dominance has the power to rewrite history and unfortunately that s true and it has done its part. It is just that in a mere human s defined lifetime, it is not possible to witness the transtion from current to history, and say that I was there then and I m here now, and this is not the reality. And if not dominance, there s always the other bit, hearsay. With it, you can always put anything up for dispute. Because there s no way one can go back in time and produce a fine evidence. There s also a part about religion. Religion can be highly sentimental. And religion can be a solid way to get an agenda going. For example, in India - a country which today consitutionally is a secular country, there have been multiple attempts to discard the belief, that never ever did the thing called Ramayana exist. That the Rama Setu, nicely reworded as Adam s Bridge by who so ever, is a mere result of science. Now Rama, or Hanumana, or Ravana, or Valmiki, aren t going to come over and prove that that is true or false. So such subjects serve as a solid base to get an agenda going. And probably we ve even succeeded in proving and believing that there was never an event like Ramayana or the Mahabharata. Nor was there ever any empire other than the Moghul or the British Empire. But yes, whosoever made the Ellora Temple or the many many more of such creations, did a fine job of making a dent for the future, to know of what the history possibly could also be.

Enough of the drift So, in my opinion, having events documented is important. It d be nice to have skills documented too so that it can be passed over generations but that s a debatable topic. But events, I believe should be documented. And documented in the best possible ways so that its existence is not diminished. A documentation in the form of certain carvings on a rock is far more better than links and posts shared on Facebook, Twitter, Reddit etc. For one, these are all corporate entities with vested interests and can pretext excuse in the name of compliance and conformance. So, for the helpless state and generation I am in, I felt email was the best possible independent form of data retention in today s age. If I really had the resources, I d not rely on digital age. This age has no guarantee of retaining and recording information in any reliable manner. Instead, it is just mostly junk, which is manipulative and changeable, conditionally.

Email and RSS So for my communication, I like to prefer emails over any other means. That doesn t mean I don t use the current trends. I do. But this blog is mostly about penning my desires. And desire be to have communication over email format. Such is the case that for information useful over the internet, I crave to have it formatted in email for archival. RSS feeds is my most common mode of keeping track of information I care about. Not all that I care for is available in RSS feeds but hey such is life. And adaptability is okay. But my preference is still RSS. So I use RSS feeds through a fine software called feed2imap. A software that fits my bill fairly well. feed2imap is:
  • An rss feed news aggregator
  • Pulls and extracts news feeds in the form of an email
  • Can push the converted email over pop/imap
  • Can convert all image content to email mime attachment
In a gist, it makes the online content available to me offline in the most admired email format In my mail box, in today s day, my preferred email client is Evolution. It does a good job of dealing with such emails (rss feed items). An image example of accessing the rrs feed item through it is below
RSS News Item through Evolution
RSS News Item through Evolution
The good part is that my actual data is always independent of such MUAs. Tomorrow, as technology - trends - economics evolve, something new would come as a replacement but my data would still be mine.

7 February 2021

Chris Lamb: Favourite books of 2020

I won't reveal precisely how many books I read in 2020, but it was definitely an improvement on 74 in 2019, 53 in 2018 and 50 in 2017. But not only did I read more in a quantitative sense, the quality seemed higher as well. There were certainly fewer disappointments: given its cultural resonance, I was nonplussed by Nick Hornby's Fever Pitch and whilst Ian Fleming's The Man with the Golden Gun was a little thin (again, given the obvious influence of the Bond franchise) the booked lacked 'thinness' in a way that made it interesting to critique. The weakest novel I read this year was probably J. M. Berger's Optimal, but even this hybrid of Ready Player One late-period Black Mirror wasn't that cringeworthy, all things considered. Alas, graphic novels continue to not quite be my thing, I'm afraid. I perhaps experienced more disappointments in the non-fiction section. Paul Bloom's Against Empathy was frustrating, particularly in that it expended unnecessary energy battling its misleading title and accepted terminology, and it could so easily have been an 20-minute video essay instead). (Elsewhere in the social sciences, David and Goliath will likely be the last Malcolm Gladwell book I voluntarily read.) After so many positive citations, I was also more than a little underwhelmed by Shoshana Zuboff's The Age of Surveillance Capitalism, and after Ryan Holiday's many engaging reboots of Stoic philosophy, his Conspiracy (on Peter Thiel and Hulk Hogan taking on Gawker) was slightly wide of the mark for me. Anyway, here follows a selection of my favourites from 2020, in no particular order:

Fiction Wolf Hall & Bring Up the Bodies & The Mirror and the Light Hilary Mantel During the early weeks of 2020, I re-read the first two parts of Hilary Mantel's Thomas Cromwell trilogy in time for the March release of The Mirror and the Light. I had actually spent the last few years eagerly following any news of the final instalment, feigning outrage whenever Mantel appeared to be spending time on other projects. Wolf Hall turned out to be an even better book than I remembered, and when The Mirror and the Light finally landed at midnight on 5th March, I began in earnest the next morning. Note that date carefully; this was early 2020, and the book swiftly became something of a heavy-handed allegory about the world at the time. That is to say and without claiming that I am Monsieur Cromuel in any meaningful sense it was an uneasy experience to be reading about a man whose confident grasp on his world, friends and life was slipping beyond his control, and at least in Cromwell's case, was heading inexorably towards its denouement. The final instalment in Mantel's trilogy is not perfect, and despite my love of her writing I would concur with the judges who decided against awarding her a third Booker Prize. For instance, there is something of the longueur that readers dislike in the second novel, although this might not be entirely Mantel's fault after all, the rise of the "ugly" Anne of Cleves and laborious trade negotiations for an uninspiring mineral (this is no Herbertian 'spice') will never match the court intrigues of Anne Boleyn, Jane Seymour and that man for all seasons, Thomas More. Still, I am already looking forward to returning to the verbal sparring between King Henry and Cromwell when I read the entire trilogy once again, tentatively planned for 2022.

The Fault in Our Stars John Green I came across John Green's The Fault in Our Stars via a fantastic video by Lindsay Ellis discussing Roland Barthes famous 1967 essay on authorial intent. However, I might have eventually come across The Fault in Our Stars regardless, not because of Green's status as an internet celebrity of sorts but because I'm a complete sucker for this kind of emotionally-manipulative bildungsroman, likely due to reading Philip Pullman's His Dark Materials a few too many times in my teens. Although its title is taken from Shakespeare's Julius Caesar, The Fault in Our Stars is actually more Romeo & Juliet. Hazel, a 16-year-old cancer patient falls in love with Gus, an equally ill teen from her cancer support group. Hazel and Gus share the same acerbic (and distinctly unteenage) wit and a love of books, centred around Hazel's obsession of An Imperial Affliction, a novel by the meta-fictional author Peter Van Houten. Through a kind of American version of Jim'll Fix It, Gus and Hazel go and visit Van Houten in Amsterdam. I'm afraid it's even cheesier than I'm describing it. Yet just as there is a time and a place for Michelin stars and Haribo Starmix, there's surely a place for this kind of well-constructed but altogether maudlin literature. One test for emotionally manipulative works like this is how well it can mask its internal contradictions while Green's story focuses on the universalities of love, fate and the shortness of life (as do almost all of his works, it seems), The Fault in Our Stars manages to hide, for example, that this is an exceedingly favourable treatment of terminal illness that is only possible for the better off. The 2014 film adaptation does somewhat worse in peddling this fantasy (and has a much weaker treatment of the relationship between the teens' parents too, an underappreciated subtlety of the book). The novel, however, is pretty slick stuff, and it is difficult to fault it for what it is. For some comparison, I later read Green's Looking for Alaska and Paper Towns which, as I mention, tug at many of the same strings, but they don't come together nearly as well as The Fault in Our Stars. James Joyce claimed that "sentimentality is unearned emotion", and in this respect, The Fault in Our Stars really does earn it.

The Plague Albert Camus P. D. James' The Children of Men, George Orwell's Nineteen Eighty-Four, Arthur Koestler's Darkness at Noon ... dystopian fiction was already a theme of my reading in 2020, so given world events it was an inevitability that I would end up with Camus's novel about a plague that swept through the Algerian city of Oran. Is The Plague an allegory about the Nazi occupation of France during World War Two? Where are all the female characters? Where are the Arab ones? Since its original publication in 1947, there's been so much written about The Plague that it's hard to say anything new today. Nevertheless, I was taken aback by how well it captured so much of the nuance of 2020. Whilst we were saying just how 'unprecedented' these times were, it was eerie how a novel written in the 1940s could accurately how many of us were feeling well over seventy years on later: the attitudes of the people; the confident declarations from the institutions; the misaligned conversations that led to accidental misunderstandings. The disconnected lovers. The only thing that perhaps did not work for me in The Plague was the 'character' of the church. Although I could appreciate most of the allusion and metaphor, it was difficult for me to relate to the significance of Father Paneloux, particularly regarding his change of view on the doctrinal implications of the virus, and spoiler alert that he finally died of a "doubtful case" of the disease, beyond the idea that Paneloux's beliefs are in themselves "doubtful". Answers on a postcard, perhaps. The Plague even seemed to predict how we, at least speaking of the UK, would react when the waves of the virus waxed and waned as well:
The disease stiffened and carried off three or four patients who were expected to recover. These were the unfortunates of the plague, those whom it killed when hope was high
It somehow captured the nostalgic yearning for high-definition videos of cities and public transport; one character even visits the completely deserted railway station in Oman simply to read the timetables on the wall.

Tinker, Tailor, Soldier, Spy John le Carr There's absolutely none of the Mad Men glamour of James Bond in John le Carr 's icy world of Cold War spies:
Small, podgy, and at best middle-aged, Smiley was by appearance one of London's meek who do not inherit the earth. His legs were short, his gait anything but agile, his dress costly, ill-fitting, and extremely wet.
Almost a direct rebuttal to Ian Fleming's 007, Tinker, Tailor has broken-down cars, bad clothes, women with their own internal and external lives (!), pathetically primitive gadgets, and (contra Mad Men) hangovers that significantly longer than ten minutes. In fact, the main aspect that the mostly excellent 2011 film adaption doesn't really capture is the smoggy and run-down nature of 1970s London this is not your proto-Cool Britannia of Austin Powers or GTA:1969, the city is truly 'gritty' in the sense there is a thin film of dirt and grime on every surface imaginable. Another angle that the film cannot capture well is just how purposefully the novel does not mention the United States. Despite the US obviously being the dominant power, the British vacillate between pretending it doesn't exist or implying its irrelevance to the matter at hand. This is no mistake on Le Carr 's part, as careful readers are rewarded by finding this denial of US hegemony in metaphor throughout --pace Ian Fleming, there is no obvious Felix Leiter to loudly throw money at the problem or a Sheriff Pepper to serve as cartoon racist for the Brits to feel superior about. By contrast, I recall that a clever allusion to "dusty teabags" is subtly mirrored a few paragraphs later with a reference to the installation of a coffee machine in the office, likely symbolic of the omnipresent and unavoidable influence of America. (The officer class convince themselves that coffee is a European import.) Indeed, Le Carr communicates a feeling of being surrounded on all sides by the peeling wallpaper of Empire. Oftentimes, the writing style matches the graceless and inelegance of the world it depicts. The sentences are dense and you find your brain performing a fair amount of mid-flight sentence reconstruction, reparsing clauses, commas and conjunctions to interpret Le Carr 's intended meaning. In fact, in his eulogy-cum-analysis of Le Carr 's writing style, William Boyd, himself a ventrioquilist of Ian Fleming, named this intentional technique 'staccato'. Like the musical term, I suspect the effect of this literary staccato is as much about the impact it makes on a sentence as the imperceptible space it generates after it. Lastly, the large cast in this sprawling novel is completely believable, all the way from the Russian spymaster Karla to minor schoolboy Roach the latter possibly a stand-in for Le Carr himself. I got through the 500-odd pages in just a few days, somehow managing to hold the almost-absurdly complicated plot in my head. This is one of those classic books of the genre that made me wonder why I had not got around to it before.

The Nickel Boys Colson Whitehead According to the judges who awarded it the Pulitzer Prize for Fiction, The Nickel Boys is "a devastating exploration of abuse at a reform school in Jim Crow-era Florida" that serves as a "powerful tale of human perseverance, dignity and redemption". But whilst there is plenty of this perseverance and dignity on display, I found little redemption in this deeply cynical novel. It could almost be read as a follow-up book to Whitehead's popular The Underground Railroad, which itself won the Pulitzer Prize in 2017. Indeed, each book focuses on a young protagonist who might be euphemistically referred to as 'downtrodden'. But The Nickel Boys is not only far darker in tone, it feels much closer and more connected to us today. Perhaps this is unsurprising, given that it is based on the story of the Dozier School in northern Florida which operated for over a century before its long history of institutional abuse and racism was exposed a 2012 investigation. Nevertheless, if you liked the social commentary in The Underground Railroad, then there is much more of that in The Nickel Boys:
Perhaps his life might have veered elsewhere if the US government had opened the country to colored advancement like they opened the army. But it was one thing to allow someone to kill for you and another to let him live next door.
Sardonic aper us of this kind are pretty relentless throughout the book, but it never tips its hand too far into on nihilism, especially when some of the visual metaphors are often first-rate: "An American flag sighed on a pole" is one I can easily recall from memory. In general though, The Nickel Boys is not only more world-weary in tenor than his previous novel, the United States it describes seems almost too beaten down to have the energy conjure up the Swiftian magical realism that prevented The Underground Railroad from being overly lachrymose. Indeed, even we Whitehead transports us a present-day New York City, we can't indulge in another kind of fantasy, the one where America has solved its problems:
The Daily News review described the [Manhattan restaurant] as nouveau Southern, "down-home plates with a twist." What was the twist that it was soul food made by white people?
It might be overly reductionist to connect Whitehead's tonal downshift with the racial justice movements of the past few years, but whatever the reason, we've ended up with a hard-hitting, crushing and frankly excellent book.

True Grit & No Country for Old Men Charles Portis & Cormac McCarthy It's one of the most tedious cliches to claim the book is better than the film, but these two books are of such high quality that even the Coen Brothers at their best cannot transcend them. I'm grouping these books together here though, not because their respective adaptations will exemplify some of the best cinema of the 21st century, but because of their superb treatment of language. Take the use of dialogue. Cormac McCarthy famously does not use any punctuation "I believe in periods, in capitals, in the occasional comma, and that's it" but the conversations in No Country for Old Men together feel familiar and commonplace, despite being relayed through this unconventional technique. In lesser hands, McCarthy's written-out Texan drawl would be the novelistic equivalent of white rap or Jar Jar Binks, but not only is the effect entirely gripping, it helps you to believe you are physically present in the many intimate and domestic conversations that hold this book together. Perhaps the cinematic familiarity helps, as you can almost hear Tommy Lee Jones' voice as Sheriff Bell from the opening page to the last. Charles Portis' True Grit excels in its dialogue too, but in this book it is not so much in how it flows (although that is delightful in its own way) but in how forthright and sardonic Maddie Ross is:
"Earlier tonight I gave some thought to stealing a kiss from you, though you are very young, and sick and unattractive to boot, but now I am of a mind to give you five or six good licks with my belt." "One would be as unpleasant as the other."
Perhaps this should be unsurprising. Maddie, a fourteen-year-old girl from Yell County, Arkansas, can barely fire her father's heavy pistol, so she can only has words to wield as her weapon. Anyway, it's not just me who treasures this book. In her encomium that presages most modern editions, Donna Tartt of The Secret History fame traces the novels origins through Huckleberry Finn, praising its elegance and economy: "The plot of True Grit is uncomplicated and as pure in its way as one of the Canterbury Tales". I've read any Chaucer, but I am inclined to agree. Tartt also recalls that True Grit vanished almost entirely from the public eye after the release of John Wayne's flimsy cinematic vehicle in 1969 this earlier film was, Tartt believes, "good enough, but doesn't do the book justice". As it happens, reading a book with its big screen adaptation as a chaser has been a minor theme of my 2020, including P. D. James' The Children of Men, Kazuo Ishiguro's Never Let Me Go, Patricia Highsmith's Strangers on a Train, James Ellroy's The Black Dahlia, John Green's The Fault in Our Stars, John le Carr 's Tinker, Tailor Soldier, Spy and even a staged production of Charles Dicken's A Christmas Carol streamed from The Old Vic. For an autodidact with no academic background in literature or cinema, I've been finding this an effective and enjoyable means of getting closer to these fine books and films it is precisely where they deviate (or perhaps where they are deficient) that offers a means by which one can see how they were constructed. I've also found that adaptations can also tell you a lot about the culture in which they were made: take the 'straightwashing' in the film version of Strangers on a Train (1951) compared to the original novel, for example. It is certainly true that adaptions rarely (as Tartt put it) "do the book justice", but she might be also right to alight on a legal metaphor, for as the saying goes, to judge a movie in comparison to the book is to do both a disservice.

The Glass Hotel Emily St. John Mandel In The Glass Hotel, Mandel somehow pulls off the impossible; writing a loose roman- -clef on Bernie Madoff, a Ponzi scheme and the ephemeral nature of finance capital that is tranquil and shimmeringly beautiful. Indeed, don't get the wrong idea about the subject matter; this is no over over-caffeinated The Big Short, as The Glass Hotel is less about a Madoff or coked-up financebros but the fragile unreality of the late 2010s, a time which was, as we indeed discovered in 2020, one event away from almost shattering completely. Mandel's prose has that translucent, phantom quality to it where the chapters slip through your fingers when you try to grasp at them, and the plot is like a ghost ship that that slips silently, like the Mary Celeste, onto the Canadian water next to which the eponymous 'Glass Hotel' resides. Indeed, not unlike The Overlook Hotel, the novel so overflows with symbolism so that even the title needs to evoke the idea of impermanence permanently living in a hotel might serve as a house, but it won't provide a home. It's risky to generalise about such things post-2016, but the whole story sits in that the infinitesimally small distance between perception and reality, a self-constructed culture that is not so much 'post truth' but between them. There's something to consider in almost every character too. Take the stand-in for Bernie Madoff: no caricature of Wall Street out of a 1920s political cartoon or Brechtian satire, Jonathan Alkaitis has none of the oleaginous sleaze of a Dominic Strauss-Kahn, the cold sociopathy of a Marcus Halberstam nor the well-exercised sinuses of, say, Jordan Belford. Alkaitis is dare I say it? eminently likeable, and the book is all the better for it. Even the C-level characters have something to say: Enrico, trivially escaping from the regulators (who are pathetically late to the fraud without Mandel ever telling us explicitly), is daydreaming about the girlfriend he abandoned in New York: "He wished he'd realised he loved her before he left". What was in his previous life that prevented him from doing so? Perhaps he was never in love at all, or is love itself just as transient as the imaginary money in all those bank accounts? Maybe he fell in love just as he crossed safely into Mexico? When, precisely, do we fall in love anyway? I went on to read Mandel's Last Night in Montreal, an early work where you can feel her reaching for that other-worldly quality that she so masterfully achieves in The Glass Hotel. Her f ted Station Eleven is on my must-read list for 2021. "What is truth?" asked Pontius Pilate. Not even Mandel cannot give us the answer, but this will certainly do for now.

Running the Light Sam Tallent Although it trades in all of the clich s and stereotypes of the stand-up comedian (the triumvirate of drink, drugs and divorce), Sam Tallent's debut novel depicts an extremely convincing fictional account of a touring road comic. The comedian Doug Stanhope (who himself released a fairly decent No Encore for the Donkey memoir in 2020) hyped Sam's book relentlessly on his podcast during lockdown... and justifiably so. I ripped through Running the Light in a few short hours, the only disappointment being that I can't seem to find videos online of Sam that come anywhere close to match up to his writing style. If you liked the rollercoaster energy of Paul Beatty's The Sellout, the cynicism of George Carlin and the car-crash invertibility of final season Breaking Bad, check this great book out.

Non-fiction Inside Story Martin Amis This was my first introduction to Martin Amis's work after hearing that his "novelised autobiography" contained a fair amount about Christopher Hitchens, an author with whom I had a one of those rather clich d parasocial relationship with in the early days of YouTube. (Hey, it could have been much worse.) Amis calls his book a "novelised autobiography", and just as much has been made of its quasi-fictional nature as the many diversions into didactic writing advice that betwixt each chapter: "Not content with being a novel, this book also wants to tell you how to write novels", complained Tim Adams in The Guardian. I suspect that reviewers who grew up with Martin since his debut book in 1973 rolled their eyes at yet another demonstration of his manifest cleverness, but as my first exposure to Amis's gift of observation, I confess that I was thought it was actually kinda clever. Try, for example, "it remains a maddening truth that both sexual success and sexual failure are steeply self-perpetuating" or "a hospital gym is a contradiction like a young Conservative", etc. Then again, perhaps I was experiencing a form of nostalgia for a pre-Gamergate YouTube, when everything in the world was a lot simpler... or at least things could be solved by articulate gentlemen who honed their art of rhetoric at the Oxford Union. I went on to read Martin's first novel, The Rachel Papers (is it 'arrogance' if you are, indeed, that confident?), as well as his 1997 Night Train. I plan to read more of him in the future.

The Collected Essays, Journalism and Letters: Volume 1 & Volume 2 & Volume 3 & Volume 4 George Orwell These deceptively bulky four volumes contain all of George Orwell's essays, reviews and correspondence, from his teenage letters sent to local newspapers to notes to his literary executor on his deathbed in 1950. Reading this was part of a larger, multi-year project of mine to cover the entirety of his output. By including this here, however, I'm not recommending that you read everything that came out of Orwell's typewriter. The letters to friends and publishers will only be interesting to biographers or hardcore fans (although I would recommend Dorian Lynskey's The Ministry of Truth: A Biography of George Orwell's 1984 first). Furthermore, many of his book reviews will be of little interest today. Still, some insights can be gleaned; if there is any inconsistency in this huge corpus is that his best work is almost 'too' good and too impactful, making his merely-average writing appear like hackwork. There are some gems that don't make the usual essay collections too, and some of Orwell's most astute social commentary came out of series of articles he wrote for the left-leaning newspaper Tribune, related in many ways to the US Jacobin. You can also see some of his most famous ideas start to take shape years if not decades before they appear in his novels in these prototype blog posts. I also read Dennis Glover's novelised account of the writing of Nineteen-Eighty Four called The Last Man in Europe, and I plan to re-read some of Orwell's earlier novels during 2021 too, including A Clergyman's Daughter and his 'antebellum' Coming Up for Air that he wrote just before the Second World War; his most under-rated novel in my estimation. As it happens, and with the exception of the US and Spain, copyright in the works published in his lifetime ends on 1st January 2021. Make of that what you will.

Capitalist Realism & Chavs: The Demonisation of the Working Class Mark Fisher & Owen Jones These two books are not natural companions to one another and there is likely much that Jones and Fisher would vehemently disagree on, but I am pairing these books together here because they represent the best of the 'political' books I read in 2020. Mark Fisher was a dedicated leftist whose first book, Capitalist Realism, marked an important contribution to political philosophy in the UK. However, since his suicide in early 2017, the currency of his writing has markedly risen, and Fisher is now frequently referenced due to his belief that the prevalence of mental health conditions in modern life is a side-effect of various material conditions, rather than a natural or unalterable fact "like weather". (Of course, our 'weather' is being increasingly determined by a combination of politics, economics and petrochemistry than pure randomness.) Still, Fisher wrote on all manner of topics, from the 2012 London Olympics and "weird and eerie" electronic music that yearns for a lost future that will never arrive, possibly prefiguring or influencing the Fallout video game series. Saying that, I suspect Fisher will resonate better with a UK audience more than one across the Atlantic, not necessarily because he was minded to write about the parochial politics and culture of Britain, but because his writing often carries some exasperation at the suppression of class in favour of identity-oriented politics, a viewpoint not entirely prevalent in the United States outside of, say, Tour F. Reed or the late Michael Brooks. (Indeed, Fisher is likely best known in the US as the author of his controversial 2013 essay, Exiting the Vampire Castle, but that does not figure greatly in this book). Regardless, Capitalist Realism is an insightful, damning and deeply unoptimistic book, best enjoyed in the warm sunshine I found it an ironic compliment that I had quoted so many paragraphs that my Kindle's copy protection routines prevented me from clipping any further. Owen Jones needs no introduction to anyone who regularly reads a British newspaper, especially since 2015 where he unofficially served as a proxy and punching bag for expressing frustrations with the then-Labour leader, Jeremy Corbyn. However, as the subtitle of Jones' 2012 book suggests, Chavs attempts to reveal the "demonisation of the working class" in post-financial crisis Britain. Indeed, the timing of the book is central to Jones' analysis, specifically that the stereotype of the "chav" is used by government and the media as a convenient figleaf to avoid meaningful engagement with economic and social problems on an austerity ridden island. (I'm not quite sure what the US equivalent to 'chav' might be. Perhaps Florida Man without the implications of mental health.) Anyway, Jones certainly has a point. From Vicky Pollard to the attacks on Jade Goody, there is an ignorance and prejudice at the heart of the 'chav' backlash, and that would be bad enough even if it was not being co-opted or criminalised for ideological ends. Elsewhere in political science, I also caught Michael Brooks' Against the Web and David Graeber's Bullshit Jobs, although they are not quite methodical enough to recommend here. However, Graeber's award-winning Debt: The First 5000 Years will be read in 2021. Matt Taibbi's Hate Inc: Why Today's Media Makes Us Despise One Another is worth a brief mention here though, but its sprawling nature felt very much like I was reading a set of Substack articles loosely edited together. And, indeed, I was.

The Golden Thread: The Story of Writing Ewan Clayton A recommendation from a dear friend, Ewan Clayton's The Golden Thread is a journey through the long history of the writing from the Dawn of Man to present day. Whether you are a linguist, a graphic designer, a visual artist, a typographer, an archaeologist or 'just' a reader, there is probably something in here for you. I was already dipping my quill into calligraphy this year so I suspect I would have liked this book in any case, but highlights would definitely include the changing role of writing due to the influence of textual forms in the workplace as well as digression on ergonomic desks employed by monks and scribes in the Middle Ages. A lot of books by otherwise-sensible authors overstretch themselves when they write about computers or other technology from the Information Age, at best resulting in bizarre non-sequiturs and dangerously Panglossian viewpoints at worst. But Clayton surprised me by writing extremely cogently and accurate on the role of text in this new and unpredictable era. After finishing it I realised why for a number of years, Clayton was a consultant for the legendary Xerox PARC where he worked in a group focusing on documents and contemporary communications whilst his colleagues were busy inventing the graphical user interface, laser printing, text editors and the computer mouse.

New Dark Age & Radical Technologies: The Design of Everyday Life James Bridle & Adam Greenfield I struggled to describe these two books to friends, so I doubt I will suddenly do a better job here. Allow me to quote from Will Self's review of James Bridle's New Dark Age in the Guardian:
We're accustomed to worrying about AI systems being built that will either "go rogue" and attack us, or succeed us in a bizarre evolution of, um, evolution what we didn't reckon on is the sheer inscrutability of these manufactured minds. And minds is not a misnomer. How else should we think about the neural network Google has built so its translator can model the interrelation of all words in all languages, in a kind of three-dimensional "semantic space"?
New Dark Age also turns its attention to the weird, algorithmically-derived products offered for sale on Amazon as well as the disturbing and abusive videos that are automatically uploaded by bots to YouTube. It should, by rights, be a mess of disparate ideas and concerns, but Bridle has a flair for introducing topics which reveals he comes to computer science from another discipline altogether; indeed, on a four-part series he made for Radio 4, he's primarily referred to as "an artist". Whilst New Dark Age has rather abstract section topics, Adam Greenfield's Radical Technologies is a rather different book altogether. Each chapter dissects one of the so-called 'radical' technologies that condition the choices available to us, asking how do they work, what challenges do they present to us and who ultimately benefits from their adoption. Greenfield takes his scalpel to smartphones, machine learning, cryptocurrencies, artificial intelligence, etc., and I don't think it would be unfair to say that starts and ends with a cynical point of view. He is no reactionary Luddite, though, and this is both informed and extremely well-explained, and it also lacks the lazy, affected and Private Eye-like cynicism of, say, Attack of the 50 Foot Blockchain. The books aren't a natural pair, for Bridle's writing contains quite a bit of air in places, ironically mimics the very 'clouds' he inveighs against. Greenfield's book, by contrast, as little air and much lower pH value. Still, it was more than refreshing to read two technology books that do not limit themselves to platitudinal booleans, be those dangerously naive (e.g. Kevin Kelly's The Inevitable) or relentlessly nihilistic (Shoshana Zuboff's The Age of Surveillance Capitalism). Sure, they are both anti-technology screeds, but they tend to make arguments about systems of power rather than specific companies and avoid being too anti-'Big Tech' through a narrower, Silicon Valley obsessed lens for that (dipping into some other 2020 reading of mine) I might suggest Wendy Liu's Abolish Silicon Valley or Scott Galloway's The Four. Still, both books are superlatively written. In fact, Adam Greenfield has some of the best non-fiction writing around, both in terms of how he can explain complicated concepts (particularly the smart contract mechanism of the Ethereum cryptocurrency) as well as in the extremely finely-crafted sentences I often felt that the writing style almost had no need to be that poetic, and I particularly enjoyed his fictional scenarios at the end of the book.

The Algebra of Happiness & Indistractable: How to Control Your Attention and Choose Your Life Scott Galloway & Nir Eyal A cocktail of insight, informality and abrasiveness makes NYU Professor Scott Galloway uncannily appealing to guys around my age. Although Galloway definitely has his own wisdom and experience, similar to Joe Rogan I suspect that a crucial part of Galloway's appeal is that you feel you are learning right alongside him. Thankfully, 'Prof G' is far less err problematic than Rogan (Galloway is more of a well-meaning, spirited centrist), although he, too, has some pretty awful takes at time. This is a shame, because removed from the whirlwind of social media he can be really quite considered, such as in this long-form interview with Stephanie Ruhle. In fact, it is this kind of sentiment that he captured in his 2019 Algebra of Happiness. When I look over my highlighted sections, it's clear that it's rather schmaltzy out of context ("Things you hate become just inconveniences in the presence of people you love..."), but his one-two punch of cynicism and saccharine ("Ask somebody who purchased a home in 2007 if their 'American Dream' came true...") is weirdly effective, especially when he uses his own family experiences as part of his story:
A better proxy for your life isn't your first home, but your last. Where you draw your last breath is more meaningful, as it's a reflection of your success and, more important, the number of people who care about your well-being. Your first house signals the meaningful your future and possibility. Your last home signals the profound the people who love you. Where you die, and who is around you at the end, is a strong signal of your success or failure in life.
Nir Eyal's Indistractable, however, is a totally different kind of 'self-help' book. The important background story is that Eyal was the author of the widely-read Hooked which turned into a secular Bible of so-called 'addictive design'. (If you've ever been cornered by a techbro wielding a Wikipedia-thin knowledge of B. F. Skinner's behaviourist psychology and how it can get you to click 'Like' more often, it ultimately came from Hooked.) However, Eyal's latest effort is actually an extended mea culpa for his previous sin and he offers both high and low-level palliative advice on how to avoid falling for the tricks he so studiously espoused before. I suppose we should be thankful to capitalism for selling both cause and cure. Speaking of markets, there appears to be a growing appetite for books in this 'anti-distraction' category, and whilst I cannot claim to have done an exhausting study of this nascent field, Indistractable argues its points well without relying on accurate-but-dry "studies show..." or, worse, Gladwellian gotchas. My main criticism, however, would be that Eyal doesn't acknowledge the limits of a self-help approach to this problem; it seems that many of the issues he outlines are an inescapable part of the alienation in modern Western society, and the only way one can really avoid distraction is to move up the income ladder or move out to a 500-acre ranch.

1 August 2020

Paul Wise: FLOSS Activities July 2020

Focus This month I didn't have any particular focus. I just worked on issues in my info bubble.

Changes

Issues

Review

Administration
  • Debian wiki: unblock IP addresses, approve accounts, reset email addresses

Communication

Sponsors The purple-discord, ifenslave and psqlodbc work was sponsored by my employer. All other work was done on a volunteer basis.

19 July 2020

Enrico Zini: More notable people

Ren Carmille (8 January 1886 25 January 1945) was a French humanitarian, civil servant, and member of the French Resistance. During World War II, Carmille saved tens of thousands of Jews in Nazi-occupied France. In his capacity at the government's Demographics Department, Carmille sabotaged the Nazi census of France, saving tens of thousands of Jewish people from death camps.
Gino Strada (born Luigi Strada; 21 April 1948) is an Italian war surgeon and founder of Emergency, a UN-recognized international non-governmental organization.
Il morbo di K una malattia inventata nel 1943, durante la Seconda guerra mondiale, da Adriano Ossicini insieme al dottor Giovanni Borromeo per salvare alcuni italiani di religione ebraica dalle persecuzioni nazifasciste a Roma.[1][2][3][4]
Stage races

30 June 2020

Chris Lamb: Free software activities in June 2020

Here is my monthly update covering what I have been doing in the free software world during June 2020 (previous month): For Lintian, the static analysis tool for Debian packages:

Reproducible Builds One of the original promises of open source software is that distributed peer review and transparency of process results in enhanced end-user security. However, whilst anyone may inspect the source code of free and open source software for malicious flaws, almost all software today is distributed as pre-compiled binaries. This allows nefarious third-parties to compromise systems by injecting malicious code into ostensibly secure software during the various compilation and distribution processes. The motivation behind the Reproducible Builds effort is to ensure no flaws have been introduced during this compilation process by promising identical results are always generated from a given source, thus allowing multiple third-parties to come to a consensus on whether a build was compromised. The project is proud to be a member project of the Software Freedom Conservancy. Conservancy acts as a corporate umbrella allowing projects to operate as non-profit initiatives without managing their own corporate structure. If you like the work of the Conservancy or the Reproducible Builds project, please consider becoming an official supporter. This month, I:

Elsewhere in our tooling, I made the following changes to diffoscope including preparing and uploading versions 147, 148 and 149 to Debian: trydiffoscope is the web-based version of diffoscope. This month, I specified a location for the celerybeat scheduler to ensure that the clean/tidy tasks are actually called which had caused an accidental resource exhaustion. (#12)

Debian I filed three bugs against: Debian LTS This month I have worked 18 hours on Debian Long Term Support (LTS) and 5 hours on its sister Extended LTS project. You can find out more about the project via the following video:
Uploads

26 October 2017

Russell Coker: Anarchy in the Office

Some of the best examples I ve seen of anarchy working have been in corporate environments. This doesn t mean that they were perfect or even as good as a theoretical system in which a competent manager controlled everything, but they often worked reasonably well. In a well functioning team members will encourage others to do their share of the work in the absence of management. So when the manager disappears (doesn t visit the team more than once a week and doesn t ask for any meaningful feedback on how things are going) things can still work out. When someone who is capable of doing work isn t working then other people will suggest that they do their share. If resources for work (such as a sufficiently configured PC for IT work) aren t available then they can be found (abandoned PCs get stripped and the parts used to upgrade the PCs that need it most). There was one time where a helpdesk worker who was about to be laid off was assigned to the same office as me (apparently making all the people in his group redundant took some time). So I started teaching him sysadmin skills, assigned work to him, and then recommended that my manager get him transferred to my group. That worked well for everyone. One difficult case is employees who get in the way of work being done, those who are so incompetent that they break enough things to give negative productivity. One time when I was working in Amsterdam I had two colleagues like that, it turned out that the company had no problem with employees viewing porn at work so no-one asked them to stop looking at porn. Having them paid to look at porn 40 hours a week was much better than having them try to do work. With anarchy there s little option to get rid of bad people, so just having them hang out and do no work was the only option. I m not advocating porn at work (it makes for a hostile work environment), but managers at that company did worse things. One company I worked for appeared (from the non-management perspective) to have a management culture of doing no work. During my time there I did two annual reviews in two weeks, and the second was delayed by over 6 months. The manager in question only did the reviews at that time because he was told he couldn t be promoted until he got the backlog of reviews done, so apparently being more than a year behind in annual reviews was no obstacle to being selected for promotion. On one occasion I raised the issue of a colleague who had done no work for over a year (and didn t even have a PC to do work) with that manager, his response was what do you expect me to do ! I expected him to do anything other than blow me off when I reported such a serious problem! But in spite of that strictly work-optional culture enough work was done and the company was a leader in it s field. There has been a lot of research into the supposed benefits of bonuses etc which usually turn out to reduce productivity. Such research is generally ignored presumably because the people who are paid the most are the ones who get to decide whether financial incentives should be offered so they choose the compensation model for the company that benefits themselves. But the fact that teams can be reasonably productive when some people are paid to do nothing and most people have their work allocated by group consensus rather than management plan seems to be a better argument against the typical corporate management. I think it would be interesting to try to run a company with an explicit anarchic management and see how it compares to the accidental anarchy that so many companies have. The idea would be to have minimal management that just does the basic HR tasks (preventing situations of bullying etc), a flat pay rate for everyone (no bonuses, pay rises, etc) and have workers decide how to spend money for training, facilities, etc. Instead of having middle managers you would have representatives elected from each team to represent their group to senior management. PS Australia has some of the strictest libel laws in the world. Comments that identify companies or people are likely to be edited or deleted.

28 March 2017

Keith Packard: DRM-lease

DRM display resource leasing (kernel side) So, you've got a fine head-mounted display and want to explore the delights of virtual reality. Right now, on Linux, that means getting the window system to cooperate because the window system is the DRM master and holds sole access to all display resources. So, you plug in your device, play with RandR to get it displaying bits from the window system and then carefully configure your VR application to use the whole monitor area and hope that the desktop will actually grant you the boon of page flipping so that you will get reasonable performance and maybe not even experience tearing. Results so far have been mixed, and depend on a lot of pieces working in ways that aren't exactly how they were designed to work. We could just hack up the window system(s) and try to let applications reserve the HMD monitors and somehow removing them from the normal display area so that other applications don't randomly pop up in the middle of the screen. That would probably work, and would take advantage of much of the existing window system infrastructure for setting video modes and performing page flips. However, we've got a pretty spiffy standard API in the kernel for both of those, and getting the window system entirely out of the way seems like something worth trying. I spent a few hours in Hobart chatting with Dave Airlie during LCA and discussed how this might actually work. Goals
  1. Use KMS interfaces directly from the VR application to drive presentation to the HMD.
  2. Make sure the window system clients never see the HMD as a connected monitor.
  3. Maybe let logind (or other service) manage the KMS resources and hand them out to the window system and VR applications.
Limitations
  1. Don't make KMS resources appear and disappear. It turns out applications get confused when the set of available CRTCs, connectors and encoders changes at runtime.
An Outline for Multiple DRM masters By the end of our meeting in Hobart, Dave had sketched out a fairly simple set of ideas with me. We'd add support in the kernel to create additional DRM masters. Then, we'd make it possible to 'hide' enough state about the various DRM resources so that each DRM master would automagically use disjoint subsets of resources. In particular, we would.
  1. Pretend that connectors were always disconnected
  2. Mask off crtc and encoder bits so that some of them just didn't seem very useful.
  3. Block access to resources controlled by other DRM masters, just in case someone tried to do the wrong thing.
Refinement with Eric over Swedish Pancakes A couple of weeks ago, Eric Anholt and I had breakfast at the original pancake house and chatted a bit about this stuff. He suggested that the right interface for controlling these new DRM masters was through the existing DRM master interface, and that we could add new ioctls that the current DRM master could invoke to create and manage them. Leasing as a Model I spent some time just thinking about how this might work and came up with a pretty simple metaphor for these new DRM masters. The original DRM master on each VT "owns" the output resources and has final say over their use. However, a DRM master can create another DRM master and "lease" resources it has control over to the new DRM master. Once leased, resources cannot be controlled by the owner unless the owner cancels the lease, or the new DRM master is closed. Here's some terminology:
DRM Master
Any DRM file which can perform mode setting.
Owner
The original DRM Master, created by opening /dev/dri/card*
Lessor
A DRM master which has leased out resources to one or more other DRM masters.
Lessee
A DRM master which controls resources leased from another DRM master. Each Lessee leases resources from a single Lessor.
Lessee ID
An integer which uniquely identifies a lessee within the tree of DRM masters descending from a single Owner.
Lease
The contract between the Lessor and Lessee which identifies which resources which may be controlled by the Lessee. All of the resources must be owned by or leased to the Lessor.
With Eric's input, the interface to create a lease was pretty simple to write down:
int drmModeCreateLease(int fd,
               const uint32_t *objects,
               int num_objects,
               int flags,
               uint32_t *lessee_id);
Given an FD to a DRM master, and a list of objects to lease, a new DRM master FD is returned that holds a lease to those objects. 'flags' can be any combination of O_CLOEXEC and O_NONBLOCK for the newly minted file descriptor. Of course, the owner might want to take some resources back, or even grant new resources to the lessee. So, I added an interface that rewrites the terms of the lease with a new set of objects:
int drmModeChangeLease(int fd,
               uint32_t lessee_id,
               const uint32_t *objects,
               int num_objects);
Note that nothing here makes any promises about the state of the objects across changes in the lease status; the lessor and lessee are expected to perform whatever modesetting is required for the objects to be useful to them. Window System Integration There are two ways to integrate DRM leases into the window system environment:
  1. Have logind "lease" most resources to the window system. When a HMD is connected, it would lease out suitable resources to the VR environment.
  2. Have the window system "own" all of the resources and then add window system interfaces to create new DRM masters leased from its DRM master.
I'll probably go ahead and do 2. in X and see what that looks like. One trick with any of this will be to hide HMDs from any RandR clients listening in on the window system. You probably don't want the window system to tell the desktop that a new monitor has been connected, have it start reconfiguring things, and then have your VR application create a new DRM master, making the HMD appear to have disconnected to the window system and have that go reconfigure things all over again. I'm not sure how this might work, but perhaps having the VR application register something like a passive grab on hot plug events might make sense? Essentially, you want it to hear about monitor connect events, go look to see if the new monitor is one it wants, and if not, release that to other X clients for their use. This can be done in stages, with the ability to create a new DRM master over X done first, and then cleaning up the hotplug stuff later on. Current Status I hacked up the kernel to support the drmModeCreateLease API, and then hacked up kmscube to run two threads with different sets of KMS resources. That ran for nearly a minute before crashing and requiring a reboot. I think there may be some locking issues with page flips from two threads to the same device. I think I also made the wrong decision about how to handle lessors closing down. I tried to let the lessors get deleted and then 'orphan' the lessees. I've rewritten that so that lessees hold a reference on their lessor, keeping the lessor in place until the lessee shuts down. I've also written the kernel parts of the drmModeChangeLease support. Questions

31 January 2017

Chris Lamb: Free software activities in January 2017

Here is my monthly update covering what I have been doing in the free software world (previous month):
Reproducible builds

Whilst anyone can inspect the source code of free software for malicious flaws, most software is distributed pre-compiled to end users. The motivation behind the Reproducible Builds effort is to permit verification that no flaws have been introduced either maliciously or accidentally during this compilation process by promising identical results are always generated from a given source, thus allowing multiple third-parties to come to a consensus on whether a build was compromised. (I have previously been awarded a grant from the Core Infrastructure Initiative to fund my work in this area.) This month I:
I also made the following changes to our tooling:
diffoscope

diffoscope is our in-depth and content-aware diff utility that can locate and diagnose reproducibility issues.

  • Comparators:
    • Display magic file type when we know the file format but can't find file-specific details. (Closes: #850850).
    • Ensure our "APK metadata" file appears first, fixing non-deterministic tests. (998b288)
    • Fix APK extration with absolute filenames. (Closes: #850485).
    • Don't error if directory containing ELF debug symbols already exists. (Closes: #850807).
    • Support comparing .ico files (Closes: #850730).
    • If we don't have a tool (eg. apktool), don't blow up when attempting to unpack it.
  • Output formats:
    • Add Markdown output format. (Closes: #848141).
    • Add RestructuredText output format.
    • Use an optimised indentation routine throughout all presenters.
    • Move text presenter to use the Visitor pattern.
    • Correctly escape value of href="" elements (re. #849411).
  • Tests:
    • Prevent FTBFS by loading fixtures as UTF-8 in case surrounding terminal is not Unicode-aware. (Closes: #852926).
    • Skip tests if binutils can't handle the object file format. (Closes: #851588).
    • Actually compare the output of text/ReST/Markdown formats to fixtures.
    • Add tests for: Comparing two empty directories, HTML output, image.ICOImageFile, --html-dir, --text-color & no arguments (beyond the filenames) emits the text output.
  • Profiling:
    • Count the number of calls, not just the total time.
    • Skip as much profiling overhead when not enabled for a ~2% speedup.
  • Misc:
    • Alias an expensive Config() lookup for a 10% optimisation.
    • Avoid expensive regex creation until we actually need it, speeding up diff parsing by 2X.
    • Use Pythonic logging functions based on __name__, etc.
    • Drop milliseconds from logging output.

buildinfo.debian.net

buildinfo.debian.net is my experiment into how to process, store and distribute .buildinfo files after the Debian archive software has processed them.

  • Store files directly onto S3.
  • Drop big unique_together index to save disk space.
  • Show SHA256 checksums where space permits.


Debian LTS

This month I have been paid to work 12.75 hours on Debian Long Term Support (LTS). In that time I did the following:
  • "Frontdesk" duties, triaging CVEs, etc.
  • Issued DLA 773-1 for python-crypto fixing a vulnerability where calling AES.new with an invalid parameter could crash the Python interpreter.
  • Issued DLA 777-1 for libvncserver addressing two heap-based buffer overflow attacks based on invalid FramebufferUpdate data.
  • Issued DLA 778-1 for pcsc-lite correcting a use-after-free vulnerability.
  • Issued DLA 795-1 for hesiod which fixed a weak SUID check as well as removed the hard-coding of a fallback domain if the configuration file could not be found.
  • Issued DLA 810-1 for libarchive fixing a heap buffer overflow.

Uploads
  • python-django:
    • 1:1.10.5-1 New upstream stable release.
    • 1:1.11~alpha1-1 New upstream experimental release.
  • gunicorn (19.6.0-10) Moved debian/README.Debian to debian/NEWS so that the recent important changes will be displayed to users when upgrading to stretch.
  • redis:
    • 3:3.2.6-2 & 4:4.0-rc2-2 Tidy patches and rename RunTimeDirectory to RuntimeDirectory in .service files. (Closes: #850534)
    • 3:3.2.6-3 Remove a duplicate redis-server binary by symlinking /usr/bin/redis-check-rdb. This was found by the dedup service.
    • 3:3.2.6-4 Expand the documentation in redis-server.service and redis-sentinel.service regarding the default hardening options and how, in most installations, they can be increased.
    • 3:3.2.6-5, 3:3.2.6-6, 4:4.0-rc2-3 & 4:4.0-rc2-4 Add taskset calls to try and avoid build failures due to parallelism in upstream test suite.

I also made the following non-maintainer uploads:
  • cpio:
    • 2.12+dfsg-1 New upstream release (to experimental), refreshing all patches, etc.
    • 2.12+dfsg-2 Add missing autoconf to Build-Depends.
  • xjump (2.7.5-6.2) Make the build reproducible by passing -n to gzip calls in debian/rules. (Closes: #777354)
  • magicfilter (1.2-64.1) Make the build reproducible by passing -n to gzip calls in debian/rules. (Closes: #777478)



16 November 2016

Joey Hess: Linux.Conf.Au 2017 presentation on Propellor

On January 18th, I'll be presenting "Type driven configuration management with Propellor" at Linux.Conf.Au in Hobart, Tasmania. Abstract Linux.Conf.Au is a wonderful conference, and I'm thrilled to be able to attend it again. -- Update: My presentation on keysafe has also been accepted for the Security MiniConf at LCA, January 17th.

6 October 2016

Reproducible builds folks: Reproducible Builds: week 75 in Stretch cycle

What happened in the Reproducible Builds effort between Sunday September 25 and Saturday October 1 2016: Statistics For the first time, we reached 91% reproducible packages in our testing framework on testing/amd64 using a determistic build path. (This is what we recommend to make packages in Stretch reproducible.) For unstable/amd64, where we additionally test for reproducibility across different build paths we are at almost 76% again. IRC meetings We have a poll to set a time for a new regular IRC meeting. If you would like to attend, please input your available times and we will try to accommodate for you. There was a trial IRC meeting on Friday, 2016-09-31 1800 UTC. Unfortunately, we did not activate meetbot. Despite this participants consider the meeting a success as several topics where discussed (eg changes to IRC notifications of tests.r-b.o) and the meeting stayed within one our length. Upcoming events Reproduce and Verify Filesystems - Vincent Batts, Red Hat - Berlin (Germany), 5th October, 14:30 - 15:20 @ LinuxCon + ContainerCon Europe 2016. From Reproducible Debian builds to Reproducible OpenWrt, LEDE & coreboot - Holger "h01ger" Levsen and Alexander "lynxis" Couzens - Berlin (Germany), 13th October, 11:00 - 11:25 @ OpenWrt Summit 2016. Introduction to Reproducible Builds - Vagrant Cascadian will be presenting at the SeaGL.org Conference In Seattle (USA), November 11th-12th, 2016. Previous events GHC Determinism - Bartosz Nitka, Facebook - Nara (Japan), 24th September, ICPF 2016. Toolchain development and fixes Michael Meskes uploaded bsdmainutils/9.0.11 to unstable with a fix for #830259 based on Reiner Herrmann's patch. This fixed locale_dependent_symbol_order_by_lorder issue in the affected packages (freebsd-libs, mmh). devscripts/2.16.8 was uploaded to unstable. It includes a debrepro script by Antonio Terceiro which is similar in purpose to reprotest but more lightweight; specific to Debian packages and without support for virtual servers or configurable variations. Packages reviewed and fixed, and bugs filed The following updated packages have become reproducible in our testing framework after being fixed: The following updated packages appear to be reproducible now for reasons we were not able to figure out. (Relevant changelogs did not mention reproducible builds.) Some uploads have addressed some reproducibility issues, but not all of them: Patches submitted that have not made their way to the archive yet: Reviews of unreproducible packages 77 package reviews have been added, 178 have been updated and 80 have been removed in this week, adding to our knowledge about identified issues. 6 issue types have been updated: Weekly QA work As part of reproducibility testing, FTBFS bugs have been detected and reported by: diffoscope development A new version of diffoscope 61 was uploaded to unstable by Chris Lamb. It included contributions from: Post-release there were further contributions from: reprotest development A new version of reprotest 0.3.2 was uploaded to unstable by Ximin Luo. It included contributions from: Post-release there were further contributions from: tests.reproducible-builds.org Misc. This week's edition was written by Ximin Luo, Holger Levsen & Chris Lamb and reviewed by a bunch of Reproducible Builds folks on IRC.

Next.