Review:
What Makes This Book So Great, by Jo Walton
| Publisher: |
Tor |
| Copyright: |
January 2014 |
| ISBN: |
0-7653-3193-4 |
| Format: |
Hardcover |
| Pages: |
447 |
Jo Walton, in addition to being an excellent science fiction and fantasy
writer, is a prodigious reader and frequent participant in on-line SFF
book discussion going back to the Usenet days. This book is a collection
of short essays previously published on
Tor.com between July 2008 and February 2011. The unifying theme is that
Walton regularly re-reads her favorite books, and each essay (apart from
some general essays on related topics) is about why this specific book is
one that she re-reads, and (as the title says) what makes it so great.
Searching for the title of one of the essays turns it up on Tor.com still,
so this is one of those collections that you don't have to buy since you
can read its contents on-line for free. That said, it looks like these
essays were from before Tor.com started classifying posts into series, so
it's going to be challenging to track them down in the huge number of
other articles Walton has written for the site. (That said, you can't go
far wrong by reading any of her essays at random.)
I read these essays as they were originally published, so this was also a
re-read for me, but it had been a while. I'm happy to report that they
were just as much fun the second time.
In the introduction and in the final essay of this collection, Walton
draws a distinction between what she's doing, criticism, and reviewing.
As someone else who writes about books (in a far more amateur fashion), I
liked this distinction.
The way I'd characterize it is that criticism is primarily about the work:
taking it apart to see what makes it tick, looking for symbolism and
hidden meanings, and comparing and contrasting other works that are
tackling similar themes. I've often finished a work of criticism and
still had no idea if the author enjoyed reading the work being criticized
or not, since that isn't the point.
Reviewing is assistance to consumers and focuses more on the reader: would
you enjoy this book? Is it enjoyable to read? Does it say something new?
What genre and style is it in, so that you can match that to your tastes?
Talking about books is neither of those things, although it's a bit closer
to reviewing. But the emphasis is on one's personal enjoyment instead of
attempting to review a product for others. When I talk about books with
friends, I talk primarily about what bits I liked, what bits I didn't
like, where the emotional beats were for me, and what interesting things
the book did that surprised me or caught my attention. One can find a
review in there, and sometimes even criticism, but the focus and the
formality is different. (And, to be honest, my reviews are more on the
"talking about the book" side than fully proper reviews.)
These essays are indeed talking about books. They're all re-reads; in
some cases the first re-read, but more frequently the latest of many
re-reads. There are lots of spoilers, which makes for bad reviews (the
target audience of a review hasn't read the book yet) but good fodder for
conversations about books. (The spoilers are mostly marked, but if you're
particularly averse to spoilers, you'll need to read carefully.) Most of
the essays are about a single book, but there are a few on more general
topics, such as Walton's bafflement that anyone would skim a novel.
Since these are re-reads, and the essays collected here are more than a
decade old, the focus is on older books. Some of them are famous: Vinge's
A Fire Upon the Deep and
A Deepness in the Sky, early Le Guin,
Samuel Delaney's SF novels, Salmon Rushdie's
Midnight's Children.
Some of them are more obscure. C.J. Cherryh, for example, is a writer who
never seems to get much on-line attention, but who is one of Walton's
favorites.
Most of the essays stand alone or come in small clusters about a writer,
often sprinkled through the book instead of clumped together. (The book
publishes the essays in the same order they originally appeared on
Tor.com.) The two largest groups of essays are re-readings of every book
in Steven Brust's Vlad Taltos universe (including
Brokedown Palace and the
Paarfi books) up to
Jhegaala, and every book in Lois McMaster Bujold's Miles
Vorkosigan series up to
Diplomatic
Immunity. This is fitting: those are two of the great series of science
fiction, but don't seem to be written about nearly as much as I would
expect.
There are over 130 essays in a 447 page book, so there's a lot of material
here and none of them outlive their welcome. Walton has a comfortable,
approachable style that bubbles with delight and appreciation for books.
I think it's impossible to read this collection without wanting to read
more, and without adding several more books to the ever-teetering to-read
pile.
This is perhaps not the best source of reading recommendations if you
dislike spoilers, although it can be used for that if you read carefully.
But if you love listening to conversations about the genre and talking
about how books bounce off each other, and particularly if you have read
most of these books already or don't mind spoilers, this collection is a
delight. If you're the type of SFF reader who likes reading the reviews
in
Locus or is already reading Tor.com, highly recommended.
Rating: 8 out of 10