Zoe slept solidly all night. She woke up a little before 6am, wanting a cuddle, but it was still dark, so she went back to sleep for another half an hour or so. It was actually nice to get that extra 30 minutes to have a leisurely wake up myself. Sarah wanted to pick up Zoe at 7:45am to get away and get a camp site, so when Zoe finally woke up for the day, we didn't muck around too much. She announced she wanted banana and oat pancakes, but we were out of bananas. I offered her the opportunity to scooter down to the Hawthorne Garage to get some if she went and got dressed. She decided that'd be good. I had a 10am appointment in the city with an intellectual property lawyer to talk about patents, so I had this grand plan of trying to squeeze in a run after Zoe was picked up and before I'd have to head into the city, so I got into my running gear, and we headed down to acquire some bananas. We whipped up the pancakes, and then after a couple of mouthfuls of hers, Zoe declared she didn't like it and wanted Cheerios instead. Oh well. It was nice to get out of the house early in the morning, and it helped get Zoe moving. Sarah ended up getting here closer to 8:30am, which made it a little too tight to go for a run, have a shower and get into the city, so I scrapped the run and pottered around at home instead for a bit, before driving into the city. My goodness casual parking in the city is exorbitant. It cost me $35 for under an hour. I got some good advice from the lawyer, so I know where to proceed from here. Next I headed down to the Valley to get my orientation at River City Labs, but had I read my email before leaving the city, I'd have discovered that the lady giving me the orientation had to leave early because her daughter was ill. It cost me $6 drive into the car park in the Valley, take the elevator down, read my email on my phone and pay my ticket and leave again. Lesson learned. I decided to do the grocery shopping that I hadn't done yesterday while I waited for Anshu to come over.

Unless you've been living under a rock, or in a tent (which would make me slightly jealous) you'll have heard about the recent heartbleed attack many times by now. The upshot of that attack is that lots of noise was made about hardening things, and there is now a new fork of openssl being developed. Many people have commented about "hardening Debian" in particular, as well as random musing on hardening software. One or two brave souls have even made noises about auditing code. Once upon a time I tried to setup a project to audit Debian software. You can still see the Debian Security Audit Project webpages if you look hard enough for them. What did I learn? There are tons of easy security bugs, but finding the hard ones is hard. (If you get bored some time just pick your favourite Editor, which will be emacs, and look how /tmp is abused during the build-process or in random libraries such as tramp [ tramp-uudecode].) These days I still poke at source code, and I still report bugs, but my enthusiasm has waned considerably. I tend to only commit to auditing a package if it is a new one I install in production, which limits my efforts considerably, but makes me feel like I'm not taking steps into the dark. It looks like I reported only three security isseus this year, and before that you have to go down to 2011 to find something I bothered to document. What would I do if I had copious free time? I wouldn't audit code. Instead I'd write test-cases for code. Many many large projects have rudimentary test-cases at best, and zero coverage at worse. I appreciate writing test-cases is hard, because lots of times it is hard to test things "for real". For example I once wrote a filesystem, using FUSE, there are some built-in unit-tests (I was pretty pleased with that, you could lauch the filesystem with a --test argument and it would invoke the unit-tests on itself. No separate steps, or source code required. If it was installed you could use it and you could test it in-situ). Beyond that I also put together a simple filesystem-stress script, which read/wrote/found random files, computes MD5 hashes of contents, etc. I've since seen similar random-filesystem-stresstest projects, and if they existed then I'd have used them. Testing filesystems is hard. I've written kernel modules that have only a single implicit test case: It compiles. (OK that's harsh, I'd usually ensure the kernel didn't die when they were inserted, and that a new node in /dev appeared ;) I've written a mail client, and beyond some trivial test-cases to prove my MIME-handling wasn't horrifically bad there are zero tests. How do you simulate all the mail that people will get, and the funky things they'll do with it? But that said I'd suggest if you're keen, if you're eager, if you want internet-points, writing test-cases/test-harnesses would be more useful than randomly auditing source code. Still what would I know, I don't even have a beard..

Wow, it's been a while since I've done this. In part because I've not had much time for reading books (which doesn't prevent me from buying them). Jared Bernstein & Dean Baker Getting Back to Full Employment (non-fiction)
James Coughtrey Six Seconds of Moonlight (sff)
Philip J. Davis & Reuben Hersh The Mathematical Experience (non-fiction)
Debra Dunbar A Demon Bound (sff)
Andy Duncan & Ellen Klages Wakulla Springs (sff)
Dave Eggers & Jordan Bass The Best of McSweeny's (mainstream)
Siri Hustvedt The Blazing World (mainstream)
Jacqueline Koyanagi Ascension (sff)
Ann Leckie Ancillary Justice (sff)
Adam Lee Dark Heart (sff)
Seanan McGuire One Salt Sea (sff)
Seanan McGuire Ashes of Honor (sff)
Seanan McGuire Chimes at Midnight (sff)
Seanan McGuire Midnight Blue-Light Special (sff)
Seanan McGuire Indexing (sff)
Naomi Mitchinson Travel Light (sff)
Helaine Olen Pound Foolish (non-fiction)
Richard Powers Orfeo (mainstream)
Veronica Schanoes Burning Girls (sff)
Karl Schroeder Lockstep (sff)
Charles Stross The Bloodline Feud (sff)
Charles Stross The Traders' War (sff)
Charles Stross The Revolution Trade (sff)
Matthew Thomas We Are Not Ourselves (mainstream)
Kevin Underhill The Emergency Sasquatch Ordinance (non-fiction)
Jo Walton What Makes This Book So Great? (non-fiction) So, yeah. A lot of stuff. I went ahead and bought nearly all of the novels Seanan McGuire had out that I'd not read yet after realizing that I'm going to eventually read all of them and there's no reason not to just own them. I also bought all of the Stross reissues of the Merchant Princes series, even though I had some of the books individually, since I think it will make it more likely I'll read the whole series this way. I have so much stuff that I want to read, but I've not really been in the mood for fiction. I'm trying to destress enough to get back in the mood, but in the meantime have mostly been reading non-fiction or really light fluff (as you'll see from my upcoming reviews). Of that long list, Ancillary Justice is getting a lot of press and looks interesting, and Lockstep is a new Schroeder novel. 'Nuff said. Kevin Underhill is the author of Lowering the Bar, which you should read if you haven't since it's hilarious. I'm obviously looking forward to that. The relatively obscure mainstream novels here are more Powell's Indiespensible books. I will probably cancel that subscription soon, at least for a while, since I'm just building up a backlog, but that's part of my general effort to read more mainstream fiction. (I was a bit disappointed since there were several months with only one book, but the current month finally came with two books again.) Now I just need to buckle down and read. And play video games. And do other things that are fun rather than spending all my time trying to destress from work and zoning in front of the TV.

I am often asked about my accent . The most common guess is that it s a British accent, while I lived in London for about a year I don t think that my accent changed much during that time (people have commented on the way I speak since I was in primary school). Also there isn t a British accent anyway, the Wikipedia page of Regional Accents of English has the first three sections devoted to accents in the island of Britain (and Northern Ireland is part of the United Kingdom which people often mean when they sat Britain ). The Received Pronounciation is the main BBC accent and the accent that is most associated with Britain/England/the UK (which are three different things even though most people don t know it) and I don t think that I sound like that at all. I ve had various other guesses, the Netherlands (where I lived for a few years but mostly spoke to other foreigners), New Zealand (which I ve visited a couple of times for conferences), Denmark (the closest I got was attending a conference in Sweden), and probably others I can t remember. If I actually had developed an accent from another country then it would probably be from the US. The amount of time I ve spent watching Hollywood movies and watching US TV shows greatly exceeds the amount of time I ve spent listening to people from all other countries. The fact that among all the people who wanted to try and guess where my accent supposedly originated none have ever included the US seems like strong evidence to suggest that I don t have any sort of accent that really derives from another country. Also I have never had someone mistake me for being a resident of their own country based on accent which seems like clear evidence that all claims about me having a foreign accent are bogus. Autism forums such as WrongPlanet.net [1] always turn up plenty of results for a search on accent . In such discussions it seems that a British accent is most common mistake and there are often theories raised about why that is often related to speaking in a formal or precise way or by using a large vocabulary. Also in such discussions the list of countries that people supposedly have accents from is very inclusive, it seems that any country that the listener has heard of but doesn t know that well is a good candidate. The fact that Aspies from outside the US are rarely regarded as having an American accent could be due to the fact that Hollywood has made most of the world population aware of what most American accents sound like. Also if I really had some sort of accent from another country then probably someone would comment on that when I m outside Australia. When I m travelling people tend to recognise my accent as Australian, while it doesn t please me when someone thinks that I sound like Crocodile Dundee (as happened in the Netherlands) it might not be entirely inaccurate. This is Annoying The way the issue of accent is raised is generally in the form of people asking where I m from, it seems to imply that they don t think I belong in Australia because of the way I speak. It s particularly annoying when people seem unable to realise that they are being obnoxious after the first wrong guess. When I reply no to the first are you from $COUNTRY question and don t offer any further commentary it s not an invitation to play 20 questions regarding where I m supposedly from, it s actually an indication that I m not interested in a conversation on that topic. A Social Skills 101 course would include teaching people that when someone uses one-word answers to your questions it usually means that they either don t like your questions or don t want to talk to you. Social Skills vs Status The combination of persistence and misreading a social situation which are involved when someone interrogates me about my supposed accent are both parts of the diagnostic criteria for Autism. But I generally don t get questions about my accent in situations where there are many Aspies (IE anything related to the Free Software community). I think that this is because my interactions with people in the Free Software community are based around work (with HR rules against being a jerk) and community events where no-one would doubt that I belong. I mostly get questions about my accent from random middle-class white people who feel entitled to query other people about their status who I meet in situations where there is nothing restraining them from being a jerk. For example random people I meet on public transport.

• [1] http://www.wrongplanet.net/

I'm currently a contractor, working for/with Dyn, until April the 11th. I need to decide what I'm doing next, if anything. In the meantime here are some diversions:

Some trivial security issues

I noticed and reported two more temporary-file issues insecure temporary file usage in apt-extracttemplates (apt), and libreadline6: Insecure use of temporary files - in _rl_trace. Neither of those are particularly serious, but looking for them took a little time. I recently started re-auditing code, and decided to do three things:

• Download the source code to every package installed upon this system.
• Download the source code to all packages matching the pattern ^libpam-, and ^libruby-*.

I've not yet finished slogging through the code, but my expectation will be a few more issues. I'll guess 5-10, given my cynical nature.

NFS-work

I've been tasked with the job of setting up a small cluster running from a shared and writeable NFS-root. This is a fun project which I've done before, PXE-booting a machine and telling it to mount a root filesystem over NFS is pretty straight-forward. The hard part is making that system writeable, such that you can boot and run "apt-get install XX". I've done it in the past using magic filesystems, or tmpfs. Either will work here, so I'm not going to dwell on it.

Another year

I had another birthday, so that was nice. My wife took me to a water-park where we swam like fisheseses, and that tied in nicely with a recent visit to Deep Sea World, where we got to walk through a glass tunnel, beneath a pool FULL OF SHARKS, and other beasties. Beyond that I received another Global Knife, which has now been bloodied, since I managed to slice my finger open chopping mushrooms on Friday. Oops. Currently I'm in that annoying state where I'm slowly getting used to typing with a plaster around the tip of my finger, but knowing that it'll have to come off again and I'll get confused again.

Linux Distribution

I absolutely did not start working on a "linux distribution", because that would be crazy. Do I look like a crazy-person? All I did was play around with GNU Stow, and ponder the idea of using a minimal LibC and GNU Stow to organize things. It went well, but the devil is always in the details. I like the idea of a master-distribution which installs pam, ssh, etc, but then has derivitives for "This is a webserver", "This is a Ruby server", and "This is a database server". Consider it like task-selection, but with higher ambition.

There's probably more I could say; a new kitchen sink (literally) and a new tap have made our kitchen nicer, I've made it past six months of regular gym-based workouts, and I didn't die when I went to the beach in the dark the other night, so that was nice. Umm? Stuff? Have a nice day. Thanks.

Recently I purchased a Tenvis IP391W-HD camera. I would be unlikely to recommend it. The price is certainly right and the picture quality is quite good. The Android and iPhone apps do work to watch the stream live. However, the interface is terrible and almost useless without Internet Explorer. There is a RTSP stream (rtsp://admin:password@ip) which VLC can seem to handle, but not mplayer. The recording format (.h264) is not viewable by VLC or mplayer and all I could find is a Windows .exe to convert them to an .avi. The motion detection gets troubled by the dark. It would really only be useful for something permanently well-lit. It did send me emails via gmail. I have got it recording to a NFS server, but I don't have a lot of confidence in the reliability of it. I think I have it configured to record in 3600-second blocks (given the interface, it's hard to tell if I've set it up to the network, or to the internal flash, etc), but it seems to intersperse 60 minute recordings with random small recordings. Given the whole idea of a security camera is to record the unexpected, you want a lot of confidence you're actually recording, which you don't get with this. You can see below it recorded 3 hour blocks, then started going a little crazy...

-rw-r--r-- 1 nobody nogroup  69M Mar 11 01:25 0-003035.v264
-rw-r--r-- 1 nobody nogroup  69M Mar 11 02:25 0-013049.v264
-rw-r--r-- 1 nobody nogroup  69M Mar 11 03:26 0-023103.v264
-rw-r--r-- 1 nobody nogroup 5.9M Mar 11 03:31 0-033117.v264
-rw-r--r-- 1 nobody nogroup 1.5M Mar 11 03:40 0-034350.v264
-rw-r--r-- 1 nobody nogroup  17M Mar 11 04:02 0-035259.v264
-rw-r--r-- 1 nobody nogroup 306K Mar 11 04:10 0-041548.v264
-rw-r--r-- 1 nobody nogroup 4.9M Mar 11 04:23 0-042457.v264

There is a support forum, where I found the following files scattered in various posts. From what I can tell, they are the latest as of this writing. I can confirm they work with my IP391W-HD, which the system tells me is GM8126 hardware and came with firmware 1.2.8.3.

• 1.3.3.3.pk2 - firmware (b56f211a569fb03a37d13b706c660dcb)
• web.pk2 - a UI update that includes dropbox support. This is really for the model that has pan and tilt, so those buttons don't work. (0e42e42bd6f8034e87dcd443dcc3594d)
• V264ToAVIen.exe - converts the output to an AVI file that mplayer will play (with some complaints) (9c5a858aa454fed4a0186cf244c0d234)

www.modern.ie offers free limited-time Windows VM's which will work to upload this firmware. Just make sure you use a bridged network in the VM; I'm guessing the firmware ActiveX control tells the camera to TFTP the data from it, which doesn't work via NAT. Somewhat worryingly, you can telnet to it and get a login prompt (TASTECH login). So it has a built-in backdoor you can't disable. There have been some efforts to hack the device. leecher@dose.0wnz.at did an excellent job reverse engineering the .pk2 format and writing tenvis_pack.c (no license, I'm generously assuming public domain). I used this to recreate the firmware above with a telnet daemon listening with a shell on port 2525 (no password, just telnet to it)

• 1.3.3.3-telnet.pk2 (19cf63ca8f0928af8ef5a9eb8326aae6)

It's interesting to poke around, but it seems like the whole thing is really driven by a binary called ipc8126

/ # ipc8126 --help
*** TAS-Tech IPCAM/DVS
*** Version: 1.3.3.3
*** Release date: 2013-08-05 15:48:32

In general, I'd say hackability is quite low. Warning : any of the above might turn your camera into a paperweight. It worked for me, but that's all I can say...

Wow, today was pretty crazy in terms of the travel we managed to pack into one day. This morning, Zoe woke up at about 5:30am and jumped into bed with me for a snuggle and another half hour nap. After that we got up. Zoe had been eyeing off the egg cups in the house, and so I'd wanted to do soft-boiled eggs for breakfast. So we doused ourselves in mosquito repellent and raided the chicken coop. I don't think I've ever cooked soft-boiled eggs in my entire adult life, and today wasn't an exception. They came out hard-boiled. Zoe still ate them anyway, she just couldn't do the toast soldier thing. I need to buy some egg cups for home and we can try again. I hear the Thermomix can do boiled eggs. After breakfast and a shower, I got stuck into packing up and cleaning the house, and Zoe watched TV. At 8am she turned off the TV and declared she wanted to play in the yard. It was nice to see that she wanted to do something more than just veg out in front of the TV, without prompting. I had us all packed up by about 8:30am and we were only 5 minutes from where the barge docked, so we drove over to the other end of the island to take a look at the place at high tide. It was quite different from the two days before in the afternoon at low tide. The stick that we'd walked out to was barely above the waterline. Then we drove back to wait in the queue for the barge. The barge journey back was uneventful and we made it back home by 10am, which was about the time I was expecting, and rendezvoused with my girlfriend, and did a fast unpack and repack. We then headed to the airport, arriving comfortably with enough time to check our luggage and get some lunch to take onto the plane. Zoe was great for the flight down. She watched Brave on the in-flight WiFi entertainment on my phone, and got to fit the whole movie in before we landed, but this meant she skipped a nap. By the time we got to Melbourne Airport, she was in the post-tired manic state, but we weren't in any particular rush, so we had a very roundabout trip to baggage claim, and then after we'd acquired some Myki cards, caught a taxi to our accommodation in South Melbourne. After we'd unpacked and settled in, and I'd gotten some supplies from the local convenience store, we caught a tram into Bourke Street to go to Chinatown for dinner, after checking out the view from the observation deck on the 28th floor. We found a great dumpling place, and Zoe really enjoyed the pork dumpling and noodle soup that I ordered for her. She kept alternating between eating the noodles with her training chopsticks and the broth with one of the big spoons. She was getting really over-tired and over-stimulated by this point, so it was quite a bit of cat-herding to get to Chinatown, and more so getting back to a tram to come back. We got home, Zoe had a quick shower and went to bed without a peep. Her room is nice and dark, so I'm hoping that she'll have a bit of a sleep in tomorrow. (Wishful thinking). I'm really quite pleased with how smoothly today's travel went. Everything went off without a hitch.

Piston, an Openstack-in-a-box vendor[1] are a sponsor of the Red Hat[2] Summit this year. Last week they briefly ceased to be for no publicly stated reason, although it's been sugggested that this was in response to Piston winning a contract that Red Hat was also bidding on. This situation didn't last for long - Red Hat's CTO tweeted that this was an error and that Red Hat would pay Piston's sponsorship fee for them.

To Red Hat's credit, having the CTO immediately and publicly accept responsibility and offer reparations seems like the best thing they could possibly do in the situation and demonstrates that there are members of senior management who clearly understand the importance of community collaboration to Red Hat's success. But that leaves open the question of how this happened in the first place.

Red Hat is big on collaboration. Workers get copies of the Red Hat Brand Book, an amazingly well-written description of how Red Hat depends on the wider community. New hire induction sessions stress the importance of open source and collaboration. Red Hat staff are at the heart of many vital free software projects. As far as fundamentally Getting It is concerned, Red Hat are a standard to aspire to.

Which is why something like this is somewhat unexpected. Someone in Red Hat made a deliberate choice to exclude Piston from the Summit. If the suggestion that this was because of commercial concerns is true, it's antithetical to the Red Hat Way. Piston are a contributor to upstream Openstack, just as Red Hat are. If Piston can do a better job of selling that code than Red Hat can, the lesson that Red Hat should take away is that they need to do a better job - not punish someone else for doing so.

However, it's not entirely without precedent. The most obvious example is the change to kernel packaging that happened during the RHEL 6 development cycle. Previous releases had included each individual modification that Red Hat made to the kernel as a separate patch. From RHEL 6 onward, all these patches are merged into one giant patch. This was intended to make it harder for vendors like Oracle to compete with RHEL by taking patches from upcoming RHEL point releases, backporting them to older ones and then selling that to Red Hat customers. It obviously also had the effect of hurting other distributions such as Debian who were shipping 2.6.32-based kernels - bugs that were fixed in RHEL had to be separately fixed in Debian, despite Red Hat continuing to benefit from the work Debian put into the stable 2.6.32 point releases.

It's almost three years since that argument erupted, and by and large the community seems to have accepted that the harm Oracle were doing to Red Hat (while giving almost nothing back in return) justified the change. The parallel argument in the Piston case might be that there's no reason for Red Hat to give advertising space to a company that's doing a better job of selling Red Hat's code than Red Hat are. But the two cases aren't really equal - Oracle are a massively larger vendor who take significantly more from the Linux community than they contribute back. Piston aren't.

Which brings us back to how this could have happened in the first place. The Red Hat company culture is supposed to prevent people from thinking that this kind of thing is acceptable, but in this case someone obviously did. Years of Red Hat already having strong standing in a range of open source communities may have engendered some degree of complacency and allowed some within the company to lose track of how important Red Hat's community interactions are in perpetuating that standing. This specific case may have been resolved without any further fallout, but it should really trigger an examination of whether the reality of the company culture still matches the theory. The alternative is that this kind of event becomes the norm rather than the exception, and it takes far less time to lose community goodwill than it takes to build it in the first place.

[1] And, in the spirit of full disclosure, a competitor to my current employer
[2] Furthering the spirit of full disclosure, a former employer

comments

I have always loved Drum and Bass. In 2013 I rediscovered my love for Darkstep and Neurofunk, and found that these genres have developed quite a lot in the recent years. Some labels like Black Sun Empire and Evol Intent produce mixes/sets on a regular basis as podcasts these days. This article aggregates some neurofunk podcasts I like a lot, most recent first. Enjoy 33 hours and 57 minutes of fun with dark and energizing beats. Thanks to BSE Contrax and Evol Intent for providing such high quality sets.

• Evolcast Episode 002 hosted by Gigantor (00:56:25) This is the second Evolcast episode, hosted by Gigantor. Featuring a mix spanning various genres.
  
  01 - The Sickness - SPL
  02 - Catch 22 - Misanthrop
  03 - Neo - Audio Remix - Hive
  04 - Can U Feel It VIP - Drumsound and Bassline Smith
  05 - Head Shrinker - NC-17 and Nusense
  06 - Lights - The Prototypes
  07 - Dibby Dibby Sound - Sigma Remix - Jay Fay and DJ Fresh feat. Ms. Dynamite
  08 - Operation Ivy - June Miller
  09 - Fire - Craze and Tropkillaz
  10 - The Illest - Rell The Soundbender Remix - Far East Movement feat. Riff Raff
  11 - Power Move - Evol Intent Reflip - Jackal
  12 - Kronos - Smooth and Markoman
  13 - Acid Howl - Rampage Anthem - Murdock and Doctrine
  14 - No Operative - State Of Mind
  15 - Jim Skynner - Evol Intent and Eye-D
  16 - Cata - Savoy and LoBounce
  17 - Chumps - The Al Gore Rhythm Method
  18 - Hideous - Haywyre Remix - Black Sun Empire and Noisia
  19 - Patty Cake - Bro Safari and Jesse Slayter
  20 - Temptation - Neosignal
  21 - KNAS Dillon Francis Remix - Steve Angello
  22 - Pay Me v4 - MUST DIE! and Mantis
  23 - Mistrust - Teddy Killerz and Aeph
  24 - Punish Me In The Middle Of The Night VIP - Evol Intent vs. Dom and Roland
  25 - Nightfall - Stealth feat. Codebreaker
  26 - Additional Faces - Computer Club Reflip - The M Machine
  27 - Undertaker - The Upbeats
  28 - Before The Sun - Doco
  29 - Click Clack - Buku
  30 - Fuk Yo Scene v5.9.i - Evol Intent
  31 - The Dealer - Evol Intent Remix - FINAL - Bro Safari and UFO!
  32 - Flare - Des McMahon Remix - Carver and Clock
  33 - Coffins - Pegboard Nerds feat. Misterwives
  34 - The Ladies - Throwback Mix - Evol Intent
  35 - Experts - The Prototypes Remix - SKiSM
  36 - We Are Not Alone - Evol Intent and Gridlok
  37 - Tsunami Jump - Friction Remix - Borgeous feat. Tinie Tempah
  38 - This Is Not A Dream v8c - Evol Intent
  
• Timeless Shock Podcast 008 (01:05:43) Contrax
  check our Homepage: http://contrax-dnb.com
  
  check our twitter: https://twitter.com/Contrax_DnB
  
  check our facebook: http://www.facebook.com/ContraxEyepax
  
  check our soundcloud: https://soundcloud.com/contraxmusik
  https://soundcloud.com/dnb_contrax
  Tracklist Contrax:
  coming soon
  
  BlacKShark
  check Homepage: http://www.fsw-cru.de/
  
  check facebook: https://www.facebook.com/DJBlacKSharKFSW
  Tracklist BlacKShark:
  01 Calvin Clark-Oblivion
  02 Olly F-Special Bulletin
  03 Bassline Terrorist-Death Rattle (Majistrate RMX)
  04 Eski B-I am the Danger
  05 Misanthrop-Greed of Gain
  06 Lockjaw-Flatline
  07 Deadmau5-Ghosts 'N' Stuff ((Sub Focus RMX) The Ripper Master Edit)
  08 Loadstar-Give It To Me (DC Breaks RMX)
  09 Rammstein-Spring (BlacKSharK DnB Bootleg)
  10 Misanthrop-Deadlock
  11 Cyantific-Ice Cream
  12 Dj Emotion-No Fear
  13 Draven-Venom
  14 Serial Killaz-Killa Klash Annix Remix-Serial Killaz
  15 Deichkind-bon voyage (BlacKSharK DnB Bootleg)
  16 Dangerous-Work Boots VIP
  17 Kenesis feat. Talabun-Get Darker
  18 Nico Suave-Vergesslich (BlacKSharK DnB Bootleg)
• Timeless Shock Podcast 007 (00:47:54) Contrax
  check our Homepage: http://contrax-dnb.com
  
  check our twitter: https://twitter.com/Contrax_DnB
  
  check our facebook: http://www.facebook.com/ContraxEyepax
  
  check our soundcloud: https://soundcloud.com/contraxmusik
  https://soundcloud.com/dnb_contrax
  Tracklist:
  01 Unknown Error - The Yearning (Apex VIP)
  02 Seba - Under The Sun
  03 Brother - Still Blue (Command Strange & Intelligent Manners RMX)
  04 Submatik - Sunset feat. Greg Cooke
  05 R-Monix - You Bring Nothing
  06 Technimatic - Sheltered Storm
  07 Contrax - The End Of Time
  08 Midnight Request - Come Home
  09 Jaydan - Shes Heaven
  10 Erick Trodly & Impish - Be Around
  11 Martin Solveig - The Night Out (Hosta RMX)
  12 Paramount - Electric Blue
  13 Tenorio Junior - Nebulosa (Nu:Tone RMX)
  14 Spillage - Systematic
  15 Bank - Magic Hour
  16 Chase & Status feat. Liam Bailey - Blind Faith (Loadstar RMX)
  17 Virtue feat. Bonnie Rabson - Hello Insomnia
  18 Korus - Humming Bird
  19 Whiney - Wasting Time
  20 Sound Tactix - Understand
  21 Keeno - Little Son (VIP RMX)
  22 Mars & Gala - Just One Night
• BSE - Podcast 028 - Guestmix by Maztek (01:32:38) First Podcast of 2014, This time a brand new 1,5 hour exclusive mix by Maztek!
• Evolcast Episode 001 Gigantor Live at Beta Nightclub (00:54:53) This is the inaugural episode of the Evol intent podcast. Starting things off with Gigantor's set from 22 November, 2013 in Denver at Beta Nightclub.
• BSE - Podcast 027 - Variations on Black (01:04:15) Brand new 45 min mix to celebrate the release of our new album 'Variations on Black',this time mixed by Black Sun Empire!
• Timeless Shock Podcast 006 (01:07:40) Contrax
  check our Homepage: http://contrax-dnb.com
  
  check our twitter: https://twitter.com/Contrax_DnB
  
  check our facebook: http://www.facebook.com/ContraxEyepax
  
  check our soundcloud: https://soundcloud.com/contraxmusik
  https://soundcloud.com/dnb_contrax
  Tracklist Contrax:
  1.Future Primitive - Kryptic
  2.Amalgan - Space Hornet
  3.Contrax - ??? (unfinished track)
  4.Apolloud - Transmission
  5.Computerartist - Orbit
  6.Encode & Valrus - Face 2 Face
  7.Fourward - Robot (insideinfo remix)
  8.Receptor & Freqax - First Step
  9.June Miller - From autumn to Ashes
  10.Semantics & Kalu - 2025
  11.Quadrant & Cease - Built for War
  12.Rusty K - Kali
  13.The Prototypes - Blackout (feat Mc ID)
  14.Black Sun Empire & Eye D - Milkshake
  15.Optiv & BTK - Bad Attitude
  16.Rawtekk - Monopolists & Robberies
  17.State of MInd - Max Headroom
  18.Telekinesis - Diabolo
  
  Blind:Sight
  check Soundcloud: https://soundcloud.com/blind-sight
  
  check facebook: https://www.facebook.com/DJBlindSight
  Tracklist BlindSight:
  1) Manufactured Superstars feat. Selina Albright - SERIOUS (Ed Rush RMX)
  2) MSTRKRFT - PARIS (Upbeats RMX)
  3) EWUN - SCREW UP
  4) State of Mind - DESTINESIA
  5) AMC & T Phonic -WHERE U OUT
  6) Friction & K Tee - SET IT OFF (Icicle RMX)
  7) BTK & Mindscape - Bandits
  8) Suspicious Stench feat. FLOWDAN - SHUTDOWN (LoKo RMX)
  9) Dextems - QUARK (Absurd RMX)
  10) Twisted Facts & Brain Crisis feat MC DON - MURK
  11) BTK feat. Sam Wills - TRY
  12) D Iolax - KILLING THE FUTURE
  13) BTK - DROP IT (Optiv RMX)
  14) Engage & Forbidden Society - RIGID CRASH
  15) Bad Company - BULLET TIME (SPOR RMX)
• BSE - Podcast 026 - Guestmix by Neonlight (00:45:08) Brand new hour long mix for drum'n'bass this time mixed by Neonlight!
• Timeless Shock Podcast 005 (01:00:08) Contrax
  check our Homepage: http://contrax-dnb.com
  
  check our twitter: https://twitter.com/Contrax_DnB
  
  check our facebook: http://www.facebook.com/ContraxEyepax
  
  check our soundcloud: https://soundcloud.com/contraxmusik
  https://soundcloud.com/dnb_contrax
  Tracklist Contrax:
  01.Danny Howells - September (Furney Remix)
  02.Calibre - Broken
  03.BCee feat Lingby - Count The Stars (Joe Syntax Remix)
  04.BCee feat Lingby - Count The Stars (Hybrid Minds Remix)
  05.Command Strange - Do Me Right
  06.Eveson feat Jo-S - Time Flows By
  07.Hibea - The Form (Phil Tangent Remix)
  08.Lenzman - Empty Promise
  09.LSB - The Hurting
  10.London Elektricity - Just One Second (Apex Remix)
  11.Lomax, Eveson - Under The Bridge
  12.Pedestrian - Hoyle Road (SpectraSoul Remix)
  13.S.P.Y - One Last Quest
  14.Technimatic - The Unspoken
  15.Utah Jazz - Burn Out
  16.Colossus - Under The Weather
  
  Discord
  check Soundcloud: http://soundcloud.com/discorddnb
  
  check facebook: https://www.facebook.com/pages/Discord
  Tracklist Discord:
  01.Fields - Behind The Curtains
  02.London Elecricity - Ugotta Be Crazy
  03.Calyx & Teebee - Scavenger
  04.Calyx & TeeBee - Elevate This Sound
  05.Commix - Ultra Clean
  06.Nickbee - Alien
  07chris su - Fade
  08.Lenzman - Ever so slghtly
  09.?
  10.Marky & Spy - Yellow Shoes
• BSE - Podcast 025 - Guestmix by State of Mind (00:57:58) Brand new hour long drum'n'bass mix, this time mixed by State of Mind!
• Timeless Shock Podcast 004 (00:43:51) 01.Yanntek-Night Flight
  02.The Upbeats-Beyond Reality
  03.Black Sun Empire-Eraser (Neonlight RMX)
  04.Blockhe4d & Gridlok-Dumptruck
  05.Phace & Misanthrop-Motor
  06.Defazed-Am i Dreaming
  07.Effector-Revival
  08.Braincrack-Bad Business
  09.Black Sun Empire-All Is Lost (Memtrix RMX)
  10.Joe Ford-City 17
  11.Contrax-Elevator
  12.Contrax-Predator
  13.Fourward-Talk To Me
  14.Telekinesis-She Wants To Skate
  15.Braincrack-Board Steppa
  16.Insom-Final Decision (Braincrack RMX)
  17.Chris Su-F.A.T.E.
  18.Tenet-Krasnodar
  19.The Upbeats-Alone (Fourward RMX)
  20.Fourward-Steady State VIP Mix
• BSE - Podcast 024 - Special Edition (01:00:15) A bit different then usual The first 30 mins contains just demos that were send to podcastdemo(at)gmail.com, feel free to send us more track (just mail 320mp3s) and maybe you will make it to the next edition or more ... The second part is the mix we did for Crissy Criss s show on one extra, notice the new label =)
• BSE - Podcast 023 (00:49:53) Brand new hour long mix for drum'n'bass this time mixed by State of Mind!
• Timeless Shock Podcast 003 (01:02:40) 1.S.P.Y.-What The Future Holds Feat. Ian Shaw
  2.Tokyo Prose-Raised By Wolves
  3.A Sides-Undeniable
  4.Static-Bad For Me Original Mix
  5.Benzla-Dusk
  6.June Miller-Brave Man
  7.Jakwob-Blinding Hybrid Minds Remix
  8.Macca and Vector-Dawn
  9.Blueprint And Self Definition-Embrace
  10.Bungle-Astral Travel
  11.Hybrid Minds-Meant to Be
  12.Getz-Just Don t
  13.Ivy Lab-Afterthought feat. Frank Carter III
  14.Gerwin amp Nuage-Lying Portraits feat. 2Shy
  15.BrokenDrum-In My Dreams
  16.Hybrid Minds-Blame
  17.Roy Green amp Protone-2 Hours
  18.Survival amp Silent Witness-Feel It Original Mix
  19.S.P.Y-Love Hurts
  20.Technimatic-Solace
  21.Technimatic-Unfinished Business
  22.Original Sin-only love
• BSE - Podcast 022 - Guestmix by The Upbeats (01:02:00) Brand new hour long mix for drum'n'bass this time mixed by the Upbeats!
• BSE - Podcast 021 (01:01:18) Brand new hour long mix for drum'n'bass!
• BSE - Podcast 020 - BBC1xtra Black Sun Empire guestmix (00:43:37) This is the mix we did for Bailey on BBC 1xtra! Full of fresh bits check itout
• Timeless Shock Podcast 002 (00:54:42) 1.Yanntek - Ancients Of Future Original Mix
  2.Incube amp Lost - Lifepath
  3.Agressor bunx - Chupacabra original mix
  4.Jade - Test Subject Original Mix
  5.Audio - Headroom Original Mix
  6.Vidual - Nile feat. Annihilus
  7.Semantics - Too Close
  8.Optiv BTK - Whatever Mefjus Remix
  9.Royalston - Late Nights
  10.Vidual amp Voice EE - Code Of The Samurai
  11.Mefjus M Force - Abandon Original Mix
  12.Mindscape - Stardust
  13.Teddy Killerz NPhonix - Scary
  14.No Remorse - The Circular Motion
  15.Brainfuzz - Method Lean Original Mix
  16.Blokhe4d amp Prolix - Switchblade
  17.Teddy Killerz - New Drums
  18.Incube amp Lost - Satellite
  19.Black Sun Empire feat. Foreign Beggars - Dawn Of A Dark Day Original
  20.Enei - Movin Fast June Miller Remix
  21.Contrax - Black Orbit
  22.Aeph - One Last Chance
• Timeless Shock Podcast 001 (00:46:23) 1.hybrid minds - fade
  2.spectrasoul - away with me
  3.bcee-beyond belief(technicolour komatic remix)
  4.hybrid minds - i am trough
  5.bachelors of science - beast
  6.hybrid minds - inner beauty
  7.hybrid minds - lost
  8.lsb - overthinking
  9.hybrid minds - summer rain
  10.sabre - oblique
  11.totally enormous - gareden ( calibre remix)
  12.eatherwood - spoken
  13.override - white lights
  14.madmen - scandinavian
  15.flirt with dirt - beyond the rise
  16.survival - locked
  17.hybrid minds - patience
• BSE - Podcast 019 - Guestmix by Optiv and BTK (00:43:37) Warming up for Blackout Belgium June 23rd a special mix by BTK and Optiv! BTK is playing a b2b set with Optical at Blackout Belgium and a solo set Blackout London in Cable July 21st! For more information check www.blackoutbelgium.be or www.facebook.com/blackoutbelgium
• BSE - Podcast 018 - Guestmix by N.Phect (00:53:15) This edition N.Phect brings you a fresh mix to celebrate his new release on Obsessions! enjoy! If you like the podcast make sure to like us at www.facebook.com/blacksunempire
• BSE - Podcast 017 - Guestmix by Audio (00:25:21) This edition Audio takes control and brings it hard! enjoy! If you like the podcast make sure to like us at www.facebook.com/blacksunempire
• BSE - Podcast 016 (00:34:21) Lets start of 2012 with loads of new dark beats! If you like the podcast make sure to like us at www.facebook.com/blacksunempire
• BSE - Podcast 015 (01:04:21) End of the summer holiday is near so its time for new beats!
• BSE - Podcast 014 Guestmix by Rido (01:04:21) New Podcast specially mixed for you by Rido, who is about release on our label oBSEssions.
• BSE - Podcast 013 Studio Brussel mix by Black Sun Empire (01:04:21) A mix we did for Studio Brussel to promote the release of our new album "Lights and Wires".
• BSE - Podcast 012 Guestmix by Chris.SU (01:04:21) New Podcast specially mixed for you by Chris.SU, who is about to finish his solo album F.A.T.E., but you can listen to some of the forthcoming tracks right here.
• BSE - Podcast 011 - Guestmix by Nymfo (01:04:21) Special deep guest mix by our buddy Nymfo, Big upppppp
• BSE - Podcast 010 - Classics for the New Year (01:04:21) Special mix with a collection of classic but still inspirational tracks
• BSE - Podcast 009 - Subsessions guest mix by BSE (00:39:21) A mix we did for Bulletproofs Subsessions radio show on George FM
• BSE - Podcast 008 - Studio Brussel mix by BSE (00:34:04) A mix we did for Studio Brussel
• BSE - Podcast 007 - Guestmix by Mindscape and Jade (00:54:25) A slamming new mix our friends Mindscape & Jade made for us with mashing it up hungerian style :)
• BSE - Podcast 006 - Guestmix by Eye-D (00:54:25) A slamming new mix our friend Eye-D made for us exploring the harder sides of d'n'b :)
• BSE - Podcast 005 - Guestmix for DNB Arena by Black Sun Empire (00:54:25) A new mix including some dubstep tracks by us which will be released on our new label Shadows of the Empire and of course tons of new tracks on Black Sun Empire Recordings, oBSessions and many others!
• BSE - Podcast 004 (00:54:25) A new mix including some dubstep tracks by us which will be released on our new label Shadows of the Empire and of course tons of new tracks on Black Sun Empire Recordings, oBSessions and many others!
• BSE - Podcast 003 - Guestmix by Isotone (00:41:27) this episode consists of a guest mix by Isotone!
• BSE - Podcast 002 (00:51:17) mix by black sun empire and an interview with telemetrik
• BSE - Podcast 001 (00:13:17) mix by black sun empire

You can also see the Python source for the program that was used to generate this page.

This weekend I attended FOSDEM, as I did for the past 4 years. As always, it was a great experience, even if most of the talks I attended were not so interesting. One of the great things about these events, is to get together with other Free Software enthusiasts. One of them introduced me to the new kid on the block: Telegram. It is advertised as a free and secure replacement for WhatsApp, a mobile application I have been refusing to use for months, much to the anger of friends and family. People use WhatsApp because it saves them money to send SMS-like messages to other people. Which in my mind does not make much sense, as I can use email or XMPP for that same purpose, without having to enter just another walled garden. Sadly, people nowadays are using email less and less, and think that it is easier to send a Facebook message (it is not), and XMPP has became a de-facto walled garden since Google betrayed its users by dropping federation. WhatsApp has the advantage of having millions of users already inside their walled garden, like it happened with Facebook, MSN, or ICQ back in the day. Their success can possibly be attributed to the foolproof system it uses to discover contacts: it just sends your entire address book to their servers for matching against already registered users, which is in itself enough reason not to use it. So, when I was told of a secure, free and open alternative, I was eager to try it out. I started by opening their website to see what it was about. There, I found the first signs that something was wrong: no mention of licenses, almost no technical detail of how the protocol works, or how security is achieved. Still, my friend wanted to talk to me, so I rushed to install it and accept a laundry list of permissions in Android. That was a big mistake. The first thing the application did was to check my address book for contacts, without my permission or knowledge. I got greeted by being told that some of my contacts already have Telegram installed, and since then I keep getting notification that some more of my geek friends are installing it. So it is obvious that this company got all my records, breaking my privacy and security. This is enough for me to remove this piece of software from my phone, but it is not the end of the story. When checking it in more detail I found several other problems. The supposed "secret chat" cannot be possibly secure, as there is no verification of the remote party. It "just works", who cares if there is a man in the middle or not. Supposedly it employs a peer-to-peer connection, but I haven't verified that. On the other hand, the non-"secret" conversations are all routed to the main server. The client-to-server communication is supposedly encrypted, but it uses a home-made protocol (which everybody knows is a recipe for disaster), and the server has access to the cleartext of all your communications. Then, browsing the website, I've found that this "open" and "free" offer does not even have all the source code released. In particular, the server code is not public, nor you can set up your own server. Of course, it does not have federation, so even with the server code you wouldn't be able to talk with your friends. It all depends on two men funding and maintaining the project, so when the funds run out, one can only expect that all the users will be left in the dark. I think these arguments are enough to realise that Telegram is only marginally better than WhatsApp. It offers encryption at the transport layer, but you still are contributing to another walled garden, you are at the mercy of a company which does not have a funding plan, and the security practises range from weak to disturbing. In closing, if you are going to compromise your privacy, give away all your contacts' information, and rely on a single company to keep in touch with people, you might as well go and use what everybody else is using. Update: Even before submitting this post, I've found that some more qualified people has already dissected Telegram and concluded that it is basically snake oil. Please see this article. and proceed to uninstall Telegram.

On political correctness I am reading "Four ways to forgiveness" by Ursula Le Guin. This is how the book begins:

On the planet 0 there has not been a war for five thousand years, she read, and on Gethen there has never been a war. She stopped reading, to rest her eyes and because she was trying to train herself to read slowly, not gobble words down in chunks the way Tikuli gulped his food. There has never been a war : in her mind the words stood clear and bright, surrounded by and sinking into an infinite, dark, soft incredulity. What would that world be, a world without war? It would be the real world Peace was the true life, the life of working and learning and bringing up children to work and learn. War, which devoured work, learning, and children, was the denial of reality. But my people, she thought, know only how to deny. Born in the dark shadow of power misused, we set peace outside our world, a guiding and unattainable light. All we know to do is fight. Any peace one of us can make in our life is only a denial that the war is going on, a shadow of the shadow, a doubled unbelief.

That made me realise that several times I perceived political correctness as "only a denial that the war is going on". Last night I watched this video, which I felt was very relevant to this. Indeed, I have more respect for someone who listens to me and makes a good effort to understand what I said, then rudely disagrees, than for someone who is very politely ignoring everything I am trying to say. This is how I feel like this experience can be distilled into an actionable item:

Replying to an email is probably going to be useless, unless I am willing to make an effort to understand what the other person is trying to say, from their own point of view.

Quest for a terminal emulator The requirements I need a terminal emulator. This is a checklist of the features that I need:

• Foreground colour: #aaaaaa.
• Background colour: black.
• "Linux console" colour palette.
• Font: Monospace-10.
• Alt+Fnn to directly switch to one of the first 12 terminals, like in the Linux console.
• F11 to toggle fullscreen.
• Alt+'+', Alt+'-', Alt+'0' to control font sizes.
• All other keybindings disabled, so that terminal programs are free to use them.
• I occasionally need to switch to black-on-white for presentations.
• Tabs.
• When I open a new tab it needs to contain a shell opened inside the same directory of the last tab I was in. The way I normally start working is something like: cd workdir; x-terminal-emulator -e vim todolist and then I start opening new tabs.
• I need -e to work. In fact, I need the terminal to work as x-terminal-emulator -e cmd args...
• I need to conveniently pick a URL in a terminal and open it in Chromium, and not any other browser. Even better, open it in x-www-browser

My experience is that getting all of this to work is not being as easy as it seems, so I'm creating this page to track progress. gnome-terminal I've been happily using this for years, and it did everything I needed, until some months ago it started to open new tabs in the terminal's working directory instead of the last tab's working directory. This is a big point of frustration for me. It also started opening https urls with Firefox, although the preferred browser was Chromium. There seemed to be no way to control it: I looked for firefox or iceweasel in all gconf and dconf settings and found nothing. The browser issue was fixed by accident when I used Xfce4's settings application to change the browser from Chromium to Firefox and then back to Chromium. update, thanks to Mathieu Parent, Josh Triplett, Peter De Wachter, Julien Cristau, and Charles Plessy: It is also possible to restore the "new tab opened inside the same directory of the last tab I was in" behaviour, by enabling "run command as a login shell" so that /etc/profile.d/vte.sh is run (thanks Mathieu Parent for the link). That in turn spawned extra cleanup work in my .bashrc/.bash_profile/.profile setup, which has been randomly evolving since even before my first Debian "buzz" system. I found that it was setting PROMPT_COMMAND to something else to set the terminal title, conflicting with what vte.sh wants to do. With regards to loading /etc/profile.d/vte.sh by default, Peter De Watcher sent pointers to relevant bugs: here, here, and here. An alternative strategy is to work using the prompt rather than PROMPT_COMMAND; an example is in Josh Triplett's .bashrc from git://joshtriplett.org/git/home. Josh Triplett also said:

To fix the browser launched for URLs, you either need to use a desktop environment following GNOME's mechanism for setting the default browser, or edit ~/.local/share/applications/mimeapps.list and make sure x-scheme-handler/http, x-scheme-handler/https, and x-scheme-handler/ftp are set to your preferred browser's desktop file basename under [Added Associations].

All my issues with gnome-terminal are now gone and I'm only too happy to go back to it. rxvt-unicode-256color urxvt took some work. This is where I got with configuration:

URxvt.font: xft:Monospace-10:antialias=true
URxvt.foreground: #aaaaaa
URxvt.background: black
URxvt.scrollBar_right: true
URxvt.cursorBlink: true
URxvt.perl-ext-common: default,matcher,tabbedex
URxvt.url-launcher: /usr/bin/x-www-browser
URxvt.matcher.button: 1
URxvt.perl-lib: /home/enrico/.urxvt/perl
URxvt.color0: black
URxvt.color1: #aa0000
URxvt.color2: #00aa00umask
URxvt.color3: #aa5500
URxvt.color4: #0000aa
URxvt.color5: #aa00aa
URxvt.color6: #00aaaa
URxvt.color7: #aaaaaa
URxvt.color8: #555555
URxvt.color9: #ff5555
URxvt.color10: #55ff55
URxvt.color11: #ffff55
URxvt.color12: #5555ff
URxvt.color13: #ff55ff
URxvt.color14: #55ffff
URxvt.color15: #ffffff

I got all of the tab behaviour that I need by "customizing" the tab script (yuck github ). Missing

• Bold fonts only work if I set TERM=rxvt
• The implementation for opening a new tab in the directory of the current tab is rather fragile.
• Resizing the terminal window causes an annoying flicker

sakura Configuration is in .config/sakura/sakura.conf and these bits help:

colorset1_fore=rgb(170,170,170)
colorset1_back=rgb(0,0,0)
colorset1_opacity=99
colorset2_fore=rgb(0,0,0)
colorset2_back=rgb(254,254,254)
colorset2_opacity=99
font=Monospace 10
show_always_first_tab=No
scrollbar=false
fullscreen_key=F11
palette=linux

Missing

• Alt+Fnn to directly switch to one of the first 12 terminals, like in the Linux console. Sakura hardcodes using numbers for switching, and only allows to change the modifier.
• Alt+'+', Alt+'-', Alt+'0' to control font sizes.
• Tabs are huge and take way too much screen space.

lxterminal Configuration is in .config/lxterminal/lxterminal.conf and this is relevant to me:

[general]
fontname=DejaVu Sans Mono 10
fgcolor=#aaaaaaaaaaaa
disallowbold=false
cursorblinks=true
tabpos=top
hidescrollbar=false
hidemenubar=true
hideclosebutton=true
disablef10=true
disablealt=true

Also, to open a url directly you control+click it. Missing

• Alt+Fnn to directly switch to one of the first 12 terminals, like in the Linux console.
• F11 to toggle fullscreen.
• Alt+'+', Alt+'-', Alt+'0' to control font sizes.
• I occasionally need to switch to black-on-white for presentations: this is inconvenient, as it requires to set foreground and background separately each time.

terminator Configuration is in .config/terminator/config and this is relevant to me:

[global_config]
  use_custom_url_handler = True
  custom_url_handler = x-www-browser
  inactive_color_offset = 1.0
[keybindings]
  close_term = None
  close_window = None
  copy = None
  cycle_next = None
  cycle_prev = None
  go_down = None
  go_next = None
  go_prev = None
  go_up = None
  group_all = None
  group_tab = None
  hide_window = None
  move_tab_left = None
  move_tab_right = None
  new_tab = None
  new_terminator = None
  new_window = None
  next_tab = None
  paste = None
  prev_tab = None
  reset_clear = None
  reset = None
  resize_down = None
  resize_left = None
  resize_right = None
  resize_up = None
  rotate_ccw = None
  rotate_cw = None
  scaled_zoom = None
  search = None
  split_horiz = None
  split_vert = None
  switch_to_tab_1 = <Alt>F1
  switch_to_tab_2 = <Alt>F2
  switch_to_tab_3 = <Alt>F3
  switch_to_tab_4 = <Alt>F4
  switch_to_tab_5 = <Alt>F5
  switch_to_tab_6 = <Alt>F6
  switch_to_tab_7 = <Alt>F7
  switch_to_tab_8 = <Alt>F8
  switch_to_tab_9 = <Alt>F9
  switch_to_tab_10 = <Alt>F10
  toggle_scrollbar = None
  toggle_zoom = None
  ungroup_all = None
  ungroup_tab = None
[profiles]
  <span class="createlink">default</span>
    palette = "#000000:#aa0000:#00aa00:#aa5500:#0000aa:#aa00aa:#00aaaa:#aaaaaa:#555555:#ff5555:#55ff55:#ffff55:#5555ff:#ff55ff:#55ffff:#ffffff"
    copy_on_selection = True
    icon_bell = False
    background_image = None
    show_titlebar = False

Missing

• I need -e to work. In fact, I need the terminal to work as x-terminal-emulator -e cmd args.... #734655 but should be fixed soon
• New windows start with the title bar visible, even if I configured it not to show. It disappears as soon as the window gets focused, causing the terminal contents to resize. It is just a glitch, but oh so annoying!

update: Richard Hartmann pointed out that terminator's upstream maintainer now changed after the old one didn't have time any more, and it should have a release with a ton of improvements anytime soon. xfce4-terminal Configuration is in .config/xfce4/terminal, and this is relevant to me: terminalrc:

[Configuration]
FontName=Monospace 10
MiscAlwaysShowTabs=FALSE
MiscBell=FALSE
MiscBordersDefault=TRUE
MiscCursorBlinks=FALSE
MiscCursorShape=TERMINAL_CURSOR_SHAPE_BLOCK
MiscDefaultGeometry=80x24
MiscInheritGeometry=FALSE
MiscMenubarDefault=FALSE
MiscMouseAutohide=FALSE
MiscToolbarDefault=FALSE
MiscConfirmClose=TRUE
MiscCycleTabs=TRUE
MiscTabCloseButtons=TRUE
MiscTabCloseMiddleClick=TRUE
MiscTabPosition=GTK_POS_TOP
MiscHighlightUrls=TRUE
ShortcutsNoMenukey=TRUE
ShortcutsNoMnemonics=TRUE
ColorForeground=#aaaaaaaaaaaa

accels.scm:

(gtk_accel_path "<Actions>/terminal-window/goto-tab-1" "<Alt>F1")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-2" "<Alt>F2")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-3" "<Alt>F3")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-4" "<Alt>F4")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-5" "<Alt>F5")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-6" "<Alt>F6")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-7" "<Alt>F7")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-8" "<Alt>F8")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-9" "<Alt>F9")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-10" "<Alt>F10")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-11" "<Alt>F11")
(gtk_accel_path "<Actions>/terminal-window/goto-tab-12" "<Alt>F12")

update: Yves-Alexis Perez points out that to disable the F1 for help in the terminal, you need to remove the accelerator. I tried this and this and didn't have success, but I confess I did not dig too much into it. Although xfce4-terminal -e does not work as I expect, xfce4-terminal registers a wrapper for x-terminal-emulator that does the right thing with respect to -e (also thanks Yves-Alexis Perez). Missing

• Alt+'+', Alt+'-', Alt+'0' to control font sizes.
• All other keybindings disabled, so that terminal programs are free to use them. I could not find a way to disable F1 for help.
• I occasionally need to switch to black-on-white for presentations. I can switch to a "Black on white" preset, but there is no "Gray on black" to switch back to. I can switch back to "White on black", but then I need to manually set the text colour to #aaaaaa. update: Yves-Alexis Perez found that you can add presets to .local/share/colorthemes taking examples from /usr/share/xfce4/terminal/colorschemes; next time I consider switching to xfce4-terminal I'll try that.

roxterm Configuration is in .config/roxterm.sourceforge.net/ split in several files corresponding to profiles. This is a reasonable starting point for me: Profiles/Default:

[roxterm profile]
colour_scheme=Default
disable_menu_access=1
disable_menu_shortcuts=1
disable_tab_menu_shortcuts=0
tab_close_btn=0
hide_menubar=1
always_show_tabs=0

Colours/Default:

[roxterm colour scheme]
0=#000000000000
1=#aaaa00000000
2=#0000aaaa0000
3=#aaaa55550000
4=#00000000aaaa
5=#aaaa0000aaaa
6=#0000aaaaaaaa
7=#aaaaaaaaaaaa
8=#555555555555
9=#ffff55555555
10=#5555ffff5555
11=#ffffffff5555
12=#55555555ffff
13=#ffff5555ffff
14=#5555ffffffff
15=#ffffffffffff
palette_size=16
foreground=#aaaaaaaaaaaa
background=#000000000000
cursor=#cccccccccccc
bold=
dim=

Shortcuts/Default:

[roxterm shortcuts scheme]
File/New Window=
File/New Tab=
File/Close Window=
File/Close Tab=
Tabs/Previous Tab=
Tabs/Next Tab=
Edit/Copy=
Edit/Paste=
View/Zoom In=<Control>plus
View/Zoom Out=<Control>minus
View/Normal Size=<Control>0
View/Full Screen=F11
View/Scroll Up One Line=
View/Scroll Down One Line=
Help/Help=
Edit/Copy & Paste=
Search/Find...=
Search/Find Next=
Search/Find Previous=
File/New Window With Profile/Default=
File/New Tab With Profile/Default=
Tabs/Select_Tab_0=<Alt>F1
Tabs/Select_Tab_1=<Alt>F2
Tabs/Select_Tab_2=<Alt>F3
Tabs/Select_Tab_3=<Alt>F4
Tabs/Select_Tab_4=<Alt>F5
Tabs/Select_Tab_5=<Alt>F6
Tabs/Select_Tab_6=<Alt>F7
Tabs/Select_Tab_7=<Alt>F8
Tabs/Select_Tab_8=<Alt>F9
Tabs/Select_Tab_9=<Alt>F9
Tabs/Select_Tab_10=<Alt>F10
Tabs/Select_Tab_11=<Alt>F11
Tabs/Select_Tab_12=<Alt>F12

Global:

[roxterm options]
edit_shortcuts=0
prefer_dark_theme=1
colour_scheme=Default
warn_close=1

Missing Nothing of my initial requirements seems to be missing, really, so I'm sticking to it for a while to see what happens. The first itch to scratch is that when the menubar is hidden, the popup menu becomes the entire menubar contents, which does not fit the general use case to have a contextual menu with the most common shortcuts. I'll just declare it useless and get myself used to some new hotkey for starting a new terminal. update: after fixing my issues with gnome-terminal I've switched back to gnome-terminal: its interface feels less clunky as I'm already used to it. Other references Guillem Jover made a similar analysis in 2009, it can be found here. Thomas Koch mentioned that termit should be able to do all I need, and is scriptable in Lua. I like the sound of that, and it's definitely one I should look next time I find myself shopping for terminal emulators.

What a strange year. 2013 was marked by a whole sequence of entirely unexpected events, including multiple major work upheavals. For large chunks of the year, I had very little time or emotional energy for personal reading goals, and particularly for writing reviews. I declared personal amnesty on most of my intentions halfway through the year, and all the totals will reflect that. On the plus side (although not for reading and reviews), it was a great year for video games. Next year, there will be no specific goals. Between continuing work fallout, a very busy project schedule, my intent to keep playing a lot of video games, and various other personal goals I want to take on, I'm going to take the pressure off of reading. Things will be read and reviews will be written (and I'm going to make more of an effort to write reviews shortly after reading books), but I'm not going to worry about how many. The below statistics are confined to the books I reviewed in 2013. I read six more books that I've not yet reviewed, due to the chaos at the end of the year. Those will be counted in 2014. There were no 10 out of 10 books this year, partly due to the much lower reading totals and partly due to my tendency this year to turn to safe comfort reading, which is reliably good but unlikely to be exceptional. There were, however, several near-misses that were worth calling out. My favorite book of the year was Neal Stephenson's Anathem, which narrowly missed a 10 for me due to some fundamental problems with the plot premise. But this is still an excellent book: the best novel about the practice of science and philosophy that I've ever read. Also deserving mention are K.E. Lane's And Playing the Role of Herself, lovely and intelligent lesbian romance that's likely to appeal even to people who would not normally try that genre, and Guy Gavriel Kay's River of Stars. The latter isn't quite at the level of Kay's earlier Under Heaven, but it's still an excellent work of alternate historical fiction in a memorable setting. A special honorable mention goes to Lisa O'Donnell's The Death of Bees. It requires a lot of warnings for very dark subject matter and a rather abrupt ending, but it's been a long time since I've cared that much about the characters of a book. My favorite non-fiction book of the year was Gary J. Hudson's They Had to Go Out, a meticulously researched account of a tragic Coast Guard mission. The writing is choppy, the editing could have been better, and it's clear that the author is not a professional writer, but it's the sort of detailed non-fiction account that can only be written by someone who's been there and lived through similar experiences. Also worth mentioning is Mark Jason Dominus's Higher Order Perl, which was the best technical book I read all year and which I found quite inspiring for my own programming. The full analysis includes some additional personal reading statistics, probably only of interest to me.

I read a post titled "Free software is NOT Free", and that triggered a few thoughts, which I would like to share here. While the post has some good thoughts, there are points in it which I disagree with strongly. You see, I've been writing free software almost half my life, most of the things I contributed to various projects, and the vast majority of my own projects, were made because it made me feel good. Because I scratched an itch, and sharing filled me with a sense of accomplishment.I always had bills to pay, and I have a day job to get that kind of thing sorted, yet, I do not believe that the quality of my free software work suffers because of that. Do I have less time? Yes, I do. But slower pace does not mean lesser quality - more often than not, I found that slower pace leads to better considerations, more care given to each change, because fixing it later, fast, is much more costly, so you make sure that your improvements will stand the trial of time.But I digress. I want to share a different view on the topic, based on my own experiences.When I first got into free software, I was young, bright-eyed, full of hopes and illusions of grandieur. I did my part of small contributions here and there, and every bit of "Thanks!", every bit of feedback - be it criticism or rejection - contributed to my development. This part of the free software culture is still important to me, and remains a major factor behind my desire to work on free software. Later on, there came another revelation: people actually use the stuff I write! That's an awesome feeling too, but with it, comes a burden too: supporting users, and trying to cater to every need that arises. To combat this, to not drown, you need to learn to say "No". It is hard, but as maintainer of a project, it's your task to keep it maintainable, and you need to know your limits. Would it be better if you could fulfil every wish? If you could do everything you ever dreamed of? You may think the answer is yes, but you're wrong. The answer is "No".Not everything needs to be done, not every wish needs to come true. As always, there's a balance. Limiting the amount of time that can be spent on a project helps keep that balance. And when balance is found, the project becomes more mature, maintenance stops being a chore you do not want to do, but have to, and instead becomes something you actually enjoy. We are human beings, we dream and wish for a lot, and we have a hard time realising our limits. That makes us feel sad, sometimes even inadequate. Having less time puts us into a different position, where were are forced to reevaluate how we spend the little free time we have. In the long run, I believe that is good for free software.But there's an even better way to approach the problem! You want to work on your projects, right? Yet, you also want to pay your bills. And you are a fan of free (as in freedom) software. When I found myself in a position like that, when I was looking for work, I was looking at companies which are friendly towards free software, and even have a few on their portfolio. Working for such a company allows me to be happy with myself, by not betraying my own beliefs, and on the side, still spend time on my own things.When I spend my day working on free software, I feel energised, and during lunch break, I can look through my plans for my own projects (some of which are related to my work too, which makes it even easier to spend time on them), plan ahead, and go home with a head full of ideas. No exhaustion after a daunting day of hacking proprietary software, with a sinking heart. No feeling guilty of not taking good care of your projects, because you do take care! You just do it on your own terms.So this is my suggestion to independent free software hackers: find a free software friendly company, that allows - or even encourages - you to work on your own things too. That way, you can pay your bills, and work on your hobbies, and best of all: keep them as hobbies, so it does not become a burden. When a hobby becomes your job, that often leaves a sour taste behind, when you can't fulfil every need, or fix every issue.Get a free software day-job, and keep your hobby as such, and everyone benefits. You get to keep your sanity, and users will receive better care, because the developers do what they love, and not what they have to.You give up some of your freedoms, yes, by not being independent. But being independent is not always the right choice. For some people, it may well be, for some, not so much. My experience over the past 15 years or so, is that independence brings a lot more headache than I'm willing to deal with. I'd rather work for a free software friendly company, where, after three years, I get paid to write and contribute to free software, and take care of my personal projects on the side, than try do all of it on my own.None of the software I wrote is worth a full salary, and none of them requires me to work full time on them, either. I could, mind you, I have enough ideas lined up to keep me busy for years. But do I want to? Do I want to burn myself out?No. The day job satisfies my hunger for contributing to a widely used piece of software, and my hobby projects satisfy my exploratory needs. I'm happy this way, and I'm very happy that thanks to the work and dedication of some amazing people, we got this far, that one can have a day job and independent projects too, that are all free software, without having to depend on fairly unreliable sources, such as donations (mind you, donations are a nice extra).There are, of course, different situations, and different people. What works for one, may not work for the other. This is what worked for me, and I felt the need to share it, lest anyone thinks that the world's darker than it really is.

Review: The Death of Bees, by Lisa O'Donnell

Publisher:	HarperCollins
Copyright:	2012
Printing:	2013
ISBN:	0-06-220984-1
Format:	Hardcover
Pages:	309

This is the first definite hit from my Powell's Indiespensable subscription, and a good example of why I subscribe. I never would have read or even heard of this book without it, and I thoroughly enjoyed it. Marnie and Nellie are sisters living in a housing estate in Glasgow's Maryhill district. Neither of their parents ever held regular jobs, although one does quickly learn their father had been earning money distributing drugs. The story opens, rather shockingly, with the death of both parents: their father smothered in his bed, and their mother, a day later, after refusing to notify anyone of their father's death, by hanging herself in the garden shed. In fear of being taken by social services and then separated, particularly given Nellie's unusual way of interacting with the world (she talks, and writes, like a woman in the 1950s trying to sound high-class), the girls bury both bodies in the back garden and tell everyone their parents just went on an unannounced trip without them. It wouldn't be the first time. Marnie is 15 and a year away from being legally an adult, at which point she can take custody of Nellie (who is 12) and keep them together. In the meantime, they just have to keep their parents' deaths secret and figure out how to keep food on the table and social services away. Their next-door neighbor is a formerly-closeted older gay man named Lennie who is known as the neighborhood pervert after he was arrested getting a blow job from an underage male prostitute. Both girls are quite understandably suspicious of him, but he's also the first person to notice that something is wrong and to start trying to help. The book is told in many short chapters, each written by one of Marnie, Nellie, or Lennie in their own voice. You might have guessed from the plot summary that this book needs a few warnings, but I want to emphasize that more. This is a book that opens with decaying corpses, including a few rather-too-vivid images from its transport and from Marnie's later (unnamed) post-traumatic stress. Marnie is quite sexually active, and both girls have had a nasty background full of things that I preferred not to think too much about. Most of the worst bits are only alluded to and are kept off-camera, but there's still quite a lot of background nastiness and desperation here. The Death of Bees is blunt and forthright to the point that it repeatedly made me cringe, and that sort of thing usually doesn't bother me in books. That said, this is not a horror novel, even though it contains horror. You could describe it as darkly comic, although none of the comedy is the sort that makes one laugh, except perhaps in startled surprise. The adjectives that come to mind are fierce, compassionate, empathetic, tough, and courageous. The author is completely on the side of the three protagonists, all of whom are deeply hurt in their own ways but all of whom are trying as hard as they can to support each other. I have rarely read a book that made me care as much about the characters. It's the kind of story that makes one want to passionately defend them, particularly once the one real villain, in the form of a do-gooding outsider, makes his appearance. And the reader and the author aren't alone. One of the things I loved about this book is that it doesn't artificially isolate the characters. Marnie has friends, and while Marnie doesn't always notice for Marnie, this is just her life, and many things of significance to the reader are just more of daily life for her this book is full of unexpected acts of small kindness. The surrounding characters are themselves all dealing with their own troubles and not in a great position to help anyone, and yet somehow they manage. Even Nellie, who has a great deal of difficulty interacting with other people her own age, gets unexpected help from people she thinks can't stand her. I think it's very telling that about the only character here who is entirely unsympathetic is the one who claims to be the most moral and virtuous. Unfortunately, from my perspective, this book has one major flaw: the ending. Thankfully, the ending isn't bad; if it were, it would have completely destroyed my enjoyment of the book. By the time one gets through this story, having something bad happen to these girls would break your heart. The ending does deliver the necessary catharsis, but it is far, far too short. O'Donnell builds up tension mercilessly, pushing the story down a path that's clearly desperately wrong for both of the girls, and doesn't let the story climax happen until about ten pages from the end. We get all of a page or two of denouement, and then the novel is over. I am, admittedly, a "Scouring of the Shire" sort of person. I like long denouements, particularly if I've gone through hell with the characters. I like getting to spend some happy time with them. But even for those who don't enjoy that as much as I do, I think this ending was too short. O'Donnell does an amazing job building sympathy and empathy throughout the story, and I didn't want to have to fill in all of the happily ever after from my own imagination. Maybe it would have been hard to do without getting too sentimental or without dulling some of the sharp edges of the story, but I would have really appreciated another ten pages. As is, it felt like the novel abruptly and unceremoniously dumped me out on the ground. But, that aside, this is an excellent character story. It's one that I would be careful about recommending; parts of it are extremely dark and nasty, and you have to take Marnie on her own terms for the story to work. But it's beautifully written and thoroughly engaging, and I'm very glad to have read it. Rating: 8 out of 10

There have been some dark days for UK coops recently the crystal Methodist and all that and I have not been able to talk about it much because of the amount of work that I want to do before the end of the year. Happily good colleagues have been writing about it and here s another good article from Kate Whittle that links to Ed Mayo and Ian Snaith who are the other two that I d suggest. http://www.cooperantics.coop/2013/12/09/co-ops-governance/ I should be back in a few days to summarise the event I attended last week.

I'm aware of how not-dark our modern city night sky is, but sometimes it still heavily surprises me how full of light it actually is. Yesterday I went about five kilometres out of Z rich; I thought at that distance, on a reasonably dark hill, it would be good enough for some night-sky shots. So I setup my tripod, only to realise I can't expose over 30 seconds because (at low ISO and fast aperture, shooting not straight up), everything is bleached out: I couldn't believe my eyes. Yes, I heard that one needs to go 100Km out of big cities, but but So I went and found that since about 2004, all of Switzerland is light polluted - even going on top of Jungfrau, for example, wouldn't completely eliminate it. I also learned about Merle Walker's equation - yeah, 200Km or more away from light sources would be good. Not here, in this quite small, quite populated country in the middle of Europe :/ I realised that as soon as my eyes got acclimated to the location I was at, I could easily see everything around me, due to the light pollution. I miss a really dark sky - I remember a couple of years back, in a different country, stopping at night on the side of the road, and being shocked at how the sky was filled with starts. I didn't have any camera with me at that time Heck, I remember seeing the Milky Way way back as a child, but nowadays when I get out of work, I can barely see 4-5 points of light in the sky. Anyway, enough with ranting Thanks to modern technology, one can recover lots of detail, even in a washed out picture. So in the end, shooting straight up, I could get some resemblance of structure (and this was only at 28mm, which is not that wide): Or alternatively, one can use the glowing light for a bit of play/contrast: I also played with stacking images via Deep Sky Stacker, but stacking - I learned to my surprise - only works to reduce noise in the final image, and not to make it "brighter" or more detailed. Live and learn The result was a bit better than not stacked, but not by much: This was a 25 5s, ISO 800, f/4, same 28mm lens. What I found surprising is the "non-star object" (to call it so) near the centre of the image - I have no idea what it is, it definitely doesn't look like a star, it could be an elliptical galaxy or so. I tried navigating back in time via Stellarium, but I don't remember the orientation of the lens, so it will remain a mystery to me. Anyway, two more pictures and higher resolutions on a Smugmug album. Feel free to leave a comment or drop me an email if you have suggestions where to take nice night sky photos in Switzerland

Last weekend I realised that one of the advantages of winter is that it gets dark quite early - so I took a short walk through Z rich at night to take a set of pictures. I usually only shoot handheld at night, which has its limitations, and this time I took a tripod with me. It's a very cheap tripod which I have for many years now and I don't really use - and the test was to see if it's actually usable for long exposures. The results can be seen on my Smugmug gallery. Some of the pictures I really like, but that's not the main point - I learned a lot in just an hour or so. First, the tripod worked. Well, it's cheap and plasticky, so "mirror delay 3" was absolutely needed, but with that the pictures got out reasonably sharp, even at 30s exposure. Second, I forgot my cable release at home, even though I explicitly wanted to take it, so "mirror delay 3" became my remote release. Logistics aside, the most interesting thing was that in the dark, the enemy is light, and not darkness. In the city, the contrast between darkness and strong lights results in a large dynamic range requirement, and - to me - that was a surprising realisation. As an example, in this picture, I had to use f/22 to get the desired exposure time, as the light was too strong. Another surprising realisation was that, if you're shooting with 30s exposure time, a person passing in front of the camera (but not staying in the same place) will leave no trace. At shorter exposures, or when the person has a low transversal speed, then it will show, but otherwise, you don't have to care too much . Something that I knew but it was not nice to be reminded of is how "broken" auto white balance is in presence of artificial lighting (basically low temperature). Add the fact that in a non-trivial scene you have multiple lights with different temperatures makes any night scene interesting - I had to manually fix white balance for the entire album, and I don't think I got it right. And finally - light pollution. The sky above Z rich was cloudy, and the clouds were glowing orange/reddish. I can't wait to get somewhere a bit far from civilisation with a nice, dark sky

A few things for which I'd been waiting for quite some time were released, so there was another book order. Allie Brosh Hyperbole and a Half (graphic novel)
Jacqueline Carey Dark Currents (sff)
Debra Dunbar A Demon Bound (sff)
Nicola Griffith Hild (historical)
Ursula K. Le Guin The Unreal and the Real, Volume 1 (sff)
Ursula K. Le Guin The Unreal and the Real, Volume 2 (sff)
Ken Stern With Charity for All (non-fiction) I'm trying to buy fewer books given how many I have and haven't read, and also because I've been on a gaming tear recently and there are only so many hours in the day. Unfortunately, playing a lot of video games means reading fewer books. So I'm trying for quality rather than quantity, and this particular order has one of the best densities of hopefully good books as anything I've ordered in a while. For those who aren't familiar with Allie Brosh, Hyperbole and a Half is one of the most brilliant blogs that I've ever read, and this is a collection plus new stories and new illustrations. I specifically got the hardcover, which is beautiful and very high-quality. I've been waiting for Hild for years since Griffith started talking about writing it on her blog, and now I have the lovely hardcover in my hands. That's probably going to be Christmas reading. The Le Guin is a two-volume hardcover collection of Le Guin's personal favorites from her large lifetime oeuvre of short fiction.

Review: Asimov's Science Fiction, August 2011

Editor:	Sheila Williams
Issue:	Volume 35, No. 8
ISSN:	1065-2698
Pages:	112

The editorial this issue is about the Dell Magazines Award, so newsy without a lot of content (particularly since we don't get to read the winners). Silverberg's column is much more interesting, focusing on the complex rules of the honor code of the Albanian highlands and pointing out that there's more complexity and strangeness in things we can find on Earth than in a lot of science fiction. Even within the rules of real human cultures. James Patrick Kelly's column this issue is an interesting summary of what graduates of the Clarion writing workshop learned, in their own words. It's a nice barrage of quick writing tips, and an interesting view of what people take away from a writing workshop. The book review column this issue is Peter Heck's normal workman-like job. "The End of the Line" by Robert Silverberg: Someday, I really should read Lord Valentine's Castle. As you might guess from this comment, this is another Majipoor story. This one follows an official who is part of an advance party for the Coronal Lord, the ruler (of sorts). He's decided, as part of those duties, to take the opportunity to learn more about the aboriginal people of Majipoor: the somewhat mysterious metamorphs, or Piurivar. I'm not that familiar with the history of Majipoor, since all I've read is this story and one other, none of the novels. Apparently, knowing that the official in question is named Stiamot will place this story for more familiar readers. For the unfamiliar, such as myself, there's a lot of politics here and what's clearly background for a major event in the world, but as a standalone story it's a bit unsatisfying (and grim). It's not that clear why things had to turn out the way they did, and the characters seem largely without agency. It's well-written, but mostly a story for fans of the series, I think. (6) "Corn Teeth" by Melanie Tem: This is a tight third-person story about a human child raised by alien foster parents, and it's deeply disturbing. Not because of the fostering, which appears wonderful and loving, but because it's a train wreck sort of story: the reader can see the horrible coming and can't do anything about it (and it turns out even worse than one might expect). It's also a story built around failure of communication and failure of empathy, and has a monumentally depressing ending, the kind that leaves scars. I'm sure all of this is entirely intentional; it seems very well-written. But I really didn't want this much horrible misunderstanding and depressing hopelessness in my reading. (2) "Watch Bees" by Philip Brewer: I rather liked this story even if the protagonist is an awful person. The story is set in a future of bioengineered insects and hard economic times, and it features a man who is supposedly working his way from farm to farm to get back home. What he's actually after is more complicated and is closely related to the defense systems that keep intruders off of farms. You might guess some of the rest from the title. It's a story about understanding layered defense systems, and about economic warfare. I didn't care much for any of the characters, but the story is well-plotted and kept me interested in seeing what would happen next. (6) "For I Have Lain Me Down on the Stones of Loneliness and I'll Not Be Back Again" by Michael Swanwick: By Swanwick, so it's a little odd, but I found this story surprisingly moving and ambiguous. It's about an American of Irish descent, a trip to Ireland, and a love affair with a fierce Irish nationalist, all set against an SF background of an Earth conquered by benevolent aliens. It's angry, uncertain, fanatical, and realistic by turns, and left me with profound mixed feelings. I think it does a good job capturing in a brief story the emotional complexities of what it means to give onself to a cause. (7) "We Were Wonder Scouts" by Will Ludwigsen: This is a short and odd story about a variant of the Boy Scouts founded by a man who is a little too obsessed with the paranormal, and an outing in the woods that turns rather creepy. It's a type of story that I'm not very fond of: one that twists the delight of discovery into something dark and mundane. I suppose you could call it horror; it's more horror than fantasy, at least. Anyway, not my thing. (3) "Pairs" by Zachary Jernigan: This story, on the other hand, isn't as dark as it seems like it should be from the setup. Humans have been conquered and enslaved by more powerful alien races, and now human souls are a profitable business. The protagonist is a person who has been embodied in a spaceship, and who works with (and monitors) another largely insane embodied person as they work as couriers, carrying souls to their buyers. But neither of them are as fully under control as they might appear, which is the point of the story. There is no grand tale of redemption, and the price is high, but I found the psychological portrayal oddly satisfying and faintly hopeful, and I was intrigued by the world background. (7) "Paradise is a Walled Garden" by Lisa Goldstein: The cover story, this is by far the best story of the issue. It's steampunk, set in a world where Muslim civilization was not pressed back by Christianity and continues to thrive into the reign of Queen Elizabeth as, among other things, makers of automata. A girl has managed to get herself a job in a British factory by posing as a boy and is the first to sound the alarm when the automata that do most of the work go strangely (and violently) haywire. That leads to her being assigned to the subsequent delegation to Al-Andulus (Muslim Spain, if you're not familiar with that name from history). The protagonist is the best part of this story. She's thoughtful, resourceful, and delights in learning things, something that she's rarely had the opportunity to do. She's also utterly unintimidated. In Al-Andulus, she thrives, despite the contempt of the leader of the expedition and some dangerous intrigues around the source of the anomalous behavior. I won't spoil the ending, but it's a delight, leaving the reader with a lot of hope for her future. I also liked the portrayal of the Muslim world, which is engrossed in its own business and has its own advantages and disadvantages, but is at least open to and focused on learning and technological development. The contrast with the superstitious British delegation is both pointed and historically grounded in Muslim relations with Europe around the point of divergence of Goldstein's world. (8) Rating: 7 out of 10