Review:
Lyorn, by Steven Brust
| Series: |
Vlad Taltos #17 |
| Publisher: |
Tor |
| Copyright: |
2024 |
| ISBN: |
1-4668-8971-3 |
| Format: |
Kindle |
| Pages: |
274 |
Lyorn is the 17th Vlad Taltos book and a direct sequel to 2014's
Hawk. (Yes, actual main story
progress!) You do not want to start reading here; you would be hopelessly
confused. When this series is complete, I want to re-read the entire
thing from the beginning and pick up more of the bits I missed the first
time.
Vlad is not, in fact, free to see his friends and get entangled in
imperial politics again as I thought after
Hawk. Despite the
successes of that story, there is one remaining small problem: incredibly
powerful magic users still want to kill him. His immediate solution is to
shelter in a theater, since Draegaran theaters are well-known for their
excellent magical shielding. This works well enough at first, but the
theater is rehearsing a play about Draegaran politics that is highly
offensive to the Lyorn and the theater may be shut down because of it.
Vlad's enemies are also willing to lean on his friends to find him and
kill him.
This series continues to be thoroughly enjoyable.
Lyorn is "just"
more of Vlad being Vlad, meddling in everyone's business and coming up
with elaborate plans with too many moving parts that he somehow manages to
pull off, but I'll happily read lots of books like that. Vlad is both
anxious and grumpy, both of which give the plot some needed tension
without being overwhelming. There are no truly major world-building
revelations here (or, if there are, I missed them), but there's a lot of
processing of what the reader learned in
Tsalmoth. It's increasingly looking like the payoff from those
revelations is going to be the series finale.
This is the first Vlad book that contains solid confirmation of where the
series as a whole is headed. Brust mentioned some time ago that the last
book is titled
The Last Contract, and
Lyorn comes close to
stating explicitly what that contract will be. I am sure that it will be
more complicated than it appears now and there are misdirections yet to
come, but I am excited to see where Brust takes this idea.
Vlad has been insistently apolitical for much of the series, meddling in
politics only when he has to or to help his friends and otherwise treating
it as a system that he has to navigate and survive. That was the root of
the conflict in
Teckla, all the way back
at the start of the series. This may be starting to change, and when
Brust ties it together with the Jenoine, the Great Weapon Godslayer, and
the rest of the world-building he's cued up, the results are going to be
explosive.
Two books left:
Chreotha and
The Last Contract. I can
hardly wait.
In every Vlad book, Brust plays some sort of structural game. This time,
befitting the setting, it's a musical. The action is interspersed with
quotes from a fictional history about the play the theater is putting on,
a work called
Song of the Presses about political censorship during
the reign of a Lyorn emperor in the 14th cycle, thousands of years before
the time of this book. This was, at times, nearly as interesting as the
main plot. The chapters are also numbered like the acts and scenes of a
play, although this I didn't notice as much since books often have that
structure anyway.
Since this is a musical, there are also songs. Specifically, each chapter
is introduced by a parody of songs from various musicals in our world,
rewritten so that they fit within Brust's fictional musical. Brust is
also a musician and a
filker, so these songs are actually good, or at least they amused me a
great deal. I'm not much of a musical fan and I still could hear the tune
playing when I read most of them.
Lyorn is not so good that I would rave about it. It's one of those
functional connective books of a series that advances the plot, tells a
good story, and has some fun along the way. The guns on the mantelpiece
of this world have not gone off yet, and Vlad is still maneuvering into
position. But it's looking like we're going to get the conclusion, and
it's going to be spectacular. If you have read this far, you will want to
keep reading.
Followed by
Chreotha, which may be a bit of a wait because
apparently Brust is going to write
The Last Contract first to make
sure he ties up loose ends properly.
Rating: 7 out of 10