| Series: | October Daye #11 |
| Publisher: | DAW |
| Copyright: | 2017 |
| ISBN: | 0-698-18352-5 |
| Format: | Kindle |
| Pages: | 353 |
The Rcpp team is thrilled to share the news of the newest release 1.0.8 of Rcpp which hit CRAN today, and has already been uploaded to Debian as well. Windows and macOS builds should appear at CRAN in the next few days. This release continues with the six-months cycle started with release 1.0.5 in July 2020. As a reminder, interim dev or rc releases will alwasys be available in the Rcpp drat repo; this cycle there were once again seven (!!) times two as we also tested the modified header (more below). These rolling release tend to work just as well, and are also fully tested against all reverse-dependencies.
Rcpp has become the most popular way of enhancing R with C or C++ code. Right now, around 2478 packages on CRAN depend on Rcpp for making analytical code go faster and further, along with 242 in BioConductor.
This release finally brings a change we have worked on quite a bit over the last few months. The idea of enforcing the setting of STRICT_R_HEADERS was prososed years ago in 2016 and again in 2018. But making such a chance against a widely-deployed code base has repurcussions, and we were not ready then. Last April, this was revisited in issue #1158. Over the course of numerous lengthy runs of tests of a changed Rcpp package against (essentially) all reverse-dependencies (i.e. packages which use Rcpp) we identified ninetyfour packages in total which needed a change. We provided either a patch we emailed, or a GitHub pull request, to all ninetyfour. And we are happy to say that eighty cases were resolved via a new CRAN upload, with a seven more having merged the pull request but not yet uploaded.
Hence, we could make the case to CRAN (who were always CC ed on the monthly nag emails we sent to maintainers of packages needing a change) that an upload was warranted. And after a brief period for their checks and inspection, our January 11 release of Rcpp 1.0.8 arrived on CRAN on January 13.
So with that, a big and heartfelt Thank You! to all eighty maintainers for updating their packages to permit this change at the Rcpp end, to CRAN for the extra checking, and to everybody else who I bugged with the numerous emails and updated to the seemingly never-ending issue #1158. We all got this done, and that is a Good Thing (TM).
Other than the aforementioned change which will not automatically set STRICT_R_HEADERS (unless opted out which one can), a number of nice pull request by a number of contributors are included in this release:
Thanks to my CRANberries, you can also look at a diff to the previous release. Questions, comments etc should go to the rcpp-devel mailing list off the R-Forge page. Bugs reports are welcome at the GitHub issue tracker as well (where one can also search among open or closed issues); questions are also welcome underChanges in Rcpp release version 1.0.8 (2022-01-11)
- Changes in Rcpp API:
STRICT_R_HEADERSis now enabled by default, see extensive discussion in #1158 closing #898.- A new
#defineallows default setting of finalizer calls for external pointers (I aki in #1180 closing #1108).Rcpp:::CxxFlags()now quotes the include path generated, (Kevin in #1189 closing #1188).- New header files
Rcpp/Light,Rcpp/Lighter,Rcpp/Lightestand defaultRcpp/Rcppfor fine-grained access to features (and compilation time) (Dirk #1191 addressing #1168).- Changes in Rcpp Attributes:
- Changes in Rcpp Documentation:
- Changes in Rcpp Deployment:
rcpp tag at StackOverflow which also allows searching among the (currently) 2822 previous questions.
If you like this or other open-source work I do, you can sponsor me at GitHub.
This post by Dirk Eddelbuettel originated on his Thinking inside the box blog. Please report excessive re-aggregation in third-party for-profit settings.
Updates 24.01.2022: What I love about the community is the playful creativity that inspires a game like Wordle and that in turn inspires others to create fun tools around it: Robert Reichel has reverse engineered the Wordle application, so in case you want to play tomorrow's word today .. you can. Or have that one guess "Genius" solution experience. JP Fosterson created a Wordle helper that is very much the Python version of my grep-foo above. In case you play regularly and can use a hand. And Tom Lockwood wrote a Wordle solver also in Python. He blogged about it and ... is pondering to rewrite things in Rust:
I ve decided to explore Rust for this, and so far what was taking 1GB of RAM in Python is taking, literally 1MB in Rust!Welcome to 2022. 01.02.2022: OMG. Wordle has been bought by the New York Times for "for a price in the low seven figures" (Source). Joey Rees-Hill put it well in The Death of Wordle:
Today s Web is dominated by platforms. The average Web user will spend most of their time on large platforms such as Instagram, Facebook, Twitter, TikTok, Google Drive/Docs, YouTube, Netflix, Spotify, Gmail, and Google Calendar, along with sites operated by large publishers such as The New York Times or The Washington Post. [..]Still kudos to Josh Wardle, a Million Pounds for Wordle. Well done! It was fun while it lasted. Let's see what the next Wordle will be. This one has just been absorbed into the borg collective.
The Web wasn t always this way. I m not old enough to remember this, but things weren t always so centralized. Web users might run their own small website, and certainly would visit a good variety of smaller sites. With the increasing availability of internet access, the Web has become incredibly commercialized, with a handful of companies concentrating Web activity on their own properties.
Wordle was a small site that gained popularity despite not being part of a corporate platform. It was wonderful to see an independent site gain attention for being simple and fun. Wordle was refreshingly free of attention-manipulating dark patterns and pushy monetization. That s why it s a shame to see it absorbed, to inevitably become just another feature of one large media company s portfolio.
I've been teaching economics for a few semesters already and, slowly but
surely, I'm starting to get the hang of it. Having to deal with teaching
remotely hasn't been easy though and I'm really hoping the winter semester will
be in-person again.
Although I worked way too much last semester1, I somehow managed to
transition to using a graphics tablet. I bought a Wacom Intuos S tablet (model
CTL-4100) in late August 2021 and overall, I have been very happy with it.
Wacom Canada offers a small discount for teachers and I ended up paying 115 CAD
(~90 USD) for the tablet, an overall very reasonable price.
Unsurprisingly, the Wacom support on Linux is very good and my tablet worked
out of the box. The only real problem I had was by default, the tablet
sometimes boots up in Android mode, making it unusable. This is easily solved
by pressing down on the pad's first and last buttons for a few seconds, until
the LED turns white.
The included stylus came with hard plastic nibs, but I find them too slippery.
I eventually purchased hard felt nibs, which increase the friction and makes
for a more paper-like experience. They are a little less durable, but I wrote
quite a fair bit and still haven't gone through a single one yet.
Learning curve
Learning how to use a graphical tablet took me at least a few weeks! When
writing on a sheet of paper, the eyes see what the hand writes directly. This
is not the case when using a graphical tablet: you are writing on a surface and
see the result on your screen, a completely different surface. This dissociation
takes a bit of practise to master, but after going through more than 300 pages
of notes, it now feels perfectly normal.
Here is a side-by-side comparison of my very average hand-writing2:
I still prefer the result of writing on paper, but I think this is mostly due to
me not using the pressure sensitivity feature. The support in xournal wasn't
great, but now that I've tried it in xournalpp (more on this below), I think I
will be enabling it in the future. The result on paper is also more consistent,
but I trust my skills will improve over time.
Use case
The first use case I have for the tablet is grading papers. I've been asking my
students to submit their papers via Moodle for a few semesters already, but
until now, I was grading them using PDF comments. The experience wasn't
great3 and was rather slow compared to grading physical copies.
I'm also a somewhat old-school teacher: I refuse to teach using slides. Death
by PowerPoint is real. I write on the blackboard a lot4 and I find
it much easier to prepare my notes by hand than by typing them, as the end
result is closer to what I actually end up writing down on the board.
Writing notes by hand on sheets of paper is a chore too, especially when you
revisit the same materiel regularly. Being able to handwrite digital notes gives
me a lot more flexibility and it's been great.
So far, I have been using xournal to write notes and grade papers, and
although it is OK, it has a bunch of quirks I dislike. I was waiting for
xournalpp to be packaged in Debian, and it now is5! I'm looking
forward to using it next semester.
Towards a better computer monitor
I have also been feeling the age of my current computer monitor. I am currently
using an old 32" 1080p TV from LG and up until now, I had been able to
deal with the drawbacks. The colors are pretty bad and 1080p for such a large
display isn't great, but I got used to it.
What I really noticed when I started using my graphics tablet was the input
lag. It's bad enough that there's a clear jello effect when writing and it
eventually gives me a headache. It's so bad I usually prefer to work on my
laptop, which has a nicer but noticeably smaller panel.
I'm currently looking to replace this aging TV6 by something more modern.
I have been waiting out since I would like to buy something that will last me
another 10 years if possible. Sadly, 32" high refresh rate 4K monitors aren't
exactly there yet and I haven't found anything matching my criteria. I would
probably also need a new GPU, something that is not easy to come by these days.
A new version, now at 0.3.13, of the Rblpapi package just arrived at CRAN. Rblpapi provides a direct interface between R and the Bloomberg Terminal via the C++ API provided by Bloomberg (but note that a valid Bloomberg license and installation is required).
This is the thirteenth release since the package first appeared on CRAN in 2016. It comprises the PRs from three different contributors (with special thanks once again to Michael Kerber), and extends test and documentation, and extends two function interfaces to control explicitly whether returned lists of length one should be simplified.
The list of changes follow below.
Courtesy of my CRANberries, there is also a diffstat report for the this release. As always, more detailed information is on the Rblpapi page. Questions, comments etc should go to the issue tickets system at the GitHub repo. If you like this or other open-source work I do, you can now sponsor me at GitHub.Changes in Rblpapi version 0.3.13 (2022-01-09)
This post by Dirk Eddelbuettel originated on his Thinking inside the box blog. Please report excessive re-aggregation in third-party for-profit settings.
[95457.805417] BUG: kernel NULL pointer dereference, address: 0000000000000000 [95457.805424] #PF: supervisor read access in kernel mode [95457.805426] #PF: error_code(0x0000) - not-present page [95457.805429] PGD 0 P4D 0 [95457.805431] Oops: 0000 [#1] SMP PTI [95457.805435] CPU: 2 PID: 75486 Comm: v4l2src0:src Not tainted 5.15.0-2-amd64 #1 Debian 5.15.5-2 [95457.805438] Hardware name: HP ProLiant ML110 Gen9/ProLiant ML110 Gen9, BIOS P99 02/17/2017 [95457.805440] RIP: 0010:usb_ifnum_to_if+0x3a/0x50 [usbcore] ... [95457.805481] Call Trace: [95457.805484] [95457.805485] usb_hcd_alloc_bandwidth+0x23d/0x360 [usbcore] [95457.805507] usb_set_interface+0x127/0x350 [usbcore] [95457.805525] uvc_video_start_transfer+0x19c/0x4f0 [uvcvideo] [95457.805532] uvc_video_start_streaming+0x7b/0xd0 [uvcvideo] [95457.805538] uvc_start_streaming+0x2d/0xf0 [uvcvideo] [95457.805543] vb2_start_streaming+0x63/0x100 [videobuf2_common] [95457.805550] vb2_core_streamon+0x54/0xb0 [videobuf2_common] [95457.805555] uvc_queue_streamon+0x2a/0x40 [uvcvideo] [95457.805560] uvc_ioctl_streamon+0x3a/0x60 [uvcvideo] [95457.805566] __video_do_ioctl+0x39b/0x3d0 [videodev]It turns out that Ubuntu Launchpad bug #1827452 has great information on this problem [2]. Apparently if the device decides it doesn t have enough power then it will reconnect and get a different USB bus device number and this often happens when the kernel is initialising it. There s a race condition in the kernel code in which the code to initialise the device won t realise that the device has been detached and will dereference a NULL pointer and then mess up other things in USB device management. The end result for me is that all USB devices become unusable in this situation, commands like lsusb hang, and a regular shutdown/reboot hangs because it can t kill the user session because something is blocked on USB. One of the comments on the Launchpad bug is that a powered USB hub can alleviate the problem while a USB extension cable (which I had been using) can exacerbate it. Officeworks currently advertises only one powered USB hub, it s described as USB 3 but also maximum speed 480 Mbps (USB 2 speed). So basically they are selling a USB 2 hub for 4* the price that USB 2 hubs used to sell for. When debugging this I used the cheese webcam utility program and ran it in a KVM virtual machine. The KVM parameters -device qemu-xhci -usb -device usb-host,hostbus=1,hostaddr=2 (where 1 and 2 are replaced by the Bus and Device numbers from lsusb ) allow the USB device to be passed through to the VM. Doing this meant that I didn t have to reboot my PC every time a webcam test failed. For audio I m using the Sades Wand gaming headset I wrote about previously [3].
PF_NOFREEZE,
are frozen before the system enters a sleep state.
Frozen tasks are sent to the __refrigerator(), where they set TASK_UNINTERRUPTIBLE and
PF_FROZEN and infinitely loop until PF_FROZEN is unset6.
This prevents these tasks from doing anything during the imaging process.
Any userspace process running on a different CPU while the kernel is trying to create a memory image would cause havoc.
This is also done because any filesystem changes made during this would be lost and could cause the filesystem and its related
in-memory structures to become inconsistent.
Also, creating a hibernation image requires about 50% of memory free, so no tasks should be allocating memory,
which freezing also prevents.
PF_NOFREEZE by default, so they must specifically opt-in to task freezing.
kernel/freezer.c which also notes Refrigerator is place where frozen processes are stored :-).
Welcome to the December 2021 report from the Reproducible Builds project! In these reports, we try and summarise what we have been up to over the past month, as well as what else has been occurring in the world of software supply-chain security.
As a quick recap of what reproducible builds is trying to address, whilst anyone may inspect the source code of free software for malicious flaws, almost all software is distributed to end users as pre-compiled binaries. The motivation behind the reproducible builds effort is to ensure no flaws have been introduced during this compilation process by promising identical results are always generated from a given source, thus allowing multiple third-parties to come to a consensus on whether a build was compromised. As always, if you would like to contribute to the project, please get in touch with us directly or visit the Contribute page on our website.
Early in December, Julien Voisin blogged about setting up a rebuilderd instance in order to reproduce Tails images. Working on previous work from 2018, Julien has now set up a public-facing instance which is providing build attestations.
As Julien dryly notes in his post, Currently, this isn t really super-useful to anyone, except maybe some Tails developers who want to check that the release manager didn t backdoor the released image. Naturally, we would contend sincerely that this is indeed useful.
0.4.7.3-alpha of Tor can now build reproducible tarballs via the make dist-reprod command. This issue was tracked via Tor issue #26299.
mkimg and makefs commands:
Fabian s original post generated a short back-and-forth with Chris Lamb regarding how diffoscope might be able to support the particular format of images generated by this command set.After rebasing ElectroBSD from FreeBSD stable/11 to stable/12
I recently noticed that the "memstick" images are unfortunately
still not 100% reproducible.
195, 196, 197 and 198 to Debian, as well as made the following changes:
.dsc field values. [ ]/usr/lib/x86_64-linux-gnu to our local binary search path. [ ]has_same_content_as logging calls. [ ]token variable with an anonymously-named variable instead to remove extra lines. [ ].pyc files. This fixes test failures on big-endian machines. [ ]binary-with-bad-dynamic-table. [ ]Enhances field in debian/control. [ ]GNU_BUILD_ID field has been modified [ ]. Thank you for your contributions!
In Debian this month, 70 reviews of packages were added, 27 were updated and 41 were removed, adding to our database of knowledge about specific issues. A number of issue types were created as well, including:
build_path_identifiers_in_documentation_generated_by_doxygennon_deterministic_doc_base_file_for_javadocnondeterministic_ordering_in_guile_binaries1.13.0-1 was uploaded to Debian unstable by Holger Levsen. It included contributions already covered in previous months as well as new ones from Mattia Rizzolo, particularly that the dh_strip_nondeterminism Debian integration interface uses the new get_non_binnmu_date_epoch() utility when available: this is important to ensure that strip-nondeterminism does not break some kinds of binNMUs.
In the world of openSUSE, however, Bernhard M. Wiedemann posted his monthly reproducible builds status report.
In NixOS, work towards the longer-term goal of making the graphical installation image reproducible is ongoing. For example, Artturin made the gnome-desktop package reproducible.
g++7/rsync (randomness in output)python-eventlet (build fails in the future)python-PyQRCode (incorporates copyright year)apbs.binutils-riscv64-unknown-elf.gcc-riscv64-unknown-elf.userbindmount.nanomsg.freediameter.gr-satellites.kjs.xeus-python.libime.fcitx5-gtk.fcitx.libpodofo.meshlab.eiskaltdcpp.editorconfig-core.python-parse-type.sphinx-copybutton.fcitx5-qt.libxmlb, fixed by Richard Hughes. Waiting for an upstream release.
The Reproducible Builds project runs a significant testing framework at tests.reproducible-builds.org, to check packages and other artifacts for reproducibility. This month, the following changes were made:
/boot partition size. [ ]apt-daily and apt-daily-upgrade services [ ], failed e2scrub_all.service & user@ systemd units [ ][ ] as well as generic build failures [ ].arm64 architecture nodes hosted at/by codethink.co.uk. [ ]rb-general@lists.reproducible-builds.org
#reproducible-builds on irc.oftc.net.
Previously I setup a CC2531 as a Zigbee coordinator for my home automation. This has turned out to be a good move, with the 4 gang wireless switch being particularly useful. However the range of the CC2531 is fairly poor; it has a simple PCB antenna. It s also a very basic device. I set about trying to improve the range and scalability and settled upon a CC2538 + CC2592 device, which feature an MMCX antenna connector. This device also has the advantage that it s ARM based, which I m hopeful means I might be able to build some firmware myself using a standard GCC toolchain.
For now I fetched the JetHome firmware from https://github.com/jethome-ru/zigbee-firmware/tree/master/ti/coordinator/cc2538_cc2592 (JH_2538_2592_ZNP_UART_20211222.hex) - while it s possible to do USB directly with the CC2538 my board doesn t have those bits so going the external USB UART route is easier.
The device had some existing firmware on it, so I needed to erase this to force a drop into the boot loader. That means soldering up the JTAG pins and hooking it up to my Bus Pirate for OpenOCD goodness.
source [find interface/buspirate.cfg]
buspirate_port /dev/ttyUSB1
buspirate_mode normal
buspirate_vreg 1
buspirate_pullup 0
transport select jtag
source [find target/cc2538.cfg]
$ telnet localhost 4444
Trying ::1...
Trying 127.0.0.1...
Connected to localhost.
Escape character is '^]'.
Open On-Chip Debugger
> mww 0x400D300C 0x7F800
> mww 0x400D3008 0x0205
> shutdown
shutdown command invoked
Connection closed by foreign host.
$ git clone https://github.com/JelmerT/cc2538-bsl.git
$ cc2538-bsl/cc2538-bsl.py -p /dev/ttyUSB1 -e -w -v ~/JH_2538_2592_ZNP_UART_20211222.hex
Opening port /dev/ttyUSB1, baud 500000
Reading data from /home/noodles/JH_2538_2592_ZNP_UART_20211222.hex
Firmware file: Intel Hex
Connecting to target...
CC2538 PG2.0: 512KB Flash, 32KB SRAM, CCFG at 0x0027FFD4
Primary IEEE Address: 00:12:4B:00:22:22:22:22
Performing mass erase
Erasing 524288 bytes starting at address 0x00200000
Erase done
Writing 524256 bytes starting at address 0x00200000
Write 232 bytes at 0x0027FEF88
Write done
Verifying by comparing CRC32 calculations.
Verified (match: 0x74f2b0a1)
python3 -m zigpy_znp.tools.network_backup /dev/zigbee > cc2531-network.json
cc2538-network.json and modified the coordinator_ieee to be the new device s MAC address (rather than end up with 2 devices claiming the same MAC if/when I reuse the CC2531) and did:
python3 -m zigpy_znp.tools.network_restore --input cc2538-network.json /dev/ttyUSB1
RuntimeError: Network formation refused, RF environment is likely too noisy. Temporarily unscrew the antenna or shield the coordinator with metal until a network is formed. error.
After that I updated my udev rules to map the CC2538 to /dev/zigbee and restarted Home Assistant. To my surprise it came up and detected the existing devices without any extra effort on my part. However that resulted in 2 coordinators being shown in the visualisation, with the old one turning up as unk_manufacturer. Fixing that involved editing /etc/homeassistant/.storage/core.device_registry and removing the entry which had the old MAC address, removing the device entry in /etc/homeassistant/.storage/zha.storage for the old MAC and then finally firing up sqlite to modify the Zigbee database:
$ sqlite3 /etc/homeassistant/zigbee.db
SQLite version 3.34.1 2021-01-20 14:10:07
Enter ".help" for usage hints.
sqlite> DELETE FROM devices_v6 WHERE ieee = '00:12:4b:00:11:11:11:11';
sqlite> DELETE FROM endpoints_v6 WHERE ieee = '00:12:4b:00:11:11:11:11';
sqlite> DELETE FROM in_clusters_v6 WHERE ieee = '00:12:4b:00:11:11:11:11';
sqlite> DELETE FROM neighbors_v6 WHERE ieee = '00:12:4b:00:11:11:11:11' OR device_ieee = '00:12:4b:00:11:11:11:11';
sqlite> DELETE FROM node_descriptors_v6 WHERE ieee = '00:12:4b:00:11:11:11:11';
sqlite> DELETE FROM out_clusters_v6 WHERE ieee = '00:12:4b:00:11:11:11:11';
sqlite> .quit
Depends fields, which are Debian s way of talking about runtime dependencies, even though they are used only at build-time. The way this works is that some ultimate leaf package (which is supposed to produce actual executable code) Build-Depends on the libraries it needs, and those Depends on their under-libraries, so that everything needed is installed.
What do dependencies mean and what are they for anyway?
In systems where packages declare dependencies on other packages, it generally becomes necessary to support versioned dependencies. In all but the most simple systems, this involves an ordering (or similar) on version numbers and a way for a package A to specify that it depends on certain versions of B.
Both Debian and Rust have this. Rust upstream crates have version numbers and can specify their dependencies according to semver. Debian s dependency system can represent that.
So it was natural for the designers of the scheme for packaging Rust code in Debian to simply translate the Rust version dependencies to Debian ones. However, while the two dependency schemes seem equivalent in the abstract, their concrete real-world semantics are totally different.
These different package management systems have different practices and different meanings for dependencies. (Interestingly, the Python world also has debates about the meaning and proper use of dependency versions.)
The epistemological problem
Consider some package A which is known to depend on B. In general, it is not trivial to know which versions of B will be satisfactory. I.e., whether a new B, with potentially-breaking changes, will actually break A.
Sometimes tooling can be used which calculates this (eg, the Debian shlibdeps system for runtime dependencies) but this is unusual - especially for build-time dependencies. Which versions of B are OK can normally only be discovered by a human consideration of changelogs etc., or by having a computer try particular combinations.
Few ecosystems with dependencies, in the Free Software community at least, make an attempt to precisely calculate the versions of B that are actually required to build some A. So it turns out that there are three cases for a particular combination of A and B: it is believed to work; it is known not to work; and: it is not known whether it will work.
And, I am not aware of any dependency system that has an explicit machine-readable representation for the unknown state, so that they can say something like A is known to depend on B; versions of B before v1 are known to break; version v2 is known to work . (Sometimes statements like that can be found in human-readable docs.)
That leaves two possibilities for the semantics of a dependency A depends B, version(s) V..W: Precise: A will definitely work if B matches V..W, and Optimistic: We have no reason to think B breaks with any of V..W.
At first sight the latter does not seem useful, since how would the package manager find a working combination? Taking Debian as an example, which uses optimistic version dependencies, the answer is as follows: The primary information about what package versions to use is not only the dependencies, but mostly in which Debian release is being targeted. (Other systems using optimistic version dependencies could use the date of the build, i.e. use only packages that are current .)
| Precise | Optimistic | |
|---|---|---|
| People involved in version management |
Package developers, downstream developers/users. |
Package developers, downstream developer/users, distribution QA and release managers. |
| Package developers declare versions V and dependency ranges V..W so that | It definitely works. | A wide range of B can satisfy the declared requirement. |
| The principal version data used by the package manager | Only dependency versions. | Contextual, eg, Releases - set(s) of packages available. |
| Version dependencies are for | Selecting working combinations (out of all that ever existed). | Sequencing (ordering) of updates; QA. |
| Expected use pattern by a downstream |
Downstream can combine any declared-good combination. | Use a particular release of the whole system. Mixing-and-matching requires additional QA and remedial work. |
| Downstreams are protected from breakage by | Pessimistically updating versions and dependencies whenever anything might go wrong. | Whole-release QA. |
| A substantial deployment will typically contain | Multiple versions of many packages. | A single version of each package, except where there are actual incompatibilities which are too hard to fix. |
| Package updates are driven by |
Top-down: Depending package updates the declared metadata. |
Bottom-up: Depended-on package is updated in the repository for the work-in-progress release. |
Cargo.toml where the dependency version restrictions are relaxed, or by using a modified version of cargo which has special option(s) to relax certain dependencies.
Handling breakage
Rust packages in Debian should already be provided with autopkgtests so that ci.debian.net will detect build breakages. Build breakages will stop the updated dependency from migrating to the work-in-progress release, Debian testing.
To resolve this, and allow forward progress, we will usually upload a new version of the dependency containing an appropriate Breaks, and either file an RC bug against the depending package, or update it. This can be done after the upload of the base package.
Thus, resolution of breakage due to incompatibilities will be done collaboratively within the Debian archive, rather than ad-hoc locally. And it can be done without blocking.
My proposal prioritises the ability to make progress in the core, over stability and in particular over retaining leaf packages. This is not Debian s usual approach but given the Rust ecosystem s practical attitudes to API design, versioning, etc., I think the instability will be manageable. In practice fixing leaf packages is not usually really that hard, but it s still work and the question is what happens if the work doesn t get done. After all we are always a shortage of effort - and we probably still will be, even if we get rid of the makework clerical work of patching dependency versions everywhere (so that usually no work is needed on depending packages).
Exceptions to the one-version rule
There will have to be some packages that we need to keep multiple versions of. We won t want to update every depending package manually when this happens. Instead, we ll probably want to set a version number split: rdepends which want version <X will get the old one.
Details - a sketch
I m going to sketch out some of the details of a scheme I think would work. But I haven t thought this through fully. This is still mostly at the handwaving stage. If my ideas find favour, we ll have to do some detailed review and consider a whole bunch of edge cases I m glossing over.
The dependency specification consists of two halves: the depending .deb s Depends (or, for a leaf package, Build-Depends) and the base .deb Version and perhaps Breaks and Provides.
Even though libraries vastly outnumber leaf packages, we still want to avoid updating leaf Debian source packages simply to bump dependencies.
Dependency encoding proposal
Compared to the existing scheme, I suggest we implement the dependency relaxation by changing the depended-on package, rather than the depending one.
So we retain roughly the existing semver translation for Depends fields. But we drop all local patching of dependency versions.
Into every library source package we insert a new Debian-specific metadata file declaring the earliest version that we uploaded. When we translate a library source package to a .deb, the binary package build adds Provides for every previous version.
The effect is that when one updates a base package, the usual behaviour is to simply try to use it to satisfy everything that depends on that base package. The Debian CI will report the build or test failures of all the depending packages which the API changes broke.
We will have a choice, then:
Breakage handling - update broken depending packages individually
If there are only a few packages that are broken, for each broken dependency, we add an appropriate Breaks to the base binary package. (The version field in the Breaks should be chosen narrowly, so that it is possible to resolve it without changing the major version of the dependency, eg by making a minor source change.)
When can then do one of the following:
Provides lines to be generated - withdrawing the Provides lines for earlier APIs.
Hopefully examination of the upstream changelog will show what the main compat break is, and therefore tell us which Provides we still want to retain.
This is like declaring Breaks for all the rdepends. We should do it if many rdepends are affected.
Then, for each rdependency, we must choose one of the responses in the bullet points above. In practice this will often be a mass bug filing campaign, or large update campaign.
Breakage handling - multiple versions
Sometimes there will be a big API rewrite in some package, and we can t easily update all of the rdependencies because the upstream ecosystem is fragmented and the work involved in reconciling it all is too substantial.
When this happens we will bite the bullet and include multiple versions of the base package in Debian. The old version will become a new source package with a version number in its name.
This is analogous to how key C/C++ libraries are handled.
Downsides of this scheme
The first obvious downside is that assembling some arbitrary set of Debian Rust library packages, that satisfy the dependencies declared by Debian, is no longer necessarily going to work. The combinations that Debian has tested - Debian releases - will work, though. And at least, any breakage will affect only people building Rust code using Debian-supplied libraries.
Another less obvious problem is that because there is no such thing as Build-Breaks (in a Debian binary package), the per-package update scheme may result in no way to declare that a particular library update breaks the build of a particular leaf package. In other words, old source packages might no longer build when exposed to newer versions of their build-dependencies, taken from a newer Debian release. This is a thing that already happens in Debian, with source packages in other languages, though.
Semver violation
I am proposing that Debian should routinely compile Rust packages against dependencies in violation of the declared semver, and ship the results to Debian s millions of users.
This sounds quite alarming! But I think it will not in fact lead to shipping bad binaries, for the following reasons:
The Rust community strongly values safety (in a broad sense) in its APIs. An API which is merely capable of insecure (or other seriously bad) use is generally considered to be wrong. For example, such situations are regarded as vulnerabilities by the RustSec project, even if there is no suggestion that any actually-broken caller source code exists, let alone that actually-broken compiled code is likely.
The Rust community also values alerting programmers to problems. Nontrivial semantic changes to APIs are typically accompanied not merely by a semver bump, but also by changes to names or types, precisely to ensure that broken combinations of code do not compile.
Or to look at it another way, in Debian we would simply be doing what many Rust upstream developers routinely do: bump the versions of their dependencies, and throw it at the wall and hope it sticks. We can mitigate the risks the same way a Rust upstream maintainer would: when updating a package we should of course review the upstream changelog for any gotchas. We should look at RustSec and other upstream ecosystem tracking and authorship information.
Difficulties for another day
As I said, I see some other issues with Rust in Debian.
cal(1) in Rust (maybe I wasn t looking hard enough,
feel free to point anything out to me I might have overlooked).
No cal in Rust even though a calendar implementation would provide the
potential to go over the top with terminal colors, which is also very important
when writing reimplementations of older CLI tools! So I started writing and
soon had a simple prototype of a cal reimplementation. A couple of weeks
later I can now present carl, a cal
implementation in Rust:
The default output of carl is what you would expect from a commandline
calendar tool. It prints the days of the current month and highlights the
current day. Other than the cal tools I tried, carl by default also prints
days that are in the past in grey. Like cal it can also print three month if
you use the -3 switch or the whole year if you use the -y switch.
carl uses for various
dates. The name of the theme is set in carls configuration file (in
XDG_CONFIG_HOME/.carl/config.toml or system-wide in
XDG_CONFIG_DIRS/.carl/config.toml) using the theme setting - carl looks for
the theme in the file $ themename .theme in the configuration folders. A
custom theme could for example look like this:
You can change the foreground color, background color and/or style of a date
using a combination of various stylenames like BGRed, Bold and FGCyan.
The README lists
all possible stylenames. A list of date properties defines which dates the
specific style should affect- date properties are for example CurrentDate,
AfterCurrentDate or FirstDayOfMonth. Again, the
README lists the
existing date properties and I m happy to implement more of them, if you have
ideas.
.ical files in the configuration file. carl
can display the dates from the ical file(s) with a separate style. There can
either be a global style for all the dates from all the ical files by using the
IsEvent date property or a separate style for the dates of a specific
*.ical file.
Using the --agenda commandline switch carl also shows an agenda of dates
from the ical files.
cargo install carl. I also plan to upload it to
Debian at some point. If you find bugs or have feature requests, please don t
hesitate to create issues.
| Publisher: | Penguin Books |
| Copyright: | 2018 |
| Printing: | 2019 |
| ISBN: | 0-525-55880-2 |
| Format: | Kindle |
| Pages: | 615 |
In Europe, the bullish CEOs of Deutsche Bank and Barclays claimed exceptional status because they avoided taking aid from their national governments. What the Fed data reveal is the hollowness of those boasts. The banks might have avoided state-sponsored recapitalization, but every major bank in the entire world was taking liquidity assistance on a grand scale from its local central bank, and either directly or indirectly by way of the swap lines from the Fed.The emergency steps taken by Timothy Geithner in the Treasury Department were nearly as dramatic as those of the Federal Reserve. Without regard for borders, and pushing the boundary of their legal authority, they intervened massively in the world (not just the US) economy to save the banking and international finance system. And it worked. One of the benefits of a good history is to turn stories about heroes and villains into more nuanced information about motives and philosophies. I came away from Sheila Bair's account of the crisis furious at Geithner's protection of banks from any meaningful consequences for their greed. Tooze's account, and analysis, agrees with Bair in many respects, but Bair was continuing a personal fight and Tooze has more space to put Geithner into context. That context tells an interesting story about the shape of political economics in the 21st century. Tooze identifies Geithner as an institutionalist. His goal was to keep the system running, and he was acutely aware of what would happen if it failed. He therefore focused on the pragmatic and the practical: the financial system was about to collapse, he did whatever was necessary to keep it working, and that effort was successful. Fairness, fault, and morals were treated as irrelevant. This becomes more obvious when contrasted with the eurozone crisis, which started with a Greek debt crisis in the wake of the recession triggered by the 2008 crisis. Greece is tiny by the standards of the European economy, so at first glance there is no obvious reason why its debt crisis should have perturbed the financial system. Under normal circumstances, its lenders should have been able to absorb such relatively modest losses. But the immediate aftermath of the 2008 crisis was not normal circumstances, particularly in Europe. The United States had moved aggressively to recapitalize its banks using the threat of compensation caps and government review of their decisions. The European Union had not; European countries had done very little, and their banks were still in a fragile state. Worse, the European Central Bank had sent signals that the market interpreted as guaranteeing the safety of all European sovereign debt equally, even though this was explicitly ruled out by the Lisbon Treaty. If Greece defaulted on its debt, not only would that be another shock to already-precarious banks, it would indicate to the market that all European debt was not equal and other countries may also be allowed to default. As the shape of the Greek crisis became clearer, the cost of borrowing for all of the economically weaker European countries began rising towards unsustainable levels. In contrast to the approach taken by the United States government, though, Europe took a moralistic approach to the crisis. Jean-Claude Trichet, then president of the European Central Bank, held the absolute position that defaulting on or renegotiating the Greek debt was unthinkable and would not be permitted, even though there was no realistic possibility that Greece would be able to repay. He also took a conservative hard line on the role of the ECB, arguing that it could not assist in this crisis. (Tooze is absolutely scathing towards Trichet, who comes off in this account as rigidly inflexible, volatile, and completely irrational.) Germany's position, represented by Angela Merkel, was far more realistic: Greece's debt should be renegotiated and the creditors would have to accept losses. This is, in Tooze's account, clearly correct, and indeed is what eventually happened. But the problem with Merkel's position was the potential fallout. The German government was still in denial about the health of its own banks, and political opinion, particularly in Merkel's coalition, was strongly opposed to making German taxpayers responsible for other people's debts. Stopping the progression of a Greek default to a loss of confidence in other European countries would require backstopping European sovereign debt, and Merkel was not willing to support this. Tooze is similarly scathing towards Merkel, but I'm not sure it's warranted by his own account. She seemed, even in his account, boxed in by domestic politics and the tight constraints of the European political structure. Regardless, even after Trichet's term ended and he was replaced by the far more pragmatic Mario Draghi, Germany and Merkel continued to block effective action to relieve Greece's debt burden. As a result, the crisis lurched from inadequate stopgap to inadequate stopgap, forcing crippling austerity, deep depressions, and continued market instability while pretending unsustainable debt would magically become payable through sufficient tax increases and spending cuts. US officials such as Geithner, who put morals and arguably legality aside to do whatever was needed to save the system, were aghast. One takeaway from this is that expansionary austerity is the single worst macroeconomic idea that anyone has ever had.
In the summer of 2012 [the IMF's] staff revisited the forecasts they had made in the spring of 2010 as the eurozone crisis began and discovered that they had systematically underestimated the negative impact of budget cuts. Whereas they had started the crisis believing that the multiplier was on average around 0.5, they now concluded that from 2010 forward it had been in excess of 1. This meant that cutting government spending by 1 euro, as the austerity programs demanded, would reduce economic activity by more than 1 euro. So the share of the state in economic activity actually increased rather than decreased, as the programs presupposed. It was a staggering admission. Bad economics and faulty empirical assumptions had led the IMF to advocate a policy that destroyed the economic prospects for a generation of young people in Southern Europe.Another takeaway, though, is central to Tooze's point in the final section of the book: the institutionalists in the United States won the war on financial collapse via massive state interventions to support banks and the financial system, a model that Europe grudgingly had to follow when attempting to reject it caused vast suffering while still failing to stabilize the financial system. But both did so via actions that were profoundly and obviously unfair, and only questionably legal. Bankers suffered few consequences for their greed and systematic mismanagement, taking home their normal round of bonuses while millions of people lost their homes and unemployment rates for young men in some European countries exceeded 50%. In Europe, the troika's political pressure against Greece and Italy was profoundly anti-democratic. The financial elite achieved their goal of saving the financial system. It could have failed, that failure would have been catastrophic, and their actions are defensible on pragmatic grounds. But they completely abandoned the moral high ground in the process. The political forces opposed to centrist neoliberalism attempted to step into that moral gap. On the Left, that came in the form of mass protest movements, Occupy Wall Street, Bernie Sanders, and parties such as Syriza in Greece. The Left, broadly, took the moral side of debtors, holding that the primary pain of the crisis should instead be born by the wealthy creditors who were more able to absorb it. The Right by contrast, in the form of the Tea Party movement inside the Republican Party in the United States and the nationalist parties in Europe, broadly blamed debtors for taking on excessive debt and focused their opposition on use of taxpayer dollars to bail out investment banks and other institutions of the rich. Tooze correctly points out that the Right's embrace of racist nationalism and incoherent demagoguery obscures the fact that their criticism of the elite center has real merit and is partly shared by the Left. As Tooze sketches out, the elite centrist consensus held in most of Europe, beating back challenges from both the Left and the Right, although it faltered in the UK, Poland, and Hungary. In the United States, the Democratic Party similarly solidified around neoliberalism and saw off its challenges from the Left. The Republican Party, however, essentially abandoned the centrist position, embracing the Right. That left the Democratic Party as the sole remaining neoliberal institutionalist party, supplemented by a handful of embattled Republican centrists. Wall Street and its money swung to the Democratic Party, but it was deeply unpopular on both the Left and the Right and this shift may have hurt them more than helped. The Democrats, by not abandoning the center, bore the brunt of the residual anger over the bank bailout and subsequent deep recession. Tooze sees in that part of the explanation for Trump's electoral victory over Hilary Clinton. This review is already much too long, and I haven't even mentioned Tooze's clear explanation of the centrality of treasury bonds to world finances, or his discussions of Russian and Ukraine, China, or Brexit, all of which I thought were excellent. This is not only an comprehensive history of both of the crises and international politics of the time period. It is also a thought-provoking look at how drastic of interventions are required to keep the supposed free market working, who is left to suffer after those interventions, and the political consequences of the choice to prioritize the stability of a deeply inequitable and unsafe financial system. At least in the United States, there is now a major political party that is likely to oppose even mundane international financial institutions, let alone another major intervention. The neoliberal center is profoundly weakened. But nothing has been done to untangle the international financial system, and little has been done to reduce its risk. The world will go into the next financial challenge still suffering from a legitimacy crisis. Given the miserly, condescending, and dismissive treatment of the suffering general populace after moving heaven and earth to save the banking system, that legitimacy crisis is arguably justified, but an uncontrolled crash of the financial system is not likely to be any kinder to the average citizen than it is to the investment bankers. Crashed is not the best-written book at a sentence-by-sentence level. Tooze's prose is choppy and a bit awkward, and his paragraphs occasionally wander away from a clear point. But the content is excellent and thought-provoking, filling in large sections of the crisis picture that I had not previously been aware of and making a persuasive argument for its continuing effects on current politics. Recommended if you're not tired of reading about financial crises. Rating: 8 out of 10
In my three most recent posts, I went over the memoirs and biographies, the non-fiction and fiction I enjoyed in 2021. But in the last of my 2021 book-related posts, however, I'll be going over my favourite classics.
Of course, the difference between regular fiction and a 'classic' is an ambiguous, arbitrary and often-meaningless distinction: after all, what does it matter if Hemingway's The Old Man and the Sea (from 1951) is a classic or not? The term also smuggles in some of the ethnocentric gatekeeping encapsulated in the term 'Western canon' too. Nevertheless, the label of 'classic' has some utility for me in that it splits up the vast amount of non-fiction I read in two...
Books that just missed the cut here include: Oscar Wilde's The Picture of Dorian Gray (moody and hilarious, but I cannot bring myself to include it due to the egregious antisemitism); Tolstoy's The Kreutzer Sonata (so angry! so funny!); and finally Notes from Underground by Fyodor Dostoevsky. Of significant note, though, would be the ghostly The Turn of the Screw by Henry James.
Heart of Darkness (1899) Joseph Conrad Heart of Darkness tells the story of Charles Marlow, a sailor who accepts an assignment from a Belgian trading company as a ferry-boat captain in the African interior, and the novella is widely regarded as a critique of European colonial rule in Africa. Loosely remade by Francis Ford Coppola as Apocalypse Now (1979), I started this book with the distinct possibility that this superb film adaptation would, for a rare treat, be 'better than the book'. However, Conrad demolished this idea of mine within two chapters, yet also elevated the film to a new level as well. This was chiefly due to how observant Conrad was of the universals that make up human nature. Some of his insight pertains to the barbarism of the colonialists, of course, but Conrad applies his shrewd acuity to the at the smaller level as well. Some of these quotes are justly famous: Ah! but it was something to have at least a choice of nightmares, for example, as well as the reference to a fastidiously turned-out colonial administrator who, with unimaginable horrors occurring mere yards from his tent, we learn he was devoted to his books, which were in applepie order . (It seems to me to be deliberately unclear whether his devotion arises from gross inhumanity, utter denial or some combination of the two.) Oh, and there's a favourite moment of mine when a character remarks that It was very fine for a time, but after a bit I did get tired of resting. Tired of resting! Yes, it's difficult to now say something original about a many-layered classic such as this, especially one that has analysed from so many angles already; from a literary perspective at first, of course, but much later from a critical postcolonial perspective, such as in Chinua Achebe's noted 1975 lecture, An Image of Africa. Indeed, the history of criticism in the twentieth century of Heart of Darkness must surely parallel the social and political developments in the Western world. (On a highly related note, the much-cited non-fiction book King Leopold's Ghost is on my reading list for 2022.) I will therefore limit myself to saying that the boat physically falling apart as it journeys deeper into the Congo may be intended to represent that our idea of 'Western civilisation' ceases to function, both morally as well as physically, in this remote environment. And, whilst I'm probably not the first to notice the potential ambiguity, when Marlow lies to Kurtz's 'Intended [wife]' in the closing section in order to save her from being exposed to the truth about Kurtz (surely a metaphor about the ignorance of the West whilst also possibly incorporating some comment on gender?), the Intended replies: I knew it. For me, though, it is not beyond doubt that what the Intended 'knows' is that she knew that Marlow would lie to her: in other words, that the alleged ignorance of everyday folk in the colonial homeland is studied and deliberate. Compact and fairly easy-to-read, it is clear that Heart of Darkness rewards even the most rudimentary analysis.
Rebecca (1938) Daphne du Maurier Daphne du Maurier creates in Rebecca a credible and suffocating atmosphere in the shape of Manderley, a grand English mansion owned by aristocratic widower Maxim de Winter. Our unnamed narrator (a young woman seemingly na ve in the ways of the world) meets Max in Monte Carlo, and she soon becomes the second Mrs. de Winter. The tale takes a turn to the 'gothic', though, when it becomes apparent that the unemotional Max, as well as potentially Manderley itself, appears to be haunted by the memory of his late first wife, the titular Rebecca. Still, Rebecca is less of a story about supernatural ghosts than one about the things that can haunt our minds. For Max, this might be something around guilt; for our narrator, the class-centered fear that she will never fit in. Besides, Rebecca doesn't need an actual ghost when you have Manderley's overbearing housekeeper, Mrs Danvers, surely one of the creepiest characters in all of fiction. Either way, the conflict of a kind between the fears of the protagonists means that they never really connect with each other. The most obvious criticism of Rebecca is that the main character is unreasonably weak and cannot quite think or function on her own. (Isn't it curious that the trait of the male 'everyman' is a kind of physical clumsiness yet the female equivalent is shorthanded by being slightly slow?) But the na vete of Rebecca's narrator makes her easier to relate to in a way, and it also makes the reader far more capable of empathising with her embarrassment. This is demonstrated best whilst she, in one of the best evocations of this particular anxiety I have yet come across, is gingerly creeping around Manderlay and trying to avoid running into the butler. A surprise of sorts comes in the latter stages of the book, and this particular twist brings us into contact with a female character who is anything but 'credulous'. This revelation might even change your idea of who the main character of this book really is too. (Speaking of amateur literary criticism, I have many fan theories about Rebecca, including that Maxim de Winter's estate manager, Frank Crawley, is actually having an affair with Max, and also that Maxim may have a lot more involvement in Mrs Danvers final act that he lets on.) An easily accessible novel (with a great-but-not-perfect 1940 adaptation by Alfred Hitchcock, Rebecca is a real indulgence.
A Clockwork Orange (1962) Anthony Burgess One of Stanley Kubrick's most prominent tricks was to use different visual languages in order to prevent the audience from immediately grasping the underlying story. In his 1975 Barry Lyndon, for instance, the intentionally sluggish pacing and elusive characters require significant digestion to fathom and appreciate, and the luminous and quasi-Renaissance splendour of the cinematography does its part to constantly distract the viewer from the film's greater meaning. This is very much the case in Kubrick's A Clockwork Orange as well whilst it ostensibly appears to be about a Saturnalia of violence, the 'greater meaning' of A Clockwork Orange pertains to the Christian conception of free will; admittedly, a much drier idea to bother making a film around. This is all made much clearer when reading Anthony Burgess' 1962 original novel. Alex became a 'true Christian' through the experimental rehabilitation process, and even offers to literally turn the other cheek at one point. But as Alex had no choice to do so (and can no longer choose to commit violence), he is incapable of making a free moral choice. Thus, is he really a Man? Yet whilst the book's central concern is our conception of free will in modern societies, it also appears to be a repudiation of two conservative principles. Firstly, A Clockwork Orange demolishes the idea that 'high art' leads to morally virtuous citizens. After all, if you can do a bit of the old ultra-violence whilst listening to the glorious 9th by old Ludvig van, then so much for the oft-repeated claims that culture makes you better as a person. (This, at least, I already knew from personal experience.) The other repudiation in A Clockwork Orange is in regard to the pervasive idea that the countryside is a refuge from crime and sin. By contrast, we see the gang commit their most horrific violence in rural areas, and, later, Alex is taken to the countryside by his former droogs for a savage beating. Although this doesn't seem to quite fit the novel, this was actually an important point for Burgess to include: otherwise his book could easily be read as a commentary on the corrupting influence of urban spaces, rather than of modernity itself. The language of this book cannot escape comment here. Alex narrates most of the book in a language called Nadsat, a fractured slang constructed by Burgess based on Russian and Cockney rhyming slang. (The language is strange for only a few pages, I promise. And note that 'Alex' is a very common Russian name.) Using Nadsat has the effect of making the book feel distinctly alien, but it also prevents it from prematurely aging too. Indeed, it comes as bit of a shock to realise that A Clockwork Orange was published 1962, the same year as The Beatles' released their first single, Love Me Do. I could probably say a whole lot more about this thoroughly engrossing book and its movie adaptation (eg. the meta-textual line in Kubrick's version: It's funny how the colours of the real world only seem really real when you watch them on a screen... appears verbatim in the textual original), but I'll leave it there. The book of A Clockwork Orange is not only worth the investment in the language, but is, again, somehow better than the film.
The Great Gatsby (1925) F. Scott Fitzgerald I'm actually being a little deceitful by including this book here: I cannot really say that The Great Gatsby was a 'favourite' read of the year, but its literary merit is so undeniable (and my respect for Fitzgerald's achievement is deep enough) that the experience was one of those pleasures you feel at seeing anything done well. Here you have a book so rich in symbolic meaning that you could easily confuse the experience with drinking Coke syrup undiluted. And a text that has made the difficulty and complexity of reading character a prominent theme of the novel, as well as a technical concern of the book itself. Yet at all times you have in your mind that The Great Gatsby is first and foremost a book about a man writing a book, and, therefore, about the construction of stories and myths. What is the myth being constructed in Gatsby? The usual answer today is that the book is really about the moral virtues of America. Or, rather, the lack thereof. Indeed, as James Boice wrote in 2016:
Could Wilson have killed Gatsby any other way? Could he have ran him over, or poisoned him, or attacked him with a knife? Not at all this an American story, the quintessential one, so Gatsby could have only died the quintessential American death.The quintessential American death is, of course, being killed with a gun. Whatever your own analysis, The Great Gatsby is not only magnificently written, but it is captivating to the point where references intrude many months later. For instance, when reading something about Disney's 'princess culture', I was reminded of when Daisy says of her daughter: I hope she'll be a fool that's the best thing of a girl can be in this world, a beautiful little fool . Or the billboard with the eyes of 'Doctor T. J. Eckleburg'. Or the fact that the books in Gatsby's library have never been read (so what is 'Owl Eyes' doing there during the party?!). And the only plain room in Gatsby's great house is his bedroom... Okay, fine, I must have been deluding myself: I love this novel.
:wq for today.
In my two most recent posts, I listed the memoirs and biographies and followed this up with the non-fiction I enjoyed the most in 2021. I'll leave my roundup of 'classic' fiction until tomorrow, but today I'll be going over my favourite fiction.
Books that just miss the cut here include Kingsley Amis' comic Lucky Jim, Cormac McCarthy's The Road (although see below for McCarthy's Blood Meridian) and the Complete Adventures of Tintin by Herg , the latter forming an inadvertently incisive portrait of the first half of the 20th century.
Like ever, there were a handful of books that didn't live up to prior expectations. Despite all of the hype, Emily St. John Mandel's post-pandemic dystopia Station Eleven didn't match her superb The Glass Hotel (one of my favourite books of 2020). The same could be said of John le Carr 's The Spy Who Came in from the Cold, which felt significantly shallower compared to Tinker, Tailor, Soldier, Spy again, a favourite of last year. The strangest book (and most difficult to classify at all) was undoubtedly Patrick S skind's Perfume: The Story of a Murderer, and the non-fiction book I disliked the most was almost-certainly Beartown by Fredrik Bachman.
Two other mild disappointments were actually film adaptions. Specifically, the original source for Vertigo by Pierre Boileau and Thomas Narcejac didn't match Alfred Hitchock's 1958 masterpiece, as did James Sallis' Drive which was made into a superb 2011 neon-noir directed by Nicolas Winding Refn. These two films thus defy the usual trend and are 'better than the book', but that's a post for another day.
A Wizard of Earthsea (1971) Ursula K. Le Guin How did it come to be that Harry Potter is the publishing sensation of the century, yet Ursula K. Le Guin's Earthsea is only a popular cult novel? Indeed, the comparisons and unintentional intertextuality with Harry Potter are entirely unavoidable when reading this book, and, in almost every respect, Ursula K. Le Guin's universe comes out the victor. In particular, the wizarding world that Le Guin portrays feels a lot more generous and humble than the class-ridden world of Hogwarts School of Witchcraft and Wizardry. Just to take one example from many, in Earthsea, magic turns out to be nurtured in a bottom-up manner within small village communities, in almost complete contrast to J. K. Rowling's concept of benevolent government departments and NGOs-like institutions, which now seems a far too New Labour for me. Indeed, imagine an entire world imbued with the kindly benevolence of Dumbledore, and you've got some of the moral palette of Earthsea. The gently moralising tone that runs through A Wizard of Earthsea may put some people off:
Vetch had been three years at the School and soon would be made Sorcerer; he thought no more of performing the lesser arts of magic than a bird thinks of flying. Yet a greater, unlearned skill he possessed, which was the art of kindness.Still, these parables aimed directly at the reader are fairly rare, and, for me, remain on the right side of being mawkish or hectoring. I'm thus looking forward to reading the next two books in the series soon.
Blood Meridian (1985) Cormac McCarthy Blood Meridian follows a band of American bounty hunters who are roaming the Mexican-American borderlands in the late 1840s. Far from being remotely swashbuckling, though, the group are collecting scalps for money and killing anyone who crosses their path. It is the most unsparing treatment of American genocide and moral depravity I have ever come across, an anti-Western that flouts every convention of the genre. Blood Meridian thus has a family resemblance to that other great anti-Western, Once Upon a Time in the West: after making a number of gun-toting films that venerate the American West (ie. his Dollars Trilogy), Sergio Leone turned his cynical eye to the western. Yet my previous paragraph actually euphemises just how violent Blood Meridian is. Indeed, I would need to be a much better writer (indeed, perhaps McCarthy himself) to adequately 0utline the tone of this book. In a certain sense, it's less than you read this book in a conventional sense, but rather that you are forced to witness successive chapters of grotesque violence... all occurring for no obvious reason. It is often said that books 'subvert' a genre and, indeed, I implied as such above. But the term subvert implies a kind of Puck-like mischievousness, or brings to mind court jesters licensed to poke fun at the courtiers. By contrast, however, Blood Meridian isn't funny in the slightest. There isn't animal cruelty per se, but rather wanton negligence of another kind entirely. In fact, recalling a particular passage involving an injured horse makes me feel physically ill. McCarthy's prose is at once both baroque in its language and thrifty in its presentation. As Philip Connors wrote back in 2007, McCarthy has spent forty years writing as if he were trying to expand the Old Testament, and learning that McCarthy grew up around the Church therefore came as no real surprise. As an example of his textual frugality, I often looked for greater precision in the text, finding myself asking whether who a particular 'he' is, or to which side of a fight some two men belonged to. Yet we must always remember that there is no precision to found in a gunfight, so this infidelity is turned into a virtue. It's not that these are fair fights anyway, or even 'murder': Blood Meridian is just slaughter; pure butchery. Murder is a gross understatement for what this book is, and at many points we are grateful that McCarthy spares us precision. At others, however, we can be thankful for his exactitude. There is no ambiguity regarding the morality of the puppy-drowning Judge, for example: a Colonel Kurtz who has been given free license over the entire American south. There is, thank God, no danger of Hollywood mythologising him into a badass hero. Indeed, we must all be thankful that it is impossible to film this ultra-violent book... Indeed, the broader idea of 'adapting' anything to this world is, beyond sick. An absolutely brutal read; I cannot recommend it highly enough.
Bodies of Light (2014) Sarah Moss Bodies of Light is a 2014 book by Glasgow-born Sarah Moss on the stirrings of women's suffrage within an arty clique in nineteenth-century England. Set in the intellectually smoggy cities of Manchester and London, this poignant book follows the studiously intelligent Alethia 'Ally' Moberly who is struggling to gain the acceptance of herself, her mother and the General Medical Council. You can read my full review from July.
House of Leaves (2000) Mark Z. Danielewski House of Leaves is a remarkably difficult book to explain. Although the plot refers to a fictional documentary about a family whose house is somehow larger on the inside than the outside, this quotidian horror premise doesn't explain the complex meta-commentary that Danielewski adds on top. For instance, the book contains a large number of pseudo-academic footnotes (many of which contain footnotes themselves), with references to scholarly papers, books, films and other articles. Most of these references are obviously fictional, but it's the kind of book where the joke is that some of them are not. The format, structure and typography of the book is highly unconventional too, with extremely unusual page layouts and styles. It's the sort of book and idea that should be a tired gimmick but somehow isn't. This is particularly so when you realise it seems specifically designed to create a fandom around it and to manufacturer its own 'cult' status, something that should be extremely tedious. But not only does this not happen, House of Leaves seems to have survived through two exhausting decades of found footage: The Blair Witch Project and Paranormal Activity are, to an admittedly lesser degree, doing much of the same thing as House of Leaves. House of Leaves might have its origins in Nabokov's Pale Fire or even Derrida's Glas, but it seems to have more in common with the claustrophobic horror of Cube (1997). And like all of these works, House of Leaves book has an extremely strange effect on the reader or viewer, something quite unlike reading a conventional book. It wasn't so much what I got out of the book itself, but how it added a glow to everything else I read, watched or saw at the time. An experience.
Milkman (2018) Anna Burns This quietly dazzling novel from Irish author Anna Burns is full of intellectual whimsy and oddball incident. Incongruously set in 1970s Belfast during The Irish Troubles, Milkman's 18-year-old narrator (known only as middle sister ), is the kind of dreamer who walks down the street with a Victorian-era novel in her hand. It's usually an error for a book that specifically mention other books, if only because inviting comparisons to great novels is grossly ill-advised. But it is a credit to Burns' writing that the references here actually add to the text and don't feel like they are a kind of literary paint by numbers. Our humble narrator has a boyfriend of sorts, but the figure who looms the largest in her life is a creepy milkman an older, married man who's deeply integrated in the paramilitary tribalism. And when gossip about the narrator and the milkman surfaces, the milkman beings to invade her life to a suffocating degree. Yet this milkman is not even a milkman at all. Indeed, it's precisely this kind of oblique irony that runs through this daring but darkly compelling book.
The First Fifteen Lives of Harry August (2014) Claire North Harry August is born, lives a relatively unremarkable life and finally dies a relatively unremarkable death. Not worth writing a novel about, I suppose. But then Harry finds himself born again in the very same circumstances, and as he grows from infancy into childhood again, he starts to remember his previous lives. This loop naturally drives Harry insane at first, but after finding that suicide doesn't stop the quasi-reincarnation, he becomes somewhat acclimatised to his fate. He prospers much better at school the next time around and is ultimately able to make better decisions about his life, especially when he just happens to know how to stay out of trouble during the Second World War. Yet what caught my attention in this 'soft' sci-fi book was not necessarily the book's core idea but rather the way its connotations were so intelligently thought through. Just like in a musical theme and varations, the success of any concept-driven book is far more a product of how the implications of the key idea are played out than how clever the central idea was to begin with. Otherwise, you just have another neat Borges short story: satisfying, to be sure, but in a narrower way. From her relatively simple premise, for example, North has divined that if there was a community of people who could remember their past lives, this would actually allow messages and knowledge to be passed backwards and forwards in time. Ah, of course! Indeed, this very mechanism drives the plot: news comes back from the future that the progress of history is being interfered with, and, because of this, the end of the world is slowly coming. Through the lives that follow, Harry sets out to find out who is passing on technology before its time, and work out how to stop them. With its gently-moralising romp through the salient historical touchpoints of the twentieth century, I sometimes got a whiff of Forrest Gump. But it must be stressed that this book is far less certain of its 'right-on' liberal credentials than Robert Zemeckis' badly-aged film. And whilst we're on the topic of other media, if you liked the underlying conceit behind Stuart Turton's The Seven Deaths of Evelyn Hardcastle yet didn't enjoy the 'variations' of that particular tale, then I'd definitely give The First Fifteen Lives a try. At the very least, 15 is bigger than 7. More seriously, though, The First Fifteen Lives appears to reflect anxieties about technology, particularly around modern technological accelerationism. At no point does it seriously suggest that if we could somehow possess the technology from a decade in the future then our lives would be improved in any meaningful way. Indeed, precisely the opposite is invariably implied. To me, at least, homo sapiens often seems to be merely marking time until we can blow each other up and destroying the climate whilst sleepwalking into some crisis that might precipitate a thermonuclear genocide sometimes seems to be built into our DNA. In an era of cli-fi fiction and our non-fiction newspaper headlines, to label North's insight as 'prescience' might perhaps be overstating it, but perhaps that is the point: this destructive and negative streak is universal to all periods of our violent, insecure species.
The Goldfinch (2013) Donna Tartt After Breaking Bad, the second biggest runaway success of 2014 was probably Donna Tartt's doorstop of a novel, The Goldfinch. Yet upon its release and popular reception, it got a significant number of bad reviews in the literary press with, of course, an equal number of predictable think pieces claiming this was sour grapes on the part of the cognoscenti. Ah, to be in 2014 again, when our arguments were so much more trivial. For the uninitiated, The Goldfinch is a sprawling bildungsroman that centres on Theo Decker, a 13-year-old whose world is turned upside down when a terrorist bomb goes off whilst visiting the Metropolitan Museum of Art, killing his mother among other bystanders. Perhaps more importantly, he makes off with a painting in order to fulfil a promise to a dying old man: Carel Fabritius' 1654 masterpiece The Goldfinch. For the next 14 years (and almost 800 pages), the painting becomes the only connection to his lost mother as he's flung, almost entirely rudderless, around the Western world, encountering an array of eccentric characters. Whatever the critics claimed, Tartt's near-perfect evocation of scenes, from the everyday to the unimaginable, is difficult to summarise. I wouldn't label it 'cinematic' due to her evocation of the interiority of the characters. Take, for example: Even the suggestion that my father had close friends conveyed a misunderstanding of his personality that I didn't know how to respond it's precisely this kind of relatable inner subjectivity that cannot be easily conveyed by film, likely is one of the main reasons why the 2019 film adaptation was such a damp squib. Tartt's writing is definitely not 'impressionistic' either: there are many near-perfect evocations of scenes, even ones we hope we cannot recognise from real life. In particular, some of the drug-taking scenes feel so credibly authentic that I sometimes worried about the author herself. Almost eight months on from first reading this novel, what I remember most was what a joy this was to read. I do worry that it won't stand up to a more critical re-reading (the character named Xandra even sounds like the pharmaceuticals she is taking), but I think I'll always treasure the first days I spent with this often-beautiful novel.
Beyond Black (2005) Hilary Mantel Published about five years before the hyperfamous Wolf Hall (2004), Hilary Mantel's Beyond Black is a deeply disturbing book about spiritualism and the nature of Hell, somewhat incongruously set in modern-day England. Alison Harte is a middle-aged physic medium who works in the various towns of the London orbital motorway. She is accompanied by her stuffy assistant, Colette, and her spirit guide, Morris, who is invisible to everyone but Alison. However, this is no gentle and musk-smelling world of the clairvoyant and mystic, for Alison is plagued by spirits from her past who infiltrate her physical world, becoming stronger and nastier every day. Alison's smiling and rotund persona thus conceals a truly desperate woman: she knows beyond doubt the terrors of the next life, yet must studiously conceal them from her credulous clients. Beyond Black would be worth reading for its dark atmosphere alone, but it offers much more than a chilling and creepy tale. Indeed, it is extraordinarily observant as well as unsettlingly funny about a particular tranche of British middle-class life. Still, the book's unnerving nature that sticks in the mind, and reading it noticeably changed my mood for days afterwards, and not necessarily for the best.
The Wall (2019) John Lanchester The Wall tells the story of a young man called Kavanagh, one of the thousands of Defenders standing guard around a solid fortress that envelopes the British Isles. A national service of sorts, it is Kavanagh's job to stop the so-called Others getting in. Lanchester is frank about what his wall provides to those who stand guard: the Defenders of the Wall are conscripted for two years on the Wall, with no exceptions, giving everyone in society a life plan and a story. But whilst The Wall is ostensibly about a physical wall, it works even better as a story about the walls in our mind. In fact, the book blends together of some of the most important issues of our time: climate change, increasing isolation, Brexit and other widening societal divisions. If you liked P. D. James' The Children of Men you'll undoubtedly recognise much of the same intellectual atmosphere, although the sterility of John Lanchester's dystopia is definitely figurative and textual rather than literal. Despite the final chapters perhaps not living up to the world-building of the opening, The Wall features a taut and engrossing narrative, and it undoubtedly warrants even the most cursory glance at its symbolism. I've yet to read something by Lanchester I haven't enjoyed (even his short essay on cheating in sports, for example) and will be definitely reading more from him in 2022.
The Only Story (2018) Julian Barnes The Only Story is the story of Paul, a 19-year-old boy who falls in love with 42-year-old Susan, a married woman with two daughters who are about Paul's age. The book begins with how Paul meets Susan in happy (albeit complicated) circumstances, but as the story unfolds, the novel becomes significantly more tragic and moving. Whilst the story begins from the first-person perspective, midway through the book it shifts into the second person, and, later, into the third as well. Both of these narrative changes suggested to me an attempt on the part of Paul the narrator (if not Barnes himself), to distance himself emotionally from the events taking place. This effect is a lot more subtle than it sounds, however: far more prominent and devastating is the underlying and deeply moving story about the relationship ends up. Throughout this touching book, Barnes uses his mastery of language and observation to avoid the saccharine and the maudlin, and ends up with a heart-wrenching and emotive narrative. Without a doubt, this is the saddest book I read this year.
Some time back I wrote up a description of my proposed (and implemented) solution for making hibernation work under Linux even within the bounds of the integrity model. It's been a while, so here's an update.
As a follow-up to yesterday's post listing my favourite memoirs and biographies I read in 2021, today I'll be outlining my favourite works of non-fiction.
Books that just missed the cut include: The Unusual Suspect by Ben Machell for its thrilleresque narrative of a modern-day Robin Hood (and if you get to the end, a completely unexpected twist); Paul Fussell's Class: A Guide to the American Status System as an amusing chaser of sorts to Kate Fox's Watching the English; John Carey's Little History of Poetry for its exhilarating summation of almost four millennia of verse; David Graeber's Debt: The First 5000 Years for numerous historical insights, not least its rejoinder to our dangerously misleading view of ancient barter systems; and, although I didn't treasure everything about it, I won't hesitate to gift Pen Vogler's Scoff to a number of friends over the next year. The weakest book of non-fiction I read this year was undoubtedly Roger Scruton's How to Be a Conservative: I much preferred The Decadent Society for Ross Douthat for my yearly ration of the 'intellectual right'.
I also very much enjoyed reading a number of classic texts from academic sociology, but they are difficult to recommend or even summarise. These included One-Dimensional Man by Herbert Marcuse, Postmodernism: Or, the Cultural Logic of Late Capitalism by Frederic Jameson and The Protestant Ethic and the Spirit of Capitalism by Max Weber. 'These are heavy books', remarks John Proctor in Arthur Miller's The Crucible...
All round-up posts for 2021: Memoir/biography, Non-fiction (this post) & Fiction (coming soon).
(2020) Robert Kolker A compelling and disturbing account of the Galvin family six of whom were diagnosed with schizophrenia which details a journey through the study and misunderstanding of the condition. The story of the Galvin family offers a parallel history of the science of schizophrenia itself, from the era of institutionalisation, lobotomies and the 'schizo mother', to the contemporary search for genetic markers for the disease... all amidst fundamental disagreements about the nature of schizophrenia and, indeed, of all illnesses of the mind. Samples of the Galvins' DNA informed decades of research which, curiously, continues to this day, potentially offering paths to treatment, prediction and even eradication of the disease, although on this last point I fancy that I detect a kind of neo-Victorian hubris that we alone will be the ones to find a cure. Either way, a gentle yet ultimately tragic view of a curiously 'American' family, where the inherent lack of narrative satisfaction brings a frustration and sadness of its own.
Islands of Abandonment: Life in the Post-Human Landscape (2021) Cat Flyn In this disarmingly lyrical book, Cat Flyn addresses the twin questions of what happens after humans are gone and how far can our damage to nature be undone. From the forbidden areas of post-war France to the mining regions of Scotland, Islands of Abandonment explores the extraordinary places where humans no longer live in an attempt to give us a glimpse into what happens when mankind's impact on nature is, for one reason or another, forced to stop. Needless to say, if anxieties in this area are not curdling away in your subconscious mind, you are probably in some kind of denial. Through a journey into desolate, eerie and ravaged areas in the world, this artfully-written study offers profound insights into human nature, eschewing the usual dry sawdust of Wikipedia trivia. Indeed, I summed it up to a close friend remarking that, through some kind of hilarious administrative error, the book's publisher accidentally dispatched a poet instead of a scientist to write this book. With glimmers of hope within the (mostly) tragic travelogue, Islands of Abandonment is not only a compelling read, but also a fascinating insight into the relationship between Nature and Man.
The Anatomy of Fascism (2004) Robert O. Paxton Everyone is absolutely sure they know what fascism is... or at least they feel confident choosing from a buffet of features to suit the political mood. To be sure, this is not a new phenomenon: even as 'early' as 1946, George Orwell complained in Politics and the English Language that the word Fascism has now no meaning except in so far as it signifies something not desirable . Still, it has proved uncommonly hard to define the core nature of fascism and what differentiates it from related political movements. This is still of great significance in the twenty-first century, for the definition ultimately determines where the powerful label of 'fascist' can be applied today. Part of the enjoyment of reading this book was having my own cosy definition thoroughly dismantled and replaced with a robust system of abstractions and common themes. This is achieved through a study of the intellectual origins of fascism and how it played out in the streets of Berlin, Rome and Paris. Moreover, unlike Strongmen (see above), fascisms that failed to gain meaningful power are analysed too, including Oswald Mosley's British Union of Fascists. Curiously enough, Paxton's own definition of fascism is left to the final chapter, and by the time you reach it, you get an anti-climatic feeling of it being redundant. Indeed, whatever it actually is, fascism is really not quite like any other 'isms' at all, so to try and classify it like one might be a mistake. In his introduction, Paxton warns that many of those infamous images associated with fascism (eg. Hitler in Triumph of the Will, Mussolini speaking from a balcony, etc.) have the ability to induce facile errors about the fascist leader and the apparent compliance of the crowd. (Contemporary accounts often record how sceptical the common man was of the leader's political message, even if they were transfixed by their oratorical bombast.) As it happens, I thus believe I had something of an advantage of reading this via an audiobook, and completely avoided re-absorbing these iconic images. To me, this was an implicit reminder that, however you choose to reduce it to a definition, fascism is undoubtedly the most visual of all political forms, presenting itself to us in vivid and iconic primary images: ranks of disciplined marching youths, coloured-shirted militants beating up members of demonised minorities; the post-war pictures from the concentration camps... Still, regardless of you choose to read it, The Anatomy of Fascism is a powerful book that can teach a great deal about fascism in particular and history in general.
What Good are the Arts? (2005) John Carey What Good are the Arts? takes a delightfully sceptical look at the nature of art, and cuts through the sanctimony and cant that inevitably surrounds them. It begins by revealing the flaws in lofty aesthetic theories and, along the way, debunks the claims that art makes us better people. They may certainly bring joy into your life, but by no means do the fine arts make you automatically virtuous. Carey also rejects the entire enterprise of separating things into things that are art and things that are not, making a thoroughly convincing case that there is no transcendental category containing so-called 'true' works of art. But what is perhaps equally important to what Carey is claiming is the way he does all this. As in, this is an extremely enjoyable book to read, with not only a fine sense of pace and language, but a devilish sense of humour as well. To be clear, What Good are the Arts? it is no crotchety monograph: Leo Tolstoy's *What Is Art? (1897) is hilarious to read in similar ways, but you can't avoid feeling its cantankerous tone holds Tolstoy's argument back. By contrast, Carey makes his argument in a playful sort of manner, in a way that made me slightly sad to read other polemics throughout the year. It's definitely not that modern genre of boomer jeremiad about the young, political correctness or, heaven forbid, 'cancel culture'... which, incidentally, made Carey's 2014 memoir, The Unexpected Professor something of a disappointing follow-up. Just for fun, Carey later undermines his own argument by arguing at length for the value of one art in particular. Literature, Carey asserts, is the only art capable of reasoning and the only art with the ability to criticise. Perhaps so, and Carey spends a chapter or so contending that fiction has the exclusive power to inspire the mind and move the heart towards practical ends... or at least far better than any work of conceptual art. Whilst reading this book I found myself taking down innumerable quotations and laughing at the jokes far more than I disagreed. And the sustained and intellectual style of polemic makes this a pretty strong candidate for my favourite overall book of the year.
fsync()
system call to ensure that writes are flushed to disk. Practically
speaking, what this meant is that a page of disk-backed memory would
be written to the disk as soon as an event occurred that triggered a
log message. Because of potential performance implications, fsync()
was not typically enabled for most log files. However, due to the
more sensitive nature of authentication logs, it was often enabled for
/var/log/auth.log.
In the first decade of the 2000 s, there was a fairly unsophisticated
worm loose on the Internet that would
probe sshd
with some
common username/password combinations.
The worm would pause for a second or so between login attempts, most
likely in an effort to avoid automated security responses. The effect
was that a system being probed by this worm would generate disk write
every second, with a very distinct audible signature from the hard
drive.
I think this situation is a fun demonstration of a side-channel data
leak. It s primitive and doesn t leak very much information, but it
was certainly enough to make some inference about the state of the
system in question. Of course, side-channel leakage issues have been
a concern for ages, but I like this one for its simplicity. It was
something that could be explained and demonstrated easily, even to
somebody with relatively limited understanding of how computers
work , unlike, for instance
measuring electromagnetic emanations from CPU power management units.
For a different take on the sounds of a computing infrastructure,
Peep (The Network Auralizer)
won an award at a USENIX conference long, long ago. I d love to see a
modern deployment of such a system. I m sure you could build
something for your cloud deployment using something like
AWS EventBridge or
Amazon SQS fairly easily.
For more on research into actual real-world side-channel attacks, you
can read
A Survey of Microarchitectural Side-channel Vulnerabilities, Attacks and Defenses in Cryptography
or
A Survey of Electromagnetic Side-Channel Attacks and Discussion on their Case-Progressing Potential for Digital Forensics.
Next.