[ once again, I am translating somebody else's material In this case, my good Costa Rican friend
Carolina Flores. Please excuse my stylistic mistakes My English is far from native as you well know. But this material is worth sharing, and worth investing some tens of minutes doing a quick translation. If you can read Spanish, go read Caro's original entry ]
Have you been to a music record store lately?
I did so last Saturday, as a mere excercise. I was not planning on buying anything but I wanted to monitor things and confirm my suspicions.
What was I suspicious of? First, that I would only find old records. And so it was: The only recent record I found was
...little broken hearts by Norah Jones. the second, that I would only find music for over 50 year old people. so it was: Were I there to look for a present for my father, I would have walked out with 10 good records. Third, that in the store nothing worth commenting would happen. About that last point, I should point out it was around 10 AM and the store had just opened its doors. Lets concede the benefit of doubt.
I don't think many of you will remember, but in Barrio La California (where there is now a beauty parlour, almost in front of AM.PM) there was Auco Disco. In Auco Disco there was a guy specialized in rock (Mauricio Alice) and another one specialized in jazz (I don't remember his name). In that record you could always find rare records, but if they were not there, at least you were sure to find somebody to say:
"No, we don't have that, but that's an excellent record, it's the best that [insert group here] have ever recorded because just afterwards they switched their guitar player, they had gone a bit south but with that record they are flying. But no, we don't have it; I can recommend you this record by [insert another group] because it has a guitar solo in track six that is amazing".
It would happen more or less like that, which means, one would arrive to Auco Disco at 10 AM and leave around 5 PM with three new records, after having listened to a spectacular music selection. What happened to those stores? Were they killed by The Pirate Bay? That's the simplistic answer from the recording industry! The answer is that those stores never got anything from the industry but an invoice. The industry specially in prescindible markets such as ours was limited to hiring artists, taking care of them recording a sellable product, producing the object called record, and that's it. The more commercial radio stations were paid to program those songs as it cannot be casual that "Mosa, mosa" is the summer hit in all of Latin America, can it? but, record stores? Nothing.
Lets carry on with that idea: Radio stations are paid to program said music. This idea should not lead us to believe that recording companies are to blame for bad taste. I won't reveal my sources, but I know the success of the "Locura autom tica" song by La Secta was a real example. Nobody paid for it. That song got to the number one because of its own merits(?) (you don't know the effort it took to find that thing,
I cannot recommend it to you). Same thing happens with other stations that don't program reggaet n, that try to save the species, and where they play what we do like. But the thing is, everything we like is not available in any record store in this country. Then, even if we wanted to buy a record or give it as a gift to somebody, it is plain impossible. And don't tell me it's the same to present as a gift a link or a CD full of downloaded MP3 as it is to give a record with cover and booklet, wrapped in gift paper.
I might be old-school, but the
fetish object record still exists, not only because of its cover, but because of its sound. A 3MB MP3 is akin to drinking coffee dripping from a bag that has been used eight times with the same coffee beans.
That format is the worst that has ever happened to music, and if we had any bit dignity we would never purchase digital files in Amazon or iTunes safe for MP3 with an acceptable compression level. That, if we could buy them, because not only that is allowed to us. As the musical industry has no interest in resolving ITS problem (that is not our problem, it is those companies') it has not even been resolved how to charge for a MP3 download that includes import fees (well, if downloading from here a MP3 from a USA-based file server can be considered importing goods into Costa Rica!!!) so we don't have to get dizzy entering into the nineties to
Titi Online to discover there is nothing by Muse, Andrew Bird, The Killers, Death Cab for Cutie, Paramore, Bj rk... (believe me, I looked them all up, even Norah jones and La Secta. They also were not there).
This all leads me to the question, which I present with all due respect (NOT):
What the fuck do they expect us to do??? It is outrageous; above all because in the best case they will sell us a watery coffee download that won't allow us to get all the details a vinyl or less compression would give us. In the worst case, post-MP3 groups will end up recording music with no harmonics or hidden sounds, because, what for? Nobody will hear it. They even admit it:
"Some musicians and audio engineers say the MP3 format is changing the way studios mix their recordings. They say the MP3 format "flattens" dynamics differences in tone and volume in a song. As a result, a great deal of new music sounds very much alike, and there is nothing as focusing to create a dynamic listening experience. Why working so hard in creating complex sound if nobody can detect it?" (Rolling Stone, The Death of High fidelity, December 26 2007, taken from
here).
That's why I am not surprised by
Adri n's post regarding the sales of old records. The price has nothing to do with it. The causes are related to the fetish object record and what it means or does not mean for people that have never purchased one. Adri n also asks if somebody here keeps buying records. I answered that I would if the stores sold anything I like. I do it even after the nausea I feel while reading "
This phonogram is an intellectual work protected in favor of its producer COPYING IT IN WHOLE OR PARTIALLY IS FORBIDDEN " (like that, uppercased, yelling to whoever is only guilty of having bought a record and defending the producer, not the artist). But I am sure that almost nobody buys records because doing so is no longer a gratifying experience; because if buying a record is clicking to wait 15 days for it to reach the mailbox, we prefer clicking on the download link.
But there is another reason for people not to buy records anymore. In one of my talks regarding
the dictatorship of the all rights reserved, I asked the 30 twenty-something-year-old students if any of them had ever bought a record. One answered he had, because he is an author and performer (
cantautor in Spanish) and understands the effort that producing a record entails. The rest of them had never done so. Is it possible that said young people have never listened to real music? Is it possible that, were it not for concerts, what they consider music is a set of washed-out MP3 that are about to fill up 1TB of their computer? Does people no longer buy records because they cannot differentiate one sound from the other?
It is not very clear for me where do I want to get to. The recording industry is despicable. An industry that instead of innovating sets its energy on suing adolescents for downloading songs, trying to pass laws restricting our freedoms in Internet, putting up DRMs making us hostages to our devices* and forcing us to listen just the aroma of music, deserves my whole contempt. If we add ot this that said industry won't allow us to legally download their breadcrumbs because it has not understood that Internet does not need a van crossing borders, besides my contempt they deserve my pity and my heartfelt condolence.
But the condolence is also for music, real music, that which is not compressed under the shoe using a terrible format. It is also for independent musicians that have not realized that begging for a bit of space to that industry they just add to themselves the "despicable" tag, given they deserve the fruits of their work to enter their bank account.
However, there are good things that have come out of this absurdity. Be it for those that have joined projects such as
Aut mata (even if it is in MP3) and for dreams come true such as
Musopen (that have achieved that the music that's in theory Public Domain becomes so in practice as well). Good for the Electronic Frontier Foundation and the
list of lawyers willing to defend people accused of ilegally downloading music in the USA. Good for the
Creative Commons licenses that allow free sharing.
All those are growing solutions, although none of them allows me to buy the Panamanian
Carlos M ndez's record. Thankfully, a friend of mine who knows I will never give a dime to Apple, bought the files for me in iTunes. I thank him deeply, although I would have prefered to go to Auco Disco and have Mauricio tell me that the 2007 EP I have from Carlos is better than the record he did on 2009.
* My devices don't have DRM because I use free software. I also use the
ogg file format.
Image by
verbeeldingskr8
In this choc-filled post, I ve got a few things I d love to share.
debian.js
First, a quick side-hack called 
Continuing on
from 
IT S FINALLY IN!
With this last upload of the MiniUPnP daemon 1.7-3, I ve reached a first milestone: all of the MiniUPnP libraries, daemons and clients are finally in Debian, in a shape which I am not ashamed anymore.
What is UPnP for?
Back in the days (around Linux 2.0.3x), the only way to share a single Internet connection was to run a Linux box as your gateway. These days are far gone, and nearly every home connection is done through a mini home router, which also often provides a small switch and a WiFi access point. Every computer on the LAN gets its connectivity through the router thanks to NAT, and to be more accurate, masquerading. That works very well for outbound connections (browse the web, send a mail, etc.), but it is then a lot harder that something connects to a server located in the LAN. If you run a permanent server with a fixed LAN IP address, that s fine, you just configure your router to do some port forwarding, so that any inbound connection will be forwarded to the computer of your choice in the LAN. But if one application needs to listen on the public IP address just for a while (for example, IRC using DCC connection), so that something can connect to it, it becomes a way more tricky. That s when UPnP comes into play. UPnP stands for Universal Plug and Play. It s a protocol so that any application on the LAN can open ports on the public IP address of the gateway. Note that an UPnP router is also often referenced as UPnP IGD (Internet Gateway Device).
Why using MiniUPnP, don t we have already linux-igd?
Before my packaging work, the only UPnP server that was available in Debian was linux-igd, which has a dependency on libupnpX. That library is quite big for what it does (about 500KiB, on top of which you have to install the 200KiB daemon itself), while MiniUPnP is designed to be lightweight (only 158K, with dependencies on iptables, iproute, uuid-runtime and libc6 only). That seems ridiculous, but when you have only 8MiB of flash in your old router, saving few hundreds KiB is really important, and here, we re saving more than 500 KiB, with a full implementation of the UPnP protocol, and the Microsoft NATPmP implemented as well (yes, Microsoft decided that one protocol wasn t enough, and that they should implement their own (sic!)).
Who is using MiniUPNP?
Probably, you already have the libminiupnpc installed in your SID/wheezy desktop, because the transmission bittorent client which is installed with Gnome by default, depends on it, and minissdpd might be in your desktop too, if you installed the Recommends: packages as well. Which is why these are scoring quite high already in popcon. Previously, transmission was embedding its own version of the MiniUPnP client library, so it s nice to have it as a standalone shared library now.
Also, because of its very light weight, and the fact that UPnP is often needed for gaming (both XBOX 360 and PSP need, and can use, the MiniUPnP daemon that runs on your IGD), many ISP who ship a router to their customer, install MiniUPnP in it. For example, at least, the 2nd and 3rd largest Internet access provider in France (Free Telecom and SFR) are shipping MiniUPnPd in their box (one of them using OpenWRT on their router). So probably as well, you are also using MiniUPnP daemon without knowing it.
But isn t UPnP unsafe?
To this question, I d answer that connecting to Internet is unsafe. It isn t less safe than connecting to Internet on a WiFi hotspot for example. So adding UPnP support on your gateway doesn t make it less safe, especially since MiniUPnP has some features to help with security (like an ACL with IP and port lists, or a secure mode were the router will only open ports to the client requesting it). Also, we are running a distribution where dependencies are easy to check, so it s easy for you to check if a client uses UPnP or not, and decide to trust it (or not). I personally have no issue trusting transmission, x-chat or warzone2010 (more exactly: I don t trust that incoming connectivity will make it less safe for these applications, there are so many other things that could go wrong).
MiniUPnP consists of what?
MiniUPnP is a set of 4 source packages to handle all of your UPnP needs:
- The client library, libminiupnpc (and the corresponding -dev package), with its sidekick miniupnpc client program (you can use it to check the public IP of your gateway, or manually open ports).
- The UPnP IGD daemon, miniupnpd, which just reached Debian Experimental. The latest version, 1.7-3, also includes debconf configuration so that you can choose the NIC and IP address to bind on. If you installed previous version, I strongly recommend upgrading to fix previous problems.
- The libnatpmp client library (and the -dev package) for implementing the Microsoft protocol as a client (it also has a client package binary for your tests).
- The minissdpd daemon to keep memory of all UPnP devices that announced themselves, and speed-up using the UPnP protocol (used by the MiniUPnP client library).
A long process to have MiniUPnP in Debian
All these 4 pieces of the puzzle were not as easy as it seems to be packaged in Debian. Especially, the IGD daemon, MiniUPnPd, used to depend on some header files that were not packaged in Debian. This was a decision of the iptables maintainers, which even after a long discussion, refused to add the necessary headers because it wasn t supposed to be a kernel API. While this might really be truth, the issue was that there was no public API available in the Linux kernel at all, and other distributions (Fedora, Gentoo, etc.) really did supply these needed files. As a consequence, during a very long time (years literally), shamefully, it was impossible to build the MiniUPnP daemon in Debian, while it was no problem on other distributions. Note that I do not want to start a troll discussion here, I m just stating facts, both parties have very strong and respectable arguments. Anyway, this needed API was finally embedded in MiniUPnPd itself thanks to a contributor to the project, and now it builds on both the Squeeze and the Wheezy (that is Linux 3.2) kernel without any issue.
Call for testing
Unfortunately, I don t have a Linux box as my Internet gateway. So I did the tests that I could: I installed MiniUPnPd on one computer on my LAN, and checked that I could open ports from another computer. So it seems to work, but I had no way to really test it live , with some real clients. So if you have an Debian SID box as your Internet gateway, feedback would be highly appreciated.
What is remaining to do?
A transition from libminiupnpc5 to libminiupnpc8 has to happen. Of course, this is too late for Wheezy, so this will happen right after the release. There s not so many reverse dependencies, so it should be ok, but I (yet) have zero experience with transitions. BTW, I had hard time to find out what this transition process was, and maybe some more effort for documenting it would help others (I m thinking about adding some text in the Debian wiki for that). Also, I have called for help on debian-devel, because I m currently the only one maintaining all these 4 source packages, and I m trying to have all my packages checked by others, and team maintained. So if you want to give a hand, or just declare yourself as a backup if I m busy, please raise your hand! Upstream is a friend of mine, and is very reactive to any requests (it very rarely took more than 48 hours to get a reply).
Enjoy MiniUPnP and report bugs!
Again, feedback would be appreciated. :)
Favicons for Server Tabs
Distinguishing server tabs can be difficult, especially if you have plenty of
them. All server tabs have the same icon so you need to search for the right
name. I wondered why this issue doesn't happen so easily with a web browser
which usually also has lots of tabs open. Besides the page name there is the
favicon right in front. So why can't Smuxi make use of that simple but effective
technology? Well, 
Quick Join Bar
One thing that makes IRC really difficult for new comers is the important IRC
concept that channels are network specific. So what happens is people try to
find / join the channel they are looking for but on the wrong network. They
have to connect to the right server/network and then switch to the right tab,
before they can join the channel (using the /join command or join dialog). The
developers of Smuxi had a brainstorming session and came up with something that
should be easy enough for anyone to use and finally solves the issue: the
Ewww, that looks ugly, doesn't it? I will make this one short, here is the cure
with 
Enhanced Text Frontend
The text frontend which is still in alpha state has received the following
enhancements: new /exit command, new /help command, regular and xterm window
title, and, several fixed crashes.
The /connect command now allows you to 
Recently I have succumbed to a number of indie games sales, in particular ones in 
It is rare that I use social networks, but usually I do not decline
invitations to connect when they come from people I know. This said, I had
doubts when accepting invitations from other Debian Developers, most of whom
I never met in person: how can I be sure that the account really belongs to
the person ? Luckily, we have a tool to solve that problem, our 
I was hired last year ago by 
Today I'm in bed, because I have le sniffles, and a painful headache. I'm using epiphany to write this post, via VNC to my main desktop, but I'm hating it as I've somehow evolved into a state where the following crashes my browser:
it's sunday evening again, & again, here comes my report about
activities around RC bugs:
